Le fugitif est une fugue jazz trois volets dans le style bebop sur une basse marche. Le célèbre quatuor de Stardust de Loeki Amsterdam a effectué la première mondiale du travail, créé en 2002 par le joueur néerlandais enregistreur et le compositeur Karel van Steenhoven, membre fondateur de l'ensemble. Le titre est un jeu de mot ' fugue ' et son sens ancien du vol ou de la poursuite. Les parties chassent après les uns les autres avec des solos rapides et licks, fuir de l'autre, jusqu'à ce qu'ils atteignent un climax chaotique - après une courte citation du thème de James Bond. Un titre frappant par l'expert de l'enregistreur qui mêle brillamment les formes traditionnelles et modernes, de styles et de techniques de stylistiques. / Quatuor De Flûtes A Bec (Diversement S/A/T/B)
SKU: AP.36-M390091
UPC: 660355086731. English.
Written in 1840 shortly after Clara Schumann's (1819-1896) marriage to Robert Schumann, Quatre pièces fugitives (Four Fugitive Pieces) are short character works, each with its own distinct mood. Called fugitive, Schumann makes clear that this introspective music is freer, with fewer conventional restrictions found in earlier eras. Movements: I. Larghetto, II. Un poco agitato, III. Andante espressivo, and IV. Scherzo.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CF.V2509
ISBN 9781491164716. UPC: 680160923625.
Ulysses Kay's Fugitive Songs, written for mezzo-soprano and piano, was first performed at Illinois Wesleyan University in May of 1956. The song cycle includes eight short songs, all dedicated to his wife. Each song has text written by various poets including Herman Hagedorn, Lizette Reese, Carl Young Rice, Frederic Ridgeley Torrence, Florence Wilkerson, Wittner Bynner, and Elsa Baxter.
SKU: LM.28443D
ISBN 9790231701609.
CLARKE : King William's Mora - MAYKAPAR : Petit Conte - SCHUMANN : En fredonnant - PAPP : Valse - PAPP : Sauterelle - PASTERWITZ : Piece - BARTOK : Chanson d'enfants (For children n. 1 vol. 2) - DIABELLI : Bagatelle - GAYRHOS : Phantasiesluck - KADOSA : Chant populaire hongrois - TELEMANN : Danse galante - KELEMEN : Danse des brins d'herbe - PIEPER : Swing - TELEMANN : Gigue a l'anglaise - FARKAS : Danse magyar - MAYKAPAR : Prelude - BARTOK : En jouant (For children n. 1 vol. 1) - PURCELL : Menuet - MAYKAPAR : Vision Fugitive - MAYER : Andantino - BARTOK : For Children n. 17 vol. 2 - HAENDEL : Rigaudon - BORTKIEWICZ : A travers les steppes - MAYKAPAR : En automne - PAPP : Le Carrosse tire par six singes bleus - CLEMENTI : Valse - MAYKAPAR : Enfantine - MOZART : Menuet - GARDONYI : Chant populaire roumain - TELEMANN : Gavotte - GLINKA : Polka - BARTOK : For Children n. 28 vol. 2 - CIMAROSA : Sonate - HELLER : Chant d'automne - KELEMEN : Le Chat au soleil - PAPP : Valse pour trompette - KULLAK : Il etait une fois une princesse - JAELL : Petits lutins - HAYDN : Final - PAPP : La Nourrice et sa vilaine fille - ROSSIGNOL : Les Etoiles - VANHAL : Sonatine opus 41 n. 121 - SCHUBERT : Ecossaise - SZELENYI : Sur la pelouse - TURK : Gaiement - LEVY : Lied - KUHLAU : Sonatine (opus 55 n. 1) - GLOCKNER : Arlequin.
SKU: HL.49018051
ISBN 9790001158138. UPC: 841886013520. 9.25x12.0x0.084 inches.
The Fugitive is a three-part jazz fugue in bebop style on a walking bass. The renowned Amsterdam Loeki Stardust Quartet performed the world premiere of the work, created in 2002 by the Dutch recorder player and composer Karel van Steenhoven, founder member of the ensemble. The title is a play on the word 'fugue' and its old meaning of flight or chase. The parts chase after each other with fast solos and licks, flee from each other, until they reach a chaotic climax - after a short quote from the James Bond theme. A striking title by the recorder expert who brilliantly mixes traditional and modern forms, styles and stylistic techniques.
SKU: LM.27365D
ISBN 9790231701678.
ALBENIZ : Malaguena - BACH : Scherzo (3e Partita en La min.) - BARTOK : Danse populaire roumaine n. 1 - BEETHOVEN : Bagatelle en Mib Op.33 n. 1 - BOUTRY : Danse de la puce - CHABRIER : Melancolie - CHOPIN : Mazurka en La min. Op.68 n. 2 - Valse Op.69 n. 1 - DEBUSSY : Danse de la poupee (La Boite a joujoux) - DVORAK : Andante en La mineur (Suite Op.98) - GRANADOS : Epilogue - Vals muy lento - GRIEG : Le Lutin Op.71 n. 3 - HAENDEL : Allegro (7e Suite en Sol mineur) - KODALY : Kindertanz - Klavierstucke Op.11 n. 3 - MENDELSSOHN : Romance sans paroles Op.62 n. 1 - MOZART : Allegro (Sonate en Ut maj. KV 545) - POULENC : Le Petit elephant (L'Histoire de Babar) - PROKOFIEV : Visions fugitives op.22 n. 3 - Visions fugitives op.22 n. 10 - Visions fugitives op.22 n. 11 - REGER : Albumblatt - SCARLATTI : Sonate en Si mineur - SCHONBERG : Kleine Klavierstucke Op.19 n. 5 - Le Cavalier - Romance en Sib maj. Op.124 n. 11 - SCRIABINE : Prelude Op.2 n. 2 - SMETANA : Feuillet d'album en Si mineur - TCHAIKOVSKI : Perce-neige (Avril).
SKU: FV.FUE-10170
ISBN 979-0-50182-170-9.
Written during winter 2014, these seven lumieres fugitives which duration is 14 mn arededicated to Adam Laloum.Each piece has a clearly defined character and is characterized by changements of colorwell marked.
SKU: AP.36-M273691
UPC: 660355089602. English.
"Visions fugitives" is a cycle of 20 piano miniatures written between 1915 and 1917, many for friends of the composer. The miniatures are vignette-like, and the overall effect is Impressionist in style.
SKU: HL.51481158
UPC: 196288209164. 9.0x12.0x0.172 inches.
Prokofiev did not compose his Visions fugitives â?? 20 â??fleeting visionsâ? â?? in one go, but in clusters between 1915 and 1917, immediately before the Russian Revolution that compelled him to leave his native country in 1918. We know from his diaries that at least some of them owe their existence to extra-musical impulses. Thus several pieces were inspired by people close to him. Others impart his emotional reaction to the political situation with its menacing brutality. According to his own statement, for example, no. 19 â??was inspired by the events of February 1917 in Petrogradâ?, during the Revolution's first phase. Technically the pieces are not too demanding, and are also often used in teaching. They now appear for the first time in an Urtext edition that considers all the musical sources created during the composer's lifetime. In his preface, Prokofiev specialist Simon Morrison provides biographical context for the genesis of this fantastic piano cycle.
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SKU: HL.48184885
A. Melikov: Visions fugitives (Piano solo).
SKU: NR.104078
Pensee fugitive pour piano, opus 139 Vogt, Jean, ed.
SKU: HL.48024683
ISBN 9781784545062. UPC: 888680952570. 8.25x11.75 inches.
TEMPUS FUGIT was commissioned to celebrate the centenary of Finnish independence on 6 December 2017 and it received its first performance in Helsinki on that day, given by the Finnish Radio Symphony Orchestra.The composer says that “if you translate TEMPUS FUGIT as 'Time Flies', you could say that Finland has travelled a long way already -but 100 years is a short time-span, and living as a human in this part of the world started long ago and, we hope, will continue formillennia to come. This relates to my fascination with Bernd Alois Zimmermann's concept of spherical time - that the past, the present and the future are continuously linked and within reach. You can also examine the inter-connection of musical time in the earlier works of Stockhausen such as Kontakte and Gruppen which had a big impact on me as a young composer. A translation of TEMPUS FUGIT that I prefer is 'Time in Flight', offering the idea that time escapes from us but bequeaths a tangible residue, rather like aplane travelling towards the distance but leaving a visible vapour trail.” This 30-minute score is a major addition to the orchestral repertory.
SKU: PR.362033390
UPC: 680160059355.
Two Shelley Songs were composed in 1981 on a commission from Ithaca College and published by Elkan-Vogel, Inc. in the Ithaca College Choral Series in 1982. The two poems by Shelley used here are To- and The Fugitives. Both of these pieces, published separately, are scored for mixed chorus with piano accompaniment. In order to perform them well, an excellent pianist is essential, for the accompaniment to the second poem The Fugitives is quite difficult, though quite pianistic. The style of the first poem is in a somewhat romantic idiom while the second contrasts it with rather wild harmonic writing utilizing large skips, clusters and other dissonant chordal devices. Great care is taken throughout to make these difficult sounding portions as easy as possible to perform by taking great care of the voice leadings. The two pieces should be done as a pair, but could conceivably be done separately.
