The Only Lamb

Par LAMBERT MIRANDA. Troisième CD de Lambert, la révolution a été nommée Album de l'année à l'Academy of Country Music Awards et aux Country Music Association Awards. L'album a engendré pas moins de cinq singles à succès, tout inclus ici dans notre PVG 15-chanson correspondant folio / Niveau : Elémentaire / Recueil / Piano, Chant et Guitare

41 jumpin' and jivin' Ragtime solos from 20 famous composers all in one bumper anthology! Celebrated academic Dr. Maurice Hinson presents his definitive collection of Ragtime favourites from composers as wide ranging and diverse in style as Debussy Joplin Berlin and Blake.Not only does this anthology feature a great selection of stomping and entertaining tunes that have always been guarenteed crowd-pleasers but the scope of the collection also provides a valuable glimpse into the heritage of the Rag showing the influence of the American syncopated style on some of Europe's most important composers.

Bb Clarinet - Grade 0.5 to 1. Par . There are two things that beginners really want to do: play songs they recognize and play the TUNE. In Tons of Tunes for the Beginner, many of the easiest of familiar songs are gathered together so that young musicians can do just that ? play the tunes to familiar music! Most of the songs can be performed by players who have learned only a few notes. Play along with the accompaniment tracks or with any combination of solo instruments for tons of practice fun! 32 favorite tunes, including: Bingo, I've Been Working on the Railroad, Ode to Joy, Take Me Out to the Ball Game, Yankee Doodle and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-05-31/ Recueil / Clarinette en Bb

This beautifully illustrated and easy to use songbook is a unique volume which includes over a hundred folk songs from the British Isles, chosen specifically for the beauty of their words and music. Songs of longing, of love, of the Irish and Scottish rebelions, as well as lullabies, children's songs, and even a few composed songs which have become a part of the folk heritage can be found in this collection. More than half of the songs in this book are not available in any comparable volume. ' Easily played piano and guitar accompaniments are provided, and not only are the Welsh songs newly translated, but phonetic transcriptions of the lyrics are also included so that teh songs may be sung in their original language.

with All Hail the Power of Jesus' Name-The Lion of Judah imagery roars off the score in this contemporary juggernaut. Arranged for a power presentation and incorporating CORONATION harmonic technique brings urban gospel shine to the choir's sound. Confident piano support makes the arrangement available for piano only performances while the sizzling orchestration opens up options for large churches with instrumental programs. From the popular Praise Everlasting series the piece climbs in intensity inviting the congregation to join the choir and crown Him Lord of all. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba/btbn mallet perc aux perc timp hp vn 1-2 va vc db) available as adigital download.

Singer´s Edition-This contains two musicals: one for Easter and one for Thanksgiving. Designed to be part of a worship service these musicals require only 15 minutes to present and fit easily and nicely into a sanctuary setting. Available:Director's Edition Singer's Edition Accompaniment Track Cassette Listening Cassette and Preview Pak (1 Singer's Edition and Listening Cassette). For Pre-kindergarten to 5th grade.

Dr. Tim Sharp Executive Director of the American Choral Directors Association has created this unique and captivating service of lessons an carols in the Early American style. Characteristic harmonies and sounds of the era canbe heard in this one-of-a-kind Christmas celebration. Readings and an outline for the service are included.Includes: Away in a Manger; Followers of the Lamb; Go Tell It on the Mountain; I Heard the Bells onChristmas Day; Oh Come Little Children; O Little Town of Bethlehem; Rise Up Shepherd and Follow; The Saviour's Universal Prayer; Shout Ye Heavens; Thou Child Divine; A Virgin Unspotted; We Three Kings of Orient Are; What ChildIs This? Available separately: SATB Preview CD ChoirTrax CD (split trax only) Preview Pak CD 10-Pak. Score and Parts (flute recorder clarinet percussion violin 1-2 viola cello double bass dulcimer accordion harpand opt. banjo) available as a Printed Edition.

A beautiful illustrated collection containing over 100 folksongs from the British Isles. Songs of longing, of love, of the Irish and Scottish rebellions, as well as lullabies, children's songs, and even a few composed songs which have become part of the folk heritage can be found in this collection. Easily played piano and guitar accompaniments are provided, and not only translated lyrics, but phonetic transcriptions are also included so that songs may be sung in their original language. England: Hares On The Mountain; Allan Water; My Boy Willie; When Cockleshells Turn Silverbells; The Banks Of The Sweet Primroses; I?m Seventeen Come Sunday; Greensleeves; The Trees Are Geting High; On Ilkla Moor Baht? At; O Waly, Waly; Weel May The Keel Row; The Three Ravens; Early One Morning; O No, John!; A May Day Carol; The Oak And The Ash; Lavender?s Blue; Blow The Wind Southerly; The Cherry Tree Carol; The Green Bushes; Over The Mountains; Gently, Johnny, My Jingalo; Two Maidens Went Milking One Day; Cock Robin; Died For Love; Buttercup Joe; Ireland: Down By The Salley Gardens; Let Erin Remember The Days Of Old; The Crusikeen Lawn; Shule Aroon; The Little Red Fox; When Pat Came Over The Hill; The Bold Fenian Men; The Parting Glass; Bendemeer?s Stream; The Mountains O? Mourne; The Wearing Of The Green; The Rising Of The Moon; The Lark In The Clear Air; I Wish I Had The Shopherd?s Lamb; O?Donnell Aboo; She Moved Through The Fair; Mrs. McGrath; Lilli Burlero; Monday, Tuesday; Farewell! But Whenever You Welcome The Hour; Kevin Barry; Kilgary Mountain; Oft In The Stilly Night; Molly Brannigan; John O?Dywer Of The Glen; The Time I?ve Lost In Wooing; The Croppy Boy; The Banks Of Roses; The Bard of Armagh; ?Tis Pretty To Be In Balinderry; Whack Fol The Diddle; Scotland: Green Grow The Rashes, O!; Wae?s Me For Prince Charlie; The Wark O? The Weavers; Flow Gently, Sweet Afton; The Blue Bells Of Scotland; Baloo Baleerie; Is There For Honest Poverty; Corn Rigs Are Bonnie; Can Ye Sew Cushions?; A Hihgland Lad My Love Was Born; Ho Ro My Nut-Brown Maiden; Robin Adair; Awa?, Whigs, Awa?; My Love is Like a Red, Red Rose; Weaving Lilt; Turn Ye To Me; To The Beggin? I Will Go; Ye Banks And Braes O? Bonnie Doon; Scots Wha Ha?e Wi? Wallace Bled; Charlie Is My Darling; Oh Rowan Tree; Will Ye No? Come Back Again?; The Piper O? Dundee; Leezie Lindsay; The Road To The Isles; An Eriskay Love Lilt; Wales: The Bells Of Aberdovey; To See Swainson; Robin Redbreat; David Of The White Rock; The Kind Old Man; Men Of Harlech; Fairest Gwen; Over The Stone; Cuckoo Dear; Megan?s Fair Daugher; Little Saucepan; The Ash Grove; Rise, Rise, Thou Merry Lark; Lullaby; All Through The Night; Joy Upon The Bright Cheek Dances; Idle Days In Summertime; Counting The Goats; The Dove; Welsh National Anthem.

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope