The Irish Violin Book

Par BERTHOUD PHILIP JOHN. Apprendre à jouer le violon irlandais est un ensemble de livre et deux CD qui introduit les débutants à la musique grands violon traditionnel de l\'Irlande, passant à droite les rudiments de détenir et de faire les premiers sons sur l\'instrument - par le biais de tunes spécialement composées, gérables dans le style irlandais - droite jusqu\'à jouant bobines traditionnelles, gigue et autre danse tunes tirés du répertoire traditionnel (le pont de mélodies composées spécialement l\'écart entre les notions de base et de la musique traditionnelle). Embellissements et des techniques qui permettent d\'irlandais bon fiddle jouant tellement contagieuse, tels que rouleaux, coupures, triplets et diapositives sont graduellement. L\'étudiant se familiariseront aussi avec certaines des idées plus avancées concernant jouant de la musique traditionnelle irlandaise, comme les variations et dynamique - sujets qui sont couverts en détail dans \' irlandais Fiddle jouer: un Guide pour le joueur sérieux \'livre/CD définit par le même auteur. Annexes utiles et un glossaire référencé sont également inclus. L\'accom... / Niveau : Débutant à Intermédiaire / Celtic/Irish - Methods / Méthode / Violon

10 duets. Par IGUDESMAN ALEKSEY. In his new collection, Aleksey Igudesman goes well beyond where his previous book, Violin

Having the ability to read music will enable you to follow the bowing patterns and left-hand techniques which the author feels are crucial in grasping the playing style. Includes online audio download files featuring solo Fiddle. The teaching recording plays the first tunes slowly, but by the end, the correct speed is played. This stereo recording contains 77 of the 80 songs from the book./ Recueil / Violon

An Introduction to Folk Styles Technique and Improvisation-* This in-depth tutor book from renowned fiddle player and teacher Chris Haigh is perfect for classical violinists and fiddle players looking to master the art. * Covering all aspects of folk violin technique from ornamentation to modes and scales and from scordatura to improvisation and composition. * The book is centred around Irish traditional music but also dips into English Scottish Scandinavian East European Klezmer Cajun and American Old-Time traditions. * Accompanied by a CD of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance folk might seem so simpleit?s hardly worth bothering with. The tunes are often no more than 32 bars long they stay in first position and they don?t even have a composer. However it?s what?s NOT written on the page that makes folk fiddle so interesting and challenging.This book attempts to explore from general observation down to the finest detail what the fiddler needs to know to bring these tunes alive. We need to understand their history and context their purpose their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music but from years of immersion in folk music both listening and playing.Key areas covered include:* Tune types and structures * Ornamentation * Bowing * Modes and scales * Scordatura * Starts endings and links * Variation improvisation and composition Playing tunes in ?sets? * Regional and individual style * Playing in sessions for contests and for dancing

Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin

Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin