Format : collection (with pull-out supplement)
SKU: YM.GTW01100365
ISBN 9784636102581. 8.5 x 12 inches.
Have you ever wanted to play some popular J-Pop songs, but the notes are too high, too detailed, too difficult to finger, or the song is too long? To solve such difficulties, the scores are arranged in keys that are easier for wind instruments to play, reviewed the detailed notes, and shortened the length of the songs. *Alto saxophone scores are notated in E-flat. *All chord symbols in alto saxophone sheet music are transposed chords. The concert key is the minor third degree above the chord listed. (For example, a piece in C is written in E-flat.).
SKU: FP.FMJ03
ISBN 9790570500253.
Written in memory of Peter Crossley-Holland, a former colleague at the BBC where Sir John Manduell was founding the BBC Music Programme, this superb duet was given a first performance by Richard Howarth (Violin) and Tom Dunn (Viola) at the Bridgewater Hall in August 2002.While a short piece, there is plenty of technical challenge in this work, with the Recitative spanning the full range octaves leading on to an Aria in 11/8, featuring muted, pizzicato, double stopping and harmonic passages.
SKU: HL.48186456
UPC: 888680828677. 0.022 inches.
Composer and conductor Eugene Bozza (1905-1991) was a pupil of Henri Busser and Henri Rabaud at the Conservatoire de Paris, and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano ? an adaptation of the third movement of Johan Sebastian Bach?s Organ Pastorale in F Major BWV 590, which was to tour the world. This nostalgia-imbued melody, which expands over a regular meter, has, in turn, been the subject of numerous transcriptions, first for clarinet, then for Violin (or Flute) and Piano. Editions Leduc have chosen to republish this last version, with the added bonus of an audio version that should be of valuable assistance to all musicians!.
SKU: BT.PL3711
SKU: HL.14026651
10.25x14.25x0.425 inches.
After Ariadne was commissioned by the violist Paul Silverthorne who premiered it it with Richard Rodney Bennett himself in 1987 at the Cheltenham Festival. This is based on the famous Monteverdi madrigal Lasciate Mi Morire.
