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American Company
DOUBLE BASS
SHEET MUSIC
⮞
INSTRUCTIONAL : METHODS
⮞
The II-V-I Book
$19.95
- See more - Buy online
Lead time before shipment :
24 hours - In Stock
Format : Sheet music + CD
(For All Instruments). Instructional. Softcover with CD. 64 pages
Instrumentation :
Double Bass
Publisher :
Bloom School Of Jazz Publishing
Listen audio
The Fire and Form series from the Bloom School of Jazz shows players how to transcend the limitations of idiom and style to gain artistic freedom. This book for all instruments explores the possibilities of this must-know chord progression, covering major and minor II-V-Is in all keys, turn-arounds, scale mixtures and materials and more, with lots of helpful exercises and demo tracks on the included CD.
Seller information:
Sheetmusicplus
Place :
USA
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except EU countries!
, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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Volume 1 of famous early 17th-century collection of keyboard music. Features 300...
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Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content : I. Walsingham. John Bull (see No. LXVIII) II. Fantasia [IX]. John Munday III. Fantasia, Faire Wether, etc. John Munday IV. Pavana [I]. Ferdinando Richardson V. Variatio [I]. Ferdinando Richardson VI. Galiarda [I]. Ferdinando Richardson VII. Variation [I]. Ferdinando Richardson VIII. Fantasia [VII]. William Byrd IX. Goe from my Window. Thomas Morley (see No. XLII) X. Jhon come kisse me now. William Byrd XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull XII. Nancie. Thomas Morley XIII. Pavana [VII]. John Bull XIV. Alman [IX]. Anon XV. Robin [see No. CXXVIII). John Munday XVI. Pavana [II]. M. S. XVII. Galiarda [X]. John Bull XVIII. Barafostus' Dreame. Anon (see No. CXXXI) XIX. Muscadin (see No. CCXCIII). Anon XX. Alman [VII]. Anon XXI. Galiarda [I]. Anon XXII. Praeludium [VII]. Anon XXIII. Praeludium, El. Kiderminster. Anon XXIV. Praeludium [XIII]. William Byrd XXV. Praeludium [XIII]. Anon XXVI. The Irish Ho-Hoane. Anon XXVII. Pavane [VII]. Ferdinando Richardson XXVIII. Variatio [VII]. Ferdinando Richardson XXIX. Galiarda [I*]. Ferdinando Richardson XXX. Variatio [I*]. Ferdinando Richardson XXXI. The Quadran Pavan. John Bull (see No. CXXXIII) XXXII. Variation of the Quadran Pavan. John Bull XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV) XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII) XXXV. Galiard to the Pavan [IX]. John Bull XXXVI. Saint Thomas Wake. John Bull XXXVII. In Nomine [X*]. John Bull XXXVIII. [Fantasia. IX*]. John Bull XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby XL. The Woods so wilde. Orlando Gibbons (see No. LXVII) XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull XLII. Goe from my Window (see No. IX). John Munday XLIII. Praeludium [I]. John Bull XLIV. Gloria tibi Trinitas. John Bull XLV. Salvator Mundi. John Bull XLVI. Galliarda [VII]. John Bull XLVII. Variatio [VII]. John Bull XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull XLIX. Praeludium. Thomas Oldfield L. In Nomine. William Blitheman LI. Ut, Re, Mi, Fa, Sol, La. John Bull LII. Fantasia [IX]. William Byrd (see No. C) LIII. The K[ing's] Hunt. Giles Farnaby LIV. Spagnioletta. Giles Farnaby LV. For two Virginals. Giles Farnaby LVI. Passamezzo Pavana. William Byrd LVII. Galiardas Passamezzo. William Byrd LVIII. The Carman's Whistle. William Byrd LIX. The Hunt's up. William Byrd (see No. CCLXXVI) LXI. Treg[ian's] Ground. William LXI. Monsieur's Alman. William Byrd LXII. Variatio. William Byrd LXIII. Alman [XIII]. William Byrd LXIV. Sellenger's Round. William Byrd LXV. Fortune. William Byrd LXVI. O Mistris myne. William Byrd LXVII. The Woods so wilde. William Byrd (see No. XL) LXVIII. Walsingham. (See No. I.) William Byrd LXIX. The Bells. William Byrd LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips LXXI. Freno. 2a. Parte. Peter Philips LXXII. Così morirò. 3a. Parte. Peter Philips LXXIII. Fece da voi. à 6. Peter Philips LXXIV. Pavana Pagget. Peter Philips LXXV. Galiarda [I**]. Peter Philips LXXVI. Passamezzo Pavana. Peter Philips LXXVII. Galiarda Passamezzo. Peter Philips LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips LXXXI. Galiarda Dolorosa. Peter Philips LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips LXXXIII. Margott laborez. [Lasso, set by] Peter Philips LXXXIV. Fantasia [VII]. Peter Philips LXXXV. Pavana [VII]. Peter Philips LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips LXXXVII. Galliardo [VII]. Peter Philips LXXXVIII. Fantasia [XIII*]. Peter Philips LXXXIX. Fantasia. Nicholas Strogers XC. Alman [IX]. Martin Peerson XCI. Pavana, Bray. William Byrd XCII. Galiarda. William Byrd XCIII. Pavana. Ph. Tr. William Byrd XCIV. Galiarda [XIII*]. William Byrd XCV. Toccata. Giovanni Pichi XCVI*. Praeludium Toccata. J. P. Sweelinck XCVII. Pavana. Thomas Warrock XCVIII. Galiarda. Thomas Warrock XCIX. Praeludium. Galeazzo C. Praeludium to the Fancie, No. LII. William Byrd CI. Ut, re, mi, fa, sol, la. William Byrd CII. Ut, mi, re. William Byrd CIII. Fantasia [XIII]. William Byrd CIV. All in a Garden green. William Byrd CV. Heaven and Earth. Fre CVI. Praeludium [VII]. John Bull CVII. Veni. Anon CVIII. Fantasia [IX*]. John Bull CIX. Felix namque. Thomas Tallis
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Dowland J. - John Dowland's Lute Songs, Third And Fourth Book With Original Tablature
Lute
Dover Publications
Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today cont...
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Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar
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Dowland J. - Lute Song Of John Dowland Vol.1 And Vol.2
Lute
Dover Publications
The Original First and Second Books Including Dowland’s Original Lute Tablatur...
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The Original First and Second Books Including Dowland’s Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)
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Fitzwilliam Virginal Book Vol.2
Piano solo
Dover Publications
CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Gi...
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CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Giles Farnaby CXIII. Pawles Wharfe. Giles Farnaby CXIV. Quodlings Delight. Giles Farnaby CXV. Praeludium [X]. John Bull CXVI. Praeludium. Dor. [XIII*]. John Bull CXVII. Praeludium [VII]. Anon CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck CXIX. In Nomine [IX]. John Bull CXX. Praeludium [VII]. Anon CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC) CXXII. Galiarda. James Harding, set by Byrd CXXIII. Pavana. Thomas Tomkins CXXIV. Fantasia [I]. Thomas Morley CXXV. Christe Redemptor. John Bull CXXVI. The Maydens Song. William Byrd CXXVII. Put up thy Dagger, Jemy. Giles Farnaby CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby CXXIX. Fantasia [I]. Giles Farnaby CXXX. A Grounde. Thomas Tomkins CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins CXXXII. The Hunting Galliard. Thomas Tomkins CXXXIII. The Quadran Paven (see No. XXXI). William Byrd CXXXIV. Galiard to the Quadran Paven (see No. XXXIII) CXXXV. The King's Hunt. John Bull CXXXVI. Pavana [I]. John Bull CXXXVII. Galiarda [I]. John Bull CXXXVIII. Dr. Bull's Juell. John Bull CXXXIX. The Spanish Paven. John Bull CXL. In Nomine. [John?] Parsons CXLI. Wooddy-Cook. Giles Farnaby CXLII. The Duke of Brunswick's Alman. John Bull CXLIII. Rosasolis. Giles Farnaby CXLIV. Psalme [140]. J. P. Sweelinck CXLV. Alman [I]. Robert Johnson CXLVI. Alman [I]. Robert Johnson CXLVII. Alman. Robert Johnson, set by Giles Farnaby CXLVIII. The New Sa-Hoo. Giles Farnaby CXLIX. Nobody's Gigge. Richard Farnaby CL. Malt's come downe. William Byrd CLI. Praeludium [IX]. Anon CLII. Alman [XIII]. Thomas Morley CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley CLIV. Galiarda [IX]. Thomas Morley CLV. La Volta. William Byrd CLVI. Alman [VII]. William Byrd CLVII. Wolsey's Wilde. William Byrd CLVIII. Callino Casturame. William Byrd CLIX. La Volta. T. Morley, set by William Byrd CLX. Rowland. William Byrd CLXI. Why aske you. Anon (see No. CCLXXXVI) CLXII. The Ghost. William Byrd CLXIII. Alman [IX*]. William Byrd CLXIV. Galliard [I]. William Byrd CLXV. Pavana [IX*]. William Byrd CLXVI. Galliarda [IX*]. William Byrd CLXVII. Pavana [I**]. William Byrd CLXVIII. Galiarda [I**]. William Byrd CLXIX. Pavana [XIII*]. Thomas Morley CLXX. Galliarda [XIII*]. Thomas Morley CLXXI. [deest, owing to an error in numbe CLXXII. The Queenes Alman. William Byrd CLXXIII. A Medley. William Byrd CLXXIV. Pavana [IX]. William Byrd CLXXV. Galliarda [IX]. William Byrd CLXXVI. Miserere. 3 parts. William Byrd CLXXVII. Miserere. 4 parts. William Byrd CLXXVIII. Pakington's Pownde. Anon CLXXIX. The Irishe Dumpe. Anon CLXXX. Watkins Ale. Anon CLXXXI. A Gigg. William Byrd CLXXXII. Pipers Paven. Martin Peerson CLXXXII. Pipers Galliard. John Bull CLXXXIII. Variatio ejusdem. John Bull CLXXXIV. Praeludium. D. [XIII]. John Bull CLXXXV. Galiarda [IX*]. John Bull CLXXXVI. Galiarda [IX*]. John Bull CLXXXVII. Allemanda. Marchant CLXXXVIII. Can Shee. Anon CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull CXC. A Gigge. John Bull CXCI. Sr. Jhon Grayes Galliard. W. B. CXCII. Preludium [VII]. John Bull CXCIII. A Toy. Anon (see No. CCIV) CXCIV. Giles Farnaby's Dreame. Giles Farnaby CXCV. His Rest. Giles Farnaby CXCVI. His Humour. Giles Farnaby CXCVII. Fayne would I wedd. Richard Farnaby CXCVIII. A Maske. Giles Farnaby CXCIX. A Maske. Giles Farnaby CC. An Almain [VII]. Anon CCI. Corranto [VII]. Anon CCII. Alman [XIII]. Anon CCIII. Corranto [X]. Anon CCIV. Corranto [VII]. (See No. CXCIII.) Anon CCV. Corranto [I]. Anon CCVI. Daunce. Anon CCVII. Worster Braules. Thomas Tomkins CCVIII. Fantasia [VII]. Giles Farnaby CCIX. A Maske. Giles Farnaby CCX. Praeludium [IX]. John Bull CCXI. [Praeludium] [V]. Anon CCXII. Martin sayd to his Man. Anon CCXIII. Almand. William Tisdall CCXIV. Pavana Chromatica. William Tisdall CCXV. Ut, re, mi, fa, sol, la. John Bull CCXVI. Gipseis Round. William Byrd CCXVII. Fantasia [I*]. J. P. Sweelinck CCXVIII. Coranto [IX]. William Byrd CCXIX. Pavana. Clement Cotton. William Tisdall CCXX. Pavana [I*]. William Tisdall CCXXI. Coranto [I]. Anon CCXXII. Alman. Hooper CCXXIII. Corranto [I]. Anon CCXXIV. Corranto [I]. Anon CCXXV. Corranto [I*]. Anon CCXXVI. Corranto [VII]. Anon CCXXVII. Alman [III]. Anon CCXXVIII. Corranto. Hooper CCXXIX. Fantasia [VII]. Giles Farnaby CCXXX. Loth to depart. Giles Farnaby CCXXXI. Fantasia [I]. Giles Farnaby CCXXXII. [Fantasia] [I*]. Giles Farnaby CCXXXIII. [Transcription of Ay me, poore Heart.] Giles Farnaby CCXXXIV. [Fantasia] [I]. Giles Farnaby CCXXXV. Walter Erle's Paven. Giles Farnaby CCXXXVI. [Fantasia] [IX]. Giles Fa CCXXXVII. [Fantasia] [VII]. Giles Farnaby CCXXXVIII. Fantasia [VII]. Giles Farnaby CCXXXIX. The L. Zouches Maske. Giles Farnaby CCXL. Grounde. Giles Farnaby CCXLI. Coranto [XIII]. William Byrd CCXLII. Up T[ails] all. Giles Farnaby CCXLIII. Jhonson's Medley. Edward Johnson CCXLIV. Nowel's Galliard. Anon CCXLV. Tower Hill. Giles Farnaby CCXLVI. Praeludium [XIII]. Giles Farnaby CCXLVII. The King's Morisco. Anon CCXLVIII. A Duo. Richard Farnaby CCXLIX. Alman [VII]. Anon CCL. A Galiard Ground. William Inglot CCLI. The Leaves bee greene. William Inglot CCLII. Pavana [IX]. William Byrd CCLIII. Galiarda [X]. William Byrd CCLIV. Pavana [IX*]. William Byrd CCLV. Galiarda [IX]. William Byrd CCLVI. Pavana [XIII]. William Byrd CCLVII. Pavana Fant[asia] [VIII]. William Byrd CCLVIII. Galiarda [VII]. William Byrd CCLIX. The Earle of Oxfords Marche. William Byrd CCLX. Galiarda. Jehan Oystermayre CCLXI. Fantasia [VIII]. William Byrd CCLXII. The Duchesse of Brunwick's Toye. John Bull CCLXIII. A Toye [VIII]. Anon CCXIV. Corranto [I]. Anon CCLXV. Lady Riche. Anon CCLXVI. Corranto [VIII]. Anon CCLXVII. A Gigge. Giles Farnaby CCLXVIII. A Toy [VII]. Anon CCLXIX. Galiarda [X]. Giles Farnaby CCLXX. A Toye [X]. Giles Farnaby CCLXXI. The Primerose. Martin Peerson CCLXXII. The Fall of the Leafe. Martin Peerson CCLXXIII. Farnabye's Conceit. Giles Farnaby CCLXXIV. Allemanda [VII]. Anon CCLXXV. Pavana. Canon, 2 in 1. William Byrd CCLXXVI. Pescodd Time. William Byrd (see No. LIX) CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd CCLXXIX. Miserere, 3 parts. John Bull CCLXXX. Tell mee, Daphne. Giles Farnaby CCLXXXI. Mal Sims. Giles Farnaby CCLXXXII. Munday's Joy. John Munday CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby CCLXXXIV. The Flatt Pavan. Giles Farnaby CCLXXXV. Pavana [VII]. Giles Farnaby CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby CCLXXXVII. Farmer's Paven. Giles Farnaby CCLXXXVIII. Dalling Alman. Anon CCLXXXIX. The Old Spagnoletta. Giles Farnaby CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII) CCXCI. Meridian Alman. Set by Giles Farnaby CCXCII. Pavana. Orlando Gibbons CCXCIII. Muscadin. Giles Farnaby (see No. XIX) CCXCIV. Lady Montegle's Paven. William Byrd CCXCV. Galiarda. William Tisdall CCXCVI. Fantasia [I]. Giles Farnaby CCXCVII. Hanskin. Richard Fa
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Children's Banjo Chord Book (ANDREWS DREW)
Banjo
-
Beginner
Mel Bay
Par ANDREWS DREW. Finally! A chord book written for the young beginner (or even ...
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Par ANDREWS DREW. Finally! A chord book written for the young beginner (or even beginners of any age) showing a creative and simple way to learn and play banjo chords. Chords are taught beginning with the most essential to more advanced. Chords are presented with exercises that build upon each other and eventually lead the student to playing logical and common chord progressions. These progressions include I-iii-vi-ii-V-I and twelve bar blues in many different keys. Chords are shown in chord diagram form with photographs showing finger positions in relationship to the fretboard. Examples and exercises are presented in strum bar notation. - Extra large chord diagrams and photos for easy learning - Chords are taught beginning with the most essential to more advanced - Chords are presented with exercises that build upon each other - Great for banjo beginners of all ages / Niveau : Débutant / All Styles - Chord Book / Recueil / Banjo à 5 Cordes
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Children's Guitar Chord Book (BAY WILLIAM)
Guitar
-
Beginner
Mel Bay
Par BAY WILLIAM. Jeunes élèves pourront profiter de cette approche créative p...
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Par BAY WILLIAM. Jeunes élèves pourront profiter de cette approche créative pour jouer des accords de guitare simple. Accords sont enseignées avec exercices de miser sur l'autre et éventuellement mener l'étudiant à jouer des progressions de corde logique et commun. Ces progressions comprennent I-iii-vi-ii-V-I et douze bar blues dans plusieurs clés différentes. Accords sont présentés sous forme de diagramme de corde avec illustrations détaillées montrant les positions du doigt en relation avec l'idéogramme. Cordes ouvertes pour la musique folklorique ainsi que power chords pour la musique rock sont présentés clairement et facilement dans ce texte. Une corde facile complète graphique graphique et capo est fourni à la fin du livre pour faciliter la consultation. Des exemples et des exercices sont présentés dans la notation de barre strum. / Niveau : Débutant / Children's - Chord Book / Recueil / Guitare
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Children's Mandolin Chord Book (ANDREWS DREW)
Mandolin
-
Beginner
Mel Bay
Par ANDREWS DREW. Enfin ! Un livre de corde écrit pour le jeune débutant (ou l...
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Par ANDREWS DREW. Enfin ! Un livre de corde écrit pour le jeune débutant (ou le même débutants de tout âge) montrant de manière créative et simple à apprendre et à jouer les accords mandoline. Accords sont enseignées en commençant par les plus essentielles à la plus avancée. Accords sont présentés avec des exercices que miser sur l'autre et éventuellement mener l'étudiant à jouer des progressions de corde logique et commun. Ces progressions comprennent I-iii-vi-ii-V-I et douze bar blues dans plusieurs clés différentes. Accords apparaissent sous forme de diagramme de corde avec photographies montrant des postes de doigt en relation avec l'idéogramme. Des exemples et des exercices sont présentés dans la notation de barre strum. -Photos d'apprentissage facile - et les diagrammes d'accords extra large Chords sont enseignées en commençant par les plus essentielles à la plus avancée. -Chords sont présentés avec des exercices qui misent sur chaque autre - grands pour les débutants de mandoline de tous les âges / Niveau : Débutant / All Styles - Chord Book / Recueil / Mandoline
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Children's Guitar Chord Book (BAY WILLIAM)
Guitar
[Sheet music + DVD]
-
Beginner
Mel Bay
Par BAY WILLIAM. Jeunes élèves pourront profiter de cette approche créative p...
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Par BAY WILLIAM. Jeunes élèves pourront profiter de cette approche créative pour jouer des accords de guitare simple. Accords sont enseignées avec exercices de miser sur l'autre et éventuellement mener l'étudiant à jouer des progressions de corde logique et commun. Ces progressions comprennent I-iii-vi-ii-V-I et douze bar blues dans plusieurs clés différentes. Accords sont présentés sous forme de diagramme de corde avec illustrations détaillées montrant les positions du doigt en relation avec l'idéogramme. Cordes ouvertes pour la musique folklorique ainsi que power chords pour la musique rock sont présentés clairement et facilement dans ce texte. Une corde facile complète graphique graphique et capo est fourni à la fin du livre pour faciliter la consultation. Des exemples et des exercices sont présentés dans la notation de barre strum. Comprend un DVD de 52 minutes. / Niveau : Débutant / Children's - Chord Book / Recueil / Guitare
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The II-V-I Book: Other Variations: Instrumental Album
Bloom School of Jazz Publishing
The Fire and Form series from the Bloom School of Jazz shows players how to tran...
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The Fire and Form series from the Bloom School of Jazz shows players how to transcend the limitations of idiom and style to gain artistic freedom. This book for all instruments explores the possibilities of this must-know chord progression covering major and minor II-V-Is in all keys turn-arounds scale mixtures and materials and more with lots of helpful exercises and demo tracks on the included CD.
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LEVINE M. - THE JAZZ PIANO BOOK
Piano solo
AEBERSOLD
This edition: spiral-bound. The most highly acclaimed jazz piano method ever pub...
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This edition: spiral-bound. The most highly acclaimed jazz piano method ever published!. Instructional and Jazz. Instructional book (spiral bound). Chord names, instructional text, introductory text and black & white photos. 305 pages. Published by Sher Music Company (SR.JPB).
With chord names, instructional text, introductory text and black & white photos. Instructional and Jazz. 9x11 inches.
Mark Levine, long-time pianist with Cal Tjader, is a Concord Jazz recording artist who has recorded with such jazz greats as Joe Henderson, Camen McRae, Richie Cole, Mark Murphy, Houston Pearson, and many others. Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more!
One of the best jazz piano books I've ever seen -- very easy to understand. -Kenny Barron
Unlocks door after door of contemporary jazz piano sounds. -Down Beat
One of the finest new jazz instruction books. Written by an experienced, professional jazz player, it is practical and unpretentious. -Richie Beirach
It covers all the bases -- an invaluable resource for any keyboard player. -Jamey Aebersold
One of the most complete anthologies of jazz piano in recent years. -James Williams
Applause for one of the truly fine pianists of our time for putting his vast expertise, experience and musicality into book form. -Art Lande
Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more!
/ Méthodes et pédagogie / Piano et instrument à clavier / Piano / AEBERSOLD
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Jazz Piano
Piano solo
Schott
Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards...
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Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards s'appuie sur les bases de 'Piano Blues ' . Il présente les principes de l'harmonie du jazz et de l'improvisation depuis le début avant et conduit le pianiste avancé dans les différents types d'accords typiques de jazz , en commençant par les triades majeures et mineures à septième et neuvièmes accords par tous les styles de jazz des années quarante années utilisées à ce jour . Si vous jouez dans un groupe , donner des leçons de piano ou tout simplement jouer à la maison - vous êtes avec ' Jazz Piano ' avez beaucoup de plaisir !Tim Richards combiné vingt-huit de ses propres morceaux avec des arrangements spéciaux tels que des normes de jazz bien connus comme 'Feuilles d'automne' , ' Fly Me To The Moon ', ' In A Sentimental Mood ', ' l'homme montagne ' , 'On Green Dolphin Street ', ' Song For mon Père ',' Straight No Chaser 'et' Take The A - train ' . Deux chansons transcrites par Thelonious Monk et Horace Silver fournissent une source inépuisable de techniques de jazz authentiques vous pouvez travailler à travers la reconstitution .Dans tous les chapitres , l'aide et des conseils importants sur l'improvisation sont donnés . Vous obtiendrez beaucoup de suggestions sur la façon dont vous pouvez construire individuellement sur le matériel d'étude présenté et trouver votre propre vocabulaire de jazz personnelle :- Rapports de cordes et des échelles- Modes- Broken Chords et échelles motif- Echelles pentatoniques et blues- Marche des lignes de basse- Rythmes latins et des lignes de basse- Improvisatoin horizontale et verticale- Composés II-V I- Substitution de Tritone- Voicings à deux mains- Des exercices techniques et doigté- Styles d'accompagnement- Formation de l'oreille- Propositions pour écouterLe CD contient des enregistrements de toutes les pièces , la plupart avec basse et batterie accompagnement . Ils peuvent être utilisés comme un Play-Along - un moyen important d'apprendre le jazz sans beaucoup de détours . / Piano
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N°003 - Ii V I Progressions + 2 Cd
Français
Jamey Aebersold Jazz
Suggested Prerequisites: Volume 2 And Volume 1.Probably the most important music...
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Suggested Prerequisites: Volume 2 And Volume 1.Probably the most important musical sequence in modern jazz! A must for all aspiring jazz players. Book contains all the needed scales and chords to each of the recorded tracks. These are written in the staff. Contains 120 written patterns that can be played with the various tracks on the recording, also includes three full pages of piano voicings that correspond to the tracks on the recording. Booklet contains a Scale Syllabus which allows you to find and use various substitute scales, just like professional musicians use. If you have been working on scales and chords, this book and recording set should be what you are looking for. A new concept in learning and applying basic jazz harmony. Allows you tracks to practice major, minor, dom. 7th, diminished, whole tone, half-diminished, Lydian and dim. whole tone scales and chords. II/V7/I All Major Keys; G Minor Blues; Bebop Tune; V7+9/I All Keys; II/V7/I ln Three Keys; F Blues With An 8-Bar Bridge; Il/V7 Random Progressions; Ø/V7+9/I All Minor Keys.
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Libro De Acordes Para Ninos (BAY WILLIAM)
Guitar
-
Beginner
Mel Bay
Children'S Guitar Chord Book. Par BAY WILLIAM. Younger students will enjoy this ...
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Children'S Guitar Chord Book. Par BAY WILLIAM. Younger students will enjoy this creative approach to playing simple guitar chords. Chords are taught with exercises that build upon each other and eventually lead the student to playing logical and common chord progressions. These progressions include I-iii-vi-ii-V-I and twelve bar blues in many different keys. Chords are shown in chord diagram form with detailed illustrations showing finger positions in relationship to the fretboard. Open chords for folk music as well as power chords for rock music are presented clearly and easily in this text. A complete easy chord chart and capo chart is provided at the end of the book for easy reference. Examples and exercises are presented in strum bar notation. / Niveau : Débutant / Children's - Chord Book / Recueil / Guitare
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William Bay: Left-Handed Children's Guitar Chord Book: Guitar: Instrumental Work
Guitar
[Sheet music]
-
Beginner
Mel Bay
Younger left-handed students will enjoy this creative approach to playing simple...
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Younger left-handed students will enjoy this creative approach to playing simple guitar chords. Chords are taught with exercises that build upon each other eventually progressing to logical and common chord progressions. Theseprogressions include I-iii-vi-ii-V-I and twelve bar blues in different keys. Chords are shown in diagram form with detailed illustrations showing finger positions in relationship to the fretboard. The book also introduces basicchords for folk music and power chords for rock. A complete easy chord chart and capo chart is provided at the end of the book for easy reference. Examples and exercises are presented in strum bar notation.
