The seven last words from the cross

SKU: CA.2047812

ISBN 9790007196899. Key: E phrygian. Language: German/English.

Score available separately - see item CA.2047800.

SKU: CA.2047814

ISBN 9790007196912. Key: E phrygian. Language: German/English.

Score available separately - see item CA.2047800.

SKU: CA.1460300

ISBN 9790007031305. Language: German.

SKU: CA.4009515

ISBN 9790007061517. Language: Latin/English.

Unlike the well-known settings of the Seven Last Words by Schutz or Haydn, in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the Stabat Mater. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: different-sized ensembles, exciting orchestration, formal variety and sophisticated harmony. Laments, simple passages for the choir in unison, passages with great drama, melodic shapes filled with sweetness convey to the listener a multi-layered impression of a composition stamped by a strongly personal will to expression. Wurttembergische Blatter fur Kirchenmusik 1/1991. Score and part available separately - see item CA.4009500.

SKU: CA.4009514

ISBN 9790007061500. Language: Latin/English.

Unlike the well-known settings of the Seven Last Words by Schutz or Haydn, in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the Stabat Mater. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: different-sized ensembles, exciting orchestration, formal variety and sophisticated harmony. Laments, simple passages for the choir in unison, passages with great drama, melodic shapes filled with sweetness convey to the listener a multi-layered impression of a composition stamped by a strongly personal will to expression. Wurttembergische Blatter fur Kirchenmusik 1/1991. Score and part available separately - see item CA.4009500.

SKU: CA.4009509

ISBN 9790007061463. Language: Latin/English.

Unlike the well-known settings of the Seven Last Words by Schutz or Haydn, in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the Stabat Mater. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: different-sized ensembles, exciting orchestration, formal variety and sophisticated harmony. Laments, simple passages for the choir in unison, passages with great drama, melodic shapes filled with sweetness convey to the listener a multi-layered impression of a composition stamped by a strongly personal will to expression. Wurttembergische Blatter fur Kirchenmusik 1/1991. Score and parts available separately - see item CA.4009500.

SKU: CA.5199219

ISBN 9790007293147. German. Text: van Swieten, Gottfried.

Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards.

SKU: CA.5199205

ISBN 9790007186654. German. Text: van Swieten, Gottfried.

Joseph Haydn's oratorio Die sieben letzten Worte unseres Erlosers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic, extremely gripping emotional style which is utterly compelling. Originally the work was conceived as a purely instrumental composition - as meditative music in seven slow movements with an introduction and concluding movement (Il Terremoto - the earthquake) for a Passiontide church service. From the outset, Haydn had composed the themes of the movements with a vocal spirit in mind, so when he heard a vocal arrangement of his work in 1794 in Passau with a German singing text - an obvious idea - it inspired him to write his own vocal version. The first performance took place in 1796 in Vienna. With the flourishing of choral societies in the 19th century, this vocal version of the Seven Words became one of the most frequently-performed Passion music settings of all. The critical Urtext edition of the work now published offers a revised musical text reflecting current scholarly standards.

SKU: SU.80101321

Organ Duration: 28 ' Composed: 2012 Published by: Zimbel Press This work features seven meditations on the Seven Last Words of Jesus Christ from the cross. Each part of the composition is musically and spiritually connected with one of the words. The music attempts to portray the meaning of the words, and to heighten how they sound. Often the left hand of the organ represents Christ’s body, the right hand represents his soul, and the pedals represent his breath. In many passages, the listener can observe the instrument in its search for forgiveness, hope, and light..

SKU: SU.00220557

This CD Sheet Music™ collection makes available 85 major choral works by 32 composers from the Renaissance to the early 20th century Works Include: Berlioz (L'Enfance du Christ, Requiem, Te Deum); Borodin (Polovetzian Dances & Choruses); Bruckner (Masses Nos. 1, 2, 3, Requiem, Te Deum); Buxtehude (Magnificat, Missa Brevis); Carissimi (Jephtha); Cherubini (Requiem); Debussy (La Damoiselle Élue); Delius (Sea Drift); Dubois (Seven Last Words of Christ); Dvorák (Mass in D major, Requiem Mass, Stabat Mater, Te Deum); Elgar (The Dream of Gerontius, The Kingdom); Fauré (Requiem); Franck (Psalm 150, Solemn Mass); A. Gabrielli (Missa Brevis); Gaul (Holy City); Gounod (Gallia, Mass of the Sacred Heart of Jesus, Messe Solenelle); Grieg (Peer Gynt); Liszt (Hymn to the Virgin Mary, Missa Choralis, Missa Solemnis, Via Crucis); Mahler (Symphony No. 8); Palestrina (Missa Papae Marcelli, Missa Ave Regina Caelorum, Missa O Magnum Mysterium, Missa L'Homme Armé); Pergolesi (Stabat Mater); Purcell (Ode on St. Cecilia's Day, O Sing Unto the Lord, Te Deum); Rachmaninoff (The Bells); Rossini (Petite Messe Solennelle, Stabat Mater); Saint-Saëns (Christmas Oratorio, Mass for Four Voices, Messe de Requiem); Schumann (Messe, Neujarhslied, Requiem8, Paradise and Peri); Schütz (Christmas Oratorio, Seven Last Words); Stainer (The Crucifixion); Vaughn Williams (Mass in G minor, Five Mystical Songs, A Sea Symphony); Verdi (Requiem, Hymn of Nations, Four Sacred Pieces); Vivaldi (Gloria), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 5400+ pages; 2 CDR Set

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