Format : Score and Parts
SKU: GI.G-017114
Father Joe Juknialis, a highly regarded teacher of homiletics in the Archdiocese of Milwaukee, has created an inspiring and useful tool for preachers. Each of the ten chapters reflects what works in preaching and why it's important, and concludes with a focus question useful for incorporating that ingredient into a homily. Of Poets, Prophets, and Preachers will be a much-used resource on every homilist's bookshelf.
SKU: GI.G-017286
UPC: 600767011426.
WLP turns to the authors who contributed to the excellence of PREACH magazine for this Preaching Basics collection. Mary Catherine Hilkert addresses the important topic of the preacher's spiritual life in Making the Word a Home: Contemplative Spirituality for the Preacher. James A. Wallace helps preachers find their own voices with Preaching with Style — But Whose?.. Two thoughtful and practical offerings, Putting it All Together: Habits and Strategies for the Structuring the Homily by Daniel E. Harris and The Preacher and the Person in the Pew by Joan Delaplane give preachers concrete ways to discipline their own preaching process, and to incorporate the insights, lives, and needs of their congregations into their week-by-week sermons. A final point-counterpoint contribution is Should Your Exegesis Show? Ann Garrido and Sean Martin give solid, thought-provoking perspectives on two differing answers. Those who may be new to the ministry of preaching will find many helpful tips in this brief volume, while those who are more experienced in the pulpit will find some refreshingly invigorating advice.
SKU: HL.364028
UPC: 888506050046. 14.75x7.0x2.75 inches.
Ampero amp modeler & effects processor is a game changer. Its heart pounding amp modeling and uber quality effects are powered by the new-gen CDCM HD (Comprehensive Dynamic Circuit Modeling High Definition) and F.I.R.E. (Field Impulse Response Enhancement) system, bringing you the absolute best the world has to offer. Packaged in a cool, thin case with a 4-inch hi-def color touch screen, Ampero delivers all the real sounds of rock past and present. Driving Ampero is Hotone's innovative CDCM HD (Comprehensive Dynamic Circuit Modeling High Definition) and F.I.R.E. (Field Impulse Response Enhancement) system. Built on Hotone's powerful XTOMP platform, acclaimed Binary series, and breakthrough VStomp Amp virtual plugin, the new-gen CDCM HD & F.I.R.E. system showcases Hotone's new high-shelf circuit modeling methods. Mainstream modeling methods are generally based on static state circuitry modeling or “black box†theory, which just “come close†to the modeled sound. CDCM HD & F.I.R.E. employs a complex system based on dynamic feature modeling. In this matrix, the technology rebuilds the entire circuitry using modeled electronic components, resulting in a tone that is vivid, accurate and expressive. More than that, the new system enhances the relationship between amps and PA systems, delivering a realistic feel and response you've never before experienced on digital gear.
SKU: HL.388883
UPC: 888506050084. 3.5x9.0x9.5 inches.
• Second generation amp modeler & effects processor with a pedalboard-friendly case • Perfectly fits and pedalboard matrix when used as an effect pedal • 4-inch 800x480 dynamic touchscreen and newly-designed UI for more intuitive control • 8-in, 8-out USE audio interface.
SKU: CF.CM9743IN
ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!
SKU: CF.CM9743
ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.
SKU: CF.CM9742
ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.
SKU: BT.DHP-1175842-140
The 1960s is one of the most fascinating eras in the history of popular music. Many great hits from then have been turned into new versions during later decades after initial success. But everyone, both young and old, remembers the original songs well. Richard Johnsen has made great arrangements of You Can't Hurry Love, Son-of-A-Preacher Man, Stand By Me and Think, for this spectacular medley, The Golden Sixties. De jaren zestig: een fascinerend tijdperk uit de geschiedenis van de popmuziek. Veel grote hits uit die periode zijn in de decennia die erop volgden verschillende keren in een nieuw jasje gestoken, maar iedereen jong en oud kent ook de originele songs. Richard Johnsen bewerkte You Can't Hurry Love, Son-Of-A-Preacher Man, Stand By Me en Think, waarmee hij deze fraaie en spectaculaire medley The Golden Sixties in het leven riep.Die 1960er Jahre gehören zu den faszinierendsten Zeiten in der Geschichte der Popmusik. Viele bekannte Hits aus dieser Zeit erschienen in den Jahrzehnten nach ihrem ursprünglichen Erfolg mehrmals in neuen Versionen. Aber jeder, sowohl die Jungen als auch die Alten, erinnert sich auch noch an die Originalversion der Songs. Richard Johnsen hat tolle Arrangements von You Can't Hurry Love, Son-Of-A-Preacher Man, Stand By Me und Think geschrieben und das fantastische Medley The Golden Sixties erstellt.Les années 1960 sont l’une des décennies les plus fascinantes de l’histoire du pop. Depuis leur premier succès, de nombreux tubes de l’époque ont été fréquemment repris. Mais tous, jeunes et vieux, gardent aussi un souvenir des chansons originales. Ce medley spectaculaire de Richard Johnsen est un excellent arrangement de You Can’t Hurry Love, Son-Of-A-Preacher Man, Stand By Me et Think. Gli anni ’60 sono uno dei periodi più affascinanti per la musica pop. Molte hit di quegli anni, dopo il successo inziale, sono state riviste in nuove versioni negli ultimi decenni. Ma proprio tutti, sia giovani che meno giovani, ricordano molto bene la versione originale. Richard Johnsen ha sapientemente arrangiato per questo spettacolare medley i brani You Can't Hurry Love, Son-Of-A-Preacher Man, Stand By Me e Think.
SKU: BT.DHP-1175842-010
SKU: CF.CM9570
ISBN 9781491153581. UPC: 680160911080. 6.75 x 10.5 inches. Key: Bb major. Latin. Psalms 47 from the Bible.
Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47A was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:A (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47 was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now. In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people: (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world. Rise up and claim the power of JOY!.Psalm 47Â was commissioned by the Sigma Alpha Iota Chapter of Hardin Simmons University (Abilene, Texas), Suzanne Watts, conductor, back in 1978. I was a graduate student at the time, and the premiere was a great success. Consequently, the work has received many performances since that time; however, it remained unpublished until now.In a modified tripartite structure, the psalmist uses the imperative verb tense as a command to the people:Â (you clap), (you shout), (you sing) to exemplify that praise and joy should be public, intelligent, cheerful, and constant. The psalmist admonishes that praise and joy are visual, aural, palpable, and most definitely contagious. The contrasting slow section with a soprano solo should be like an accompanied arioso, where the soloist is supported by lush, major/minor seventh chords in inversion (accompanied recitative). The soloist actually becomes the narrator in this section, the preacher or deliverer of the news that the people will be protected, sustained and blessed. The rapid tempo of the A-section returns and the staggered entrances in the last section/coda indicate the ecstasy knowing that belief can manifest itself in individualized, energized, emotional responses that can change the world.Rise up and claim the power of JOY!
SKU: CF.CM9741
ISBN 9781491161210. UPC: 680160919802. Key: Bb major. English. African American Spiritual.
In 1961, a diverse group of student activists organized a movement called Freedom Riders to challenge racial segregation in Southern states. Their strategy was to ride busses into cities with segregation laws and deliberately break them. For instance, white students would use colored only restrooms, while black students would sit at white only food counters. The hope was that, when confronted by police, the federal government would be forced to step in and defend the students' constitutional rights. On many occasions, these demonstrations were met with violent behavior from locals, including beatings and a firebombing. Ultimately, these Freedom Riders helped lead to the abolishment of segregation by bringing national attention to the injustices of segregation. While touring, the Freedom Riders would collectively perform songs with messages about freedom and justice. One participant, African -American preacher Rev. Robert Wesby, reimagined the lyrics of the hymn Woke Up this Mornin' by replacing the name Jesus with freedom in each refrain. This version of the hymn went on to become a powerful symbol of the American civil rights movement.In 1961, a diverse group of student activists organized a movement called “Freedom Riders†to challenge racial segregation in Southern states. Their strategy was to ride busses into cities with segregation laws and deliberately break them. For instance, white students would use “colored only†restrooms, while black students would sit at “white only†food counters. The hope was that, when confronted by police, the federal government would be forced to step in and defend the students' constitutional rights. On many occasions, these demonstrations were met with violent behavior from locals, including beatings and a firebombing. Ultimately, these “Freedom Riders†helped lead to the abolishment of segregation by bringing national attention to the injustices of segregation.While touring, the Freedom Riders would collectively perform songs with messages about freedom and justice. One participant, African -American preacher Rev. Robert Wesby, reimagined the lyrics of the hymn “Woke Up this Mornin’†by replacing the name “Jesus†with “freedom†in each refrain. This version of the hymn went on to become a powerful symbol of the American civil rights movement.
SKU: GI.G-002715
English.
A must for liturgists, preachers, and Scripture study groups! Includes commentary Lectionary readings for Sundays and feasts, with reflections, prayers, and homilies written by the late Lucien Deiss, CSSp. God's Word Is Our Joy Ordinary Time - year C quotes the readings for the day, including the psalm. Following them is an introductory prayer, a homily, and a concluding prayer.
SKU: GI.G-002711
UPC: 641151027111. English.
A must for liturgists, preachers, and Scripture study groups! Includes commentary Lectionary readings for Sundays and feasts, with reflections, prayers, and homilies written by the late Lucien Deiss, CSSp. God's Word Is Our Joy Ordinary Time - year A quotes the readings for the day, including the psalm. Following them is an introductory prayer, a homily, and a concluding prayer.
SKU: GI.G-002714
A must for liturgists, preachers, and Scripture study groups! Includes commentary Lectionary readings for Sundays and feasts, with reflections, prayers, and homilies written by the late Lucien Deiss, CSSp. God's Word Is Our Joy Liturgical Seasons - year C quotes the readings for the day, including the psalm. Following them is an introductory prayer, a homily, and a concluding prayer.