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Drew Andrews Lee - Children's Ukulele Chord Book - Ukulele
Ukulele
-
Beginner
Mel Bay
Media Type : Book Level : Beginning Musical Genre : Children Number of pages : 2...
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Media Type : Book Level : Beginning Musical Genre : Children Number of pages : 24 Finally! A chord book written for the young beginner (or even beginners of any age) showing a creative and simple way to learn and play ukulele chords. Chords are taught beginning with the most essential to more advanced. Chords are presented with exercises that build upon each other and eventually lead the student to playing logical and common chord progressions. These progressions include I-iii-vi-ii-V-I and twelve bar blues in many different keys. Chords are shown in chord diagram form with photographs showing finger positions in relationship to the fretboard. Examples and exercises are presented in strum bar notation. - Extra large chord diagrams and photos for easy learning - Chords are taught beginning with the most essential to more advanced - Chords are presented with exercises that build upon each other - Great for ukulele beginners of all ages
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William Bay: Children's Guitar Chord Book: Guitar: Instrumental Album
Guitar
-
Beginner
Mel Bay
Younger students will enjoy this creative approach to playing simple Guitar chor...
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Younger students will enjoy this creative approach to playing simple Guitar chords. Chords are taught with exercises that build upon each other and eventually lead the student to playing logical and common chord progressions.These progressions include I-iii-vi-ii-V-I and twelve bar blues in many different keys. Chords are shown in chord diagram form with detailed illustrations showing finger positions in relationship to the fretboard. Openchords for folk music as well as power chords for rock music are presented clearly and easily in this text. A complete easy chord chart and capo chart is provided at the end of the book for easy reference. Examples and exercisesare presented in strum bar notation. Includes access to online 52-minute video.
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Mark Vega: Jazz Solo Series (Guitar): Guitar: Instrumental Album
Guitar
[Sheet music + CD]
-
Intermediate
ADG Productions
Mark Vega’s Jazz Solo Series for Guitar is a great instructional tool for ...
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Mark Vega’s Jazz Solo Series for Guitar is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight Take The ATrain and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. Recordings of the choruses of the above pieces repeated for convenient practicing. A selected discography of Mark’s favourite Jazz albums featuring great Jazz soloists.
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Jazz Solo Series (trumpet): Trumpet: Instrumental Album
Trumpet
[Sheet music + CD]
-
Intermediate
ADG productions
Mark Vega?s Jazz Solo Series for Trumpet is a great instructional tool for music...
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Mark Vega?s Jazz Solo Series for Trumpet is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. Recordings of the choruses of the above pieces, repeated for convenient practicing. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.
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Jazz Solo Series: Alto Saxophone: Instrumental Album
Alto Saxophone
[Sheet music + CD]
-
Intermediate
ADG productions
Mark Vega?s Jazz Solo Series for Eb instruments, including Alto Saxophone, is a ...
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Mark Vega?s Jazz Solo Series for Eb instruments, including Alto Saxophone, is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.
14.95 GBP - Sold by Musicroom UK
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Jazz Solo Series: Tenor Saxophone: Instrumental Album
Tenor Saxophone
[Sheet music + CD]
-
Intermediate
ADG productions
Mark Vega?s Jazz Solo Series for Eb instruments, including Tenor Saxophone, is a...
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Mark Vega?s Jazz Solo Series for Eb instruments, including Tenor Saxophone, is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book, starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight, Take The A Train, and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.
14.95 GBP - Sold by Musicroom UK
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Jazz Solo Series: Flute: Instrumental Album
Flute
[Sheet music + CD]
-
Intermediate
ADG productions
Mark Vega?s Jazz Solo Series for Flute is a great instructional tool for musicia...
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Mark Vega?s Jazz Solo Series for Flute is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight Take The ATrain and There Will Never Be Another You. Includes an easy version of the solo followed by a more difficult one. Recordings of the choruses of the above pieces repeated for convenient practicing. A selected discography of Mark?s favourite Jazz albums featuring great Jazz soloists.
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Steven Watson: The Lute Music of Robert Johnson: Guitar Solo: Instrumental Album
Guitar
Classical guitar
Mel Bay
In the late eighteenth and nineteenth centuries, the parlor was a room set aside...
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In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.
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Jazz Theory Book: Theory
Sher Music Company
This classic manual explains how you can use theoretical concepts to improve you...
