/ Divers
SKU: HL.48024387
9.0x12.0x0.093 inches.
Ilse Weber (1903-1944) played these songs composed and composed by her with children in ghetto Theresienstadt on the guitar. She went to the infirmary with children of the infirmary in the Auschwitz concentration camp. Prisoners testify that she tried to console the children in the gas chamber with their lullaby Wiegala. Winfried Radeke has already presented Ilse Weber's song collection Ich wandre durch Theresienstadt in 2008 in an edition for voice and piano. It is now also making choirs available in versions for three-part women's choir and four-part mixed choir in German and English editions. In her simplicity and intimacy Ilse Weber's songs are among the most touching testimonies from Theresienstadt. They keep the memory of the Nazi-persecuted author sounding alive.
SKU: BA.BA04025-01
ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.
Handelâ??s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.Handelâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.
SKU: ST.B959
ISBN 9780852499597.
Newcomers to Marjorie Dobson's work, no less than admirers of the first collection of her writings, Multi-coloured Maze, will recognise in the contents of its successor, Unravelling the Mysteries, an authentic creative voice crafting words, rhymes and rhythms into the expression of a lived faith. As Janet Wootton notes in her preface to this second anthology, Marjorie has 'a knack of rooting the mysteries of faith in the down-to-earth realities of life, and stating them in language that is at the same time poetic and completely accessible'. This versatile, contemporary idiom lies at the core of forty new hymns, offered with a selection of musical settings both original and familiar that will uplift the heart in voice and verse. In addition, there is a wealth of poems, prayers and dramatic pieces to inspire and console, whether in situations of praise or reflection, trial or thanksgiving. The focus overall is on the enigmas of creation, of belief, grace, choice, sorrow and resurrection - nothing less than the all-embracing questions that determine the route and destination of life's journeys. Marjorie approaches these mysteries in her own inimitable way, unravelling the tangled threads for herself and for others in the context of the ambiguities and complexities of the modern world. From the resonance of these texts, worshippers, those in fellowship or discussion groups, and enquiring individuals will be empowered to explore questions of faith, or doubt, in their own lives, with insights to take them on the next step of the road.
SKU: HL.366187
UPC: 810100410513. 5.0x5.5x6.0 inches.
The PRSM Shock Mount is a flexible support system that helps suppress low-frequency rumble on the microphone line by absorbing and damping vibrations picked up from the studio desk or console. The PRSM is designed for use with the large-diameter professional-grade Heil Sound microphones, including the PR 30 and PR 40. Its 5/8″ threads mount onto the PL-2T “Topless†and other mounts, for easy installation. The shock mount weighs 16.2 oz.
SKU: BU.EBR-530
ISBN 9790560154565. 9.45 x 13 inches.
En décembre 2011, Chilly Gonzales déménagea son piano au studio Pigalle à Paris. Tout seul pendant 10 jours, il enregistra une sélection de ses compositions parmi une centaine de mélodies composées depuis les 8 années qui le séparent du mythique album Solo Piano I.Jour après jour, le processus d’enregistrement pur et minutieux prit place. Chilly Gonzales enregistra ses pièces les unes après les autres, jusqu’à capturer l’essence-même de chacune.Après des années passées à distraire son public avec sa personnalité “larger than life, à défier tous les artistes du monde, les obligeant à se surpasser pour atteindre l’excellence qu’ils doivent à leurs fans, Chilly Gonzales nous présente son argument le plus persuasif : les 14 titres de Solo Piano II contenus dans ce recueil.La route fut riche jusqu’à Solo Piano II pour “le génie musical auto-proclamé. Porté par une nomination Grammy et un record du monde Guinness Book du concert le plus long, Chilly Gonzales reprit enfin la scène après de nombreuses années passées derrière la console d’un studio à travailler pour les autres. Il devient LE pianiste sollicité par Drake, Feist, Daft Punk, …et même Steve Jobs pour sa campagne mondiale pour IPAD 2.A travers ses albums et tournées, Chilly fascine par sa polyvalence en tant qu’interprète et sa virtuosité en tant que pianiste. Rare est l’artiste qui fait danser son public sur les rythmes les plus branchés du moment, puis fait appel à un orchestre symphonique pour l’accompagner durant son concert de rap.Avec Solo Piano II, Chilly Gonzales se distingue une fois de plus comme un authentique “entertainer, conscient que la plus belle marque de respect pour ses fans est avant tout de “shut up and play the piano (dixit Chilly Gonzales dans “The Unspeakable Chilly Gonzales, 2011).
SKU: HL.366189
UPC: 810100410544. 4.0x5.5x3.5 inches.
The SM-1 Shock Mount is an 8-point flexible suspension support system that helps suppress low-frequency rumble on the microphone line by absorbing and damping vibrations picked up from the studio desk or console. The SM-1 is designed for use with the slim-line Heil Sound microphones, such as the PR 20. Its 5/8″ threads mount onto the PL-2T “Topless†and other mounts, for easy installation.
SKU: MN.10-462
UPC: 688670104626.
We swept our past catalogs for charming, stand-alone pieces for use as prelude music, processionals, and recessionals. Some you might know and some will be brand new to you, as the title suggests. A useful volume to keep by the console when consulting with brides or playing weddings!Contents:PreludesAllegro from La Primavera Spring - Vivaldi / WolffJesu, Joy of Our Desiring - Bach / BurkhardtPrelude on When Love is Found - John FergusonAdagio on Ode to Joy - Charles CallahanAria on O Perfect Love - Michael BurkhardtThe King of Love - Wilbur HeldPrelude on Blest Be the Tie - Charles CallahanRhosymedre (Lovely) - Ralph Vaughan WilliamsProcessionalsPrince of Denmark's March (Trumpet Voluntary in D) - Clarke / ChristiansenRigaudon - Bohm / BieryTrumpet Tunes from King Arthur - Purcell / PottsTrumpet Tune on Westminster Abbey - Jerry WestenkuehlerTrumpet Tune in C - Mark ShepperdRecessionalsPsalm XIX - Marcello / HyslopPostlude on Lobe den Herren - Raymond HaanAllegro Maestoso (Water Music) - Handel / BurkhardtA Rejoicing - Alfred V. FedakNow Thank We All Our God - Paul ManzToccata on A Theme of Beethoven - Charles Callahan.
SKU: HL.1329342
6.15x12.75x2.811 inches.
High-definition monitoring for all... There's a reason all of today's highest-end studio monitors are adding active room correction – it supercharges their performance and ensures mixes translate flawlessly. ARC Studio offers this same massive boost in performance and accuracy to every monitor in every studio. Dramactically improve your mixing accuracy Your room has a big impact on how you hear your music. The size, shape, materials, and furniture all work to distort the frequency and stereo balance of your monitors, degrading your sound. ARC Studio analyzes and corrects these issues in minutes. Your music snaps into focus, with more controlled low-end, tighter transients and pinpoint stereo imaging. It's like an instant upgrade to your monitors. And when you can trust what you hear, you'll mix faster and more confidently than ever. Installs in minutes ARC Studio combines the new ARC 4 measurement software, room analysis microphone and stand-alone correction processor. Plug the mic into your interface and you'll be guided through measuring acoustical spots within your listening position. IK's award-winning ARC technology uses this 3D snapshot to identify and completely correct all the problematic issues degrading your monitors' performance. This correction profile is loaded into the ARC Studio processor, sitting invisibly between your interface and monitors to apply all incoming signals. Acoustic issues disappear, unleashing your monitors' true performance. Correct every studio For pro studios, whether in-the-box or console-based, ARC Studio allows for a sonically transparent correction and custom-tuning for any monitoring setup from nearfields to mains, preserving the inherent system's sonic quality. And for DAW-based studios, ARC Studio frees you from the hassle of inserting plug-ins on the master bus of your work and preserves zero-latency monitoring setups, plus allows you to listen to your preferred streaming service with acoustically corrected monitoring without messing around with system drivers. You can create a profile for every configuration, listening position or even monitor pair. Whether you're in a makeshift studio or a world-class one, fine-tuning your monitoring to your taste has never been easier and has never sounded so good. Includes monitor emulations ARC Studio also includes a monitor emulations function that turns your monitor system into iconic studio monitors and popular hi-fi speakers and mobile devices, with breathtakingly true-to-life results by accurately reproducing the frequency and phase response of the originals. With over 20 profiles included, a single pair of monitors now lets you test your mix on different reference systems quickly, without ever having to head to your car! For Every Studio • Compact digital room correction processor • High-end audio conversion • Full-range correction for any ki.
SKU: HL.911071
UPC: 852940000981. 10.0x5.5x3.0 inches.
The world of music has changed and the world of guitar playing has changed along with it. It is becoming normal to not see the full guitar rigs of the '70s, '80s, and '90s, and instead just see guitar players with minimal systems to achieve their signature sounds. Introducing the Carl Martin Ampster ... from the company that has shone the single analog light down that deep digital tunnel. The Ampster, a single tube driven amp/speaker simulator that can either supplement your amp, or replace it. A fully analog unit with controls that are the same as your amplifier with the addition of a mute switch, a speaker selection switch and a voicing switch. What's more important, the Ampster reacts to your playing in the same way your full size amp does, giving you the same organic feel with zero latency! The Ampster is housed in a solid metal box with the standard EQ (Bass Middle Treble), pre and post volume/gain controls (Master & Gain) plus a Presence Control. There is a Mute Switch for obvious reasons and a Cabinet Switch with an LED Indicator light ( Red for a 2x12 Open Backed Cab, and Green for a 4x12 Closed Back Cab). On the back of the pedal you will find a Ground Lift and a Voicing Switch (a subtle low end cap controlled voicing adjustment). Input, Link (output to your amp or powered speaker) Balanced DI (XLR output to go to a mixing or recording console), a Send and Return for those specific effects that shouldn't be in front of the amp, a Remote Input for use with digital or analog effect controllers like the Carl Martin Octaswitch “The Strip,†and your standard 9v 1A power input. It couldn't be simpler! Plug your guitar straight in, or plug your pedal board into the input jack, choose your output and open your ears to a surprisingly big round clean sound, or by adjusting the Gain, that decidedly British Overdrive sound for which Carl Martin has become so well known. Our test players have fallen in love, telling us the Ampster reacts just like their standard amps, organic and responsive to your playing style or attack. In fact, the Ampster sounds just like a full size amp, but it fits on your pedalboard. Take a look at the videos ... we are certain you will want to take the Ampster for a test drive!
