SKU: HL.48185634
UPC: 888680907723. 9.0x12.0x0.069 inches.
French pianist, arranger, composer and conductor, Jean Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, In the Style of Debussy, composed in 2002 for Trombone and Piano, being no exception. With a typical performance lasting about five minutes, Defaye's In the Style of Debussy reflects the compositional techniques of Claude Debussy by use of chromaticism, evocative melodic passages, spread chords in the accompaniment and a calm nature. Defaye's passion to explore a variety of preceding composers is clear with In the Style of Debussy being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire, In the Style of Debussy by Jean Michel Defaye is essential..
SKU: CY.CC2735
Debussy's General Lavine - eccentric, is taken from his Book II of Piano Preludes written in 1912. It is in the style of a Cakewalk, a dance developed in the late 19th century at get-togethers on slave plantations in the southern United States. The music is based on Edward Lavine, a famous vaudeville performer whose act was presented at the Marigny Theatre around the same time. It is the only work by Debussy composed as a musical portrait.The music of about 3 minutes in length is appropriate for advanced performers.
SKU: CY.CC3123
ISBN 9790530111017. 8.5 x 11 in inches.
Beau Soir (Beautiful Evening) is a French song written by Claude Debussy in the Impressionist style. The work has been arranged for many instruments. This version for Trombone (or Euphonium) and Piano by Gordon Cherry is in the original key and in bass clef. The music is subtle and full of beautiful colors, giving an impression of peace, warm breezes, rose-colored sunsets and fields of wheat. This music is appropriate for intermediate level performers and is about 3 minutes in length.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: CY.CC2737
Debussy's General Lavine - eccentric, is taken from his Book II of Piano Preludes written in 1912. It is in the style of a Cakewalk, a dance developed in the late 19th century at get-togethers on slave plantations in the southern United States. The music is based on Edward Lavine, a famous vaudeville performer whose act was presented at the Marigny Theatre around the same time. It is the only work by Debussy composed as a musical portrait for a human personality.The music of about 3 minutes in length is appropriate for advanced performers.
SKU: CY.CC2739
SKU: CY.CC3121
ISBN 9790530110997. 8.5 x 11 in inches.
Debussy's beautiful work Reverie, originally for Piano was written in the late 19th Century and is ripe with his Impressionist style. One can hear the water lapping against the shore as the glorious melody soars above. Mr. Sauer brings this all to life with his arrangement for moderately advanced performers. About four minutes in length.