The Crucifixion (SATB)

A Meditation on the Sacred Passion of the Holy Redeemer for Tenor and Bass solo SATB Choir with Organ accompaniment with hymns for congregational participation. The text was selected and written by Reverend J. Sparrow-Simpson and revised by Michael Pilkington. The crucifixion was first performed in 1887.This Novello edition of the vocal score is clear and well presented with thoroughly accurate and detailed editorial markings and suggestions as edited by Michael Pilkington.

For mixed SATB chorus unaccompanied. Includes a Piano part on the score for rehearsal purposes only.'My God why hast thou forsaken me?' was originally written in the summer of 2006 on a course run by the National Youth Orchestra of Great Britain. It was first performed by the choir of Eton College directed by Ralph Allwood. This motet intends to capture the anguish of Jesus’ final moments on the cross. The opening bars attempt to convey the horrific pain sorrow and tragedy that these words and the climactic moment of Christ's crucifixion mean to Christians worldwide. It is also a human sentiment echoed every day by the needy regardless of their religious views. Thepiece ends with a repetition of the opening phrase followed by a blossoming 'Amen'. This expressive conclusion hints at a glimmer of hope although the final chord is left unresolved; resolution though suggested is not obtained.

Johannespassion. Par HOMILIUS GOTTFRIED AUGUST. The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant./ Répertoire / Solistes SSATB, Choeur SATB, 2 Cors, 2 Flûtes Trav

Matthew Owens' St Matthew Passion for soloists SATB and Organ. Written for the Choir of Wells Cathedral of which Matthew Owens is Organist and Master of the Choristers this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. The other smaller solo roles of Judas (Tenor) Pilate (Tenor) Jesus (Bass) and Pilate's wife (Alto) continue in the same vein with four-part choral interspersions from the crowds soldiers and priests providing acontrast in texture. The hymn 'When I survey the wondrous cross' set to the Rockingham hymn tune appears twice throughout the work and the congregation are encouraged to join in on both occasions. The simple organ part supports the voices for the hymn and may also optionally double the choir during the narrative.

Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only. The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella

A Meditation on the Sacred Passion of the Holy Redeemer for Tenor and Bass solo SATB Choir with Organ acompaniment with hymns for congregational participation. The text was selected and written by Reverend J. Sparrow-Simpson and revised by Michael Pilkington. The crucifixion was first performed in 1887.This Novello edition of the vocal score is clear and well presented with thoroughly accurate and detailed editorial markings and suggestions as edited by Michael Pilkington.

Perfect for Good Friday this compelling anthem from Cindy Berry is heartfelt and poignant. Building to a powerful section with a strong crucifixion lyric this song will touch and inspire.Available separately: SATB BonusTrax CD(#08743349) and I-Pak (Full Orchestra).

Seven Last Words from the Cross is an attempt to write a modern alternative to Stainer's masterpiece The Crucifixion. Like the Stainer it is scored for two soloists choir and organ has one unaccompanied movement and includes hymns for everyone to sing. The narrator’s part has not been given to a man but to that fascinating disciple Mary Magdalene - Mary from Magdala. The work is intended to be performed in Lent Passiontide or Holy Week but not exclusively. The first performance was actually in July and commemorated the feast of St MaryMagdalene.

Deeply moving music brings to life the sacred soliloquy of the Savior in Gethsemane. Opening with an expressive Welsh hymn tune the piece then surrenders to the heartfelt prayers of Jesus as He confronts the shadow of His impending arrest and crucifixion. A bittersweet melody rises like a prayer from a text filled with imagery and emotion. The orchestration is restrained yet powerful and along with the evocative vocals creates a lush tone painting. Score and Parts (alto rec/fl ob cl 1-2 bn hn 1-2 perc hp pno solo vn vn 1-2 va vc db) available as a digital download.

A Pilgrimage of Promise-Here is a new major work for Spring programming based on early American folk songs and hymns. Sacred Places explores the story of Christ's ministry passion and resurrection all emphasizing the locations where these great moments occurred: The Sea of Galilee The Wedding at Cana The Sermon on the Mount Jerusalem The Upper Room The Garden of Gethsemane Calvary and the Garden of Resurrection. With poignant narrations and scripture along with the creative orchestrations by Brant Adams this is a memorable telling of the life of Christ. Two distinct endings are provided allowing for a presentation during Holy Week that ends with the crucifixion or an Easter momentthat concludes with a joyful affirmation of life. Songs include: Prelude - Songs from the River - Come and Hear the Wondrous Story - My Song in the Night - Lift Up Your Heads Jerusalem - The Remembering - The Midnight Garden - A Green Hill Far Away - Sunrise - Alleluia! Christ Is Risen! Full Orchestration (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba hp pno timp perc 1-2 vn 1-2 va vc db) available as a Printed Edition and as a digital download. Consort Orchestration (fl cl tpt 1-2 tbn bells perc kybds) available as a Printed Edition and as a digital download.

Uses: Good Friday Holy Week Scripture: Luke 23:34; John 19:30 Essential repertoire for Holy Week is represented in this stark yet beautiful tableau of the crucifixion. A poignant violin line duetswith an expressive piano part to weave a worshipful moment of deep reflection. A solo representing the voice of Jesus from the cross wafts above a series of choral echoes and creates a passionate portrait of unfailing divinelove. Violin part included. Duration: ca. 3:25.

Using the James Montgomery text Mark Hill has created a stirring new melody. From the dark hours at Gethsemane to the crucifixion the final hours of Christ's life on earth are emotionally expressed through the music. With theoptional chamber strings that add depth this anthem is an excellent choice for Maundy Thursday or Good Friday services. BonusTrax CD available. Instrumental ePak includes parts for Violin 1 2 Viola Cello and Bass. PerformanceTime: Approx. 4:00

Uses: Holy Week Good Friday Scripture: Isaiah 53:3-7 - Luke 23:33 - Philippians 2:5-11 This a cappella gem is a poignant choral tableau that displays with bittersweet beauty the deep emotion of the crucifixion. There is purity in the writing that perfectly portrays the passion and the power of this important moment. Set in verse form the variations unfold in sync with the thoughtfully adapted text. Simply beautiful!