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This classic manual explains how you can use theoretical concepts to improve your playing referring to influential recordings and using the language that working jazz musicians use.If you've ever heard jazz musicians play chords or improvised lines that you couldn't figure out not only will you find them here but you'll also learn exactly how and where you can apply them in your own playing.In over 500 pages the author guides the reader from basic chord construction and the II-V-I progression through scale theory the blues 'I Got Rhythm' changes slash chords the bebop and pentatonic scales to a comprehensive study of reharmonisation and advice on how toread a lead sheet and memorise tunes.All of these topics and many more are discussed in a conversational style and brought to life with over 750 music examples transcribed from actual recordings of the jazz greats. You can treat The Jazz Theory Book as a complete course or you can dip into it for specific advice on pentatonic scales or the Coltrane changes.However you use it is full of inspiring ideas and information that you can put straight into practice.'A great jazz solo consists of: 1% magic; 99% stuff that is explainable analyzable categorisable doable. This book is mostly about the 99% stuff.' - Mark Levine
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Peter Spitzer: Jazz Theory Handbook Book With Online Audio: C Clef Instrument:
Music Theory
[Sheet music + Audio access]
-
Intermediate
Mel Bay
Jazz Theory Handbook is a complete guide to all the essential topics of jazz the...
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Jazz Theory Handbook is a complete guide to all the essential topics of jazz theory suitable for all treble instruments. Its approach is clear and concise realistic and practical. This book will help you tounderstand how contemporary jazz players think and to apply theory concepts in your own playing. Subjects are introduced progressively with each new one based on those introduced before.Topics include chord building harmonic movement modes II-V-I licks polychords blues rhythm changes how to learn tunes practice techniques playing outside and more. All of the book's musical examples are performed on the accompanying audio along withsample solos and 3 play-along tracks with a great rhythm section. Jazz Theory Handbook is designed for both self- study and classroom use. Audio download available online.
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Flamenco Guitar Method Vol. 2 (GRAF-MARTINEZ GERHARD)
Guitar
Schott
for Teaching and Private Study. Par GRAF-MARTINEZ GERHARD. Gerhard Graf-Martinez...
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for Teaching and Private Study. Par GRAF-MARTINEZ GERHARD. Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - 'Flamenco puro' - it also conveys the authentic sound and the pulsating 'compás' of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon. - Flamenco Guitar Method on DVD - All video sequences as slow versions and at original speed - Explanation and presentation of all techniques - various camera perspectives selectable (multi-angle) - All sound examples are underlaid with notes and tablature. - Duration: 80 Minutes / Méthode / Méthode / Guitare
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Flamenco Guitar Method Vol. 2 (GRAF-MARTINEZ GERHARD)
Guitar
Schott
for Teaching and Private Study. Par GRAF-MARTINEZ GERHARD. Gerhard Graf-Martinez...
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for Teaching and Private Study. Par GRAF-MARTINEZ GERHARD. Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work , which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for volumes 1 and 2. Besides being a pure pleasure to listen to - 'Flamenco puro' - it also conveys the authentic sound and the pulsating 'compás' of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon. - Flamenco Guitar Method on DVD - All video sequences as slow versions and at original speed - Explanation and presentation of all techniques - various camera perspectives selectable (multi-angle) - All sound examples are underlaid with notes and tablature. - Duration: 80 Minutes / Méthode / Méthode / Guitare
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Essential Jazz Lines In The Style Of John Coltrane (CHRISTIANSEN COREY)
Bb Instruments
[Sheet music + CD]
-
Intermediate
Mel Bay
Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative...
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Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Instruments en Sib
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Rob MacKilop: 20 Progressive Fingerstyle Studies For Uke Book: Ukulele:
Ukulele
[Sheet music + Audio access]
Mel Bay
With Online Audio-20 Progressive Fingerstyle Studies For Uke has been written fo...
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With Online Audio-20 Progressive Fingerstyle Studies For Uke has been written for Ukulele players looking to develop their ability on the instrument. The studies in this collection cover a vast array of styles and genres aswide-ranging as blues jazz minimalism and serialism showcasing the versatility of the instrument. Each study is designed to be fundamentally pedagogical while simultaneously written with performance and expression inmind. The studies touch on arpeggios scales modes ii-V-I chord sequences strumming syncopation campanella fingerings improvisation hammer-ons and pull-offs. The exercises have been speciallydevised to build technique in both hands. Mastery of these studies will equip the Ukulele player with the tools to tackle any style of music on the instrument. This book includes access to online audio.
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