SKU: LO.20-1045L
UPC: 000308026740.
The William Doane tune which poignantly brings to mind the Fanny Crosby text is sensitively and elegantly captured in this setting. For use anytime throughout the church year, but especially effective during the Lent and Easter seasons.
SKU: HL.35031603
UPC: 888680676056. 5.0x5.0x0.2 inches. 2 John 1:9, James 4:8, Jeremiah 23:23, Psalm 34:18.
A slow gospel ballad, this choral adaptation is filled with characteristic stylings that will lift the spirit. Set as a passionate prayer for those seeking assurance and God's presence in their spiritual walk, this affirming song can be programmed any time of the year. A stellar piano part sets the message soaring, and the rhythm/strings and track options give choirs of any size a chance to do something current. Feature a soloist for a powerful and poignant moment of worship. Stirring! Score and Parts (rhy, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.1102790
UPC: 196288101437. 6.75x10.5x0.036 inches.
This bright and cheerful Christmas piece reflects the anticipation and delight that people feel as the holiday draws near. The song incorporates one verse of “Deck the Hall,†giving singers a chance to sing a familiar holiday tune with a new spin. Glockenspiel may be added to enhance the feeling of celebration.
SKU: PR.114420410
UPC: 680160687015.
In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.In one of the dedicatory poems to his verse play “The Shadowy Waters†(1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?â€How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?†into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,†to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
SKU: PR.11442041L
UPC: 680160687039.
SKU: PR.11442041S
UPC: 680160687022.
SKU: BT.DHP-1053811-401
ISBN 9789043122382. 9x12 inches. English-German-French-Dutch.
The pop songs in this collection of well-known 50â??s, 60â??s and 70â??s hitshave been carefully adapted and arranged to make them suitable forplaying on a classical or acoustic guitar. The pieces have beenordered by difficulty, beginning with pieces in which the melody andbass notes are struck separately and gradually progressing to moredifficult pieces where a slightly more advanced technique is required. De songs in deze verzameling van bekende hits uit de jaren vijftig, zestig en zeventig zijn zorgvuldig aangepast en gearrangeerd om ze geschikt te maken voor klassiek of akoestisch gitaar. Ze zijn oplopend in moeilijkheidsgraad, beginnendmet nummers waarin de melodie- en basnoten ongelijk worden aangeslagen, gevolgd door gaandeweg moeilijker nummers. Een tijdloze verzameling.Dieses Buch ist ein absolutes Muss für alle Musikfans. Es ist perfekt geeignet für Spieler von klassischen oder akustischen Gitarren, die auf der Suche nach leichten, aber pfiffigen Bearbeitungen der Hits der vergangenen Jahrzehnte sind. Die Stücke steigen im Schwierigkeitsgrad allmählich an; die ersten Lieder sind noch vielleichter zu spielen, da die Bass- und Melodienoten separat angeschlagen werden. Eine zeitlose Sammlung, die sicher immer wieder aufs Neue durchgespielt wird!All Time Guitar Hits est le recueil indispensable pour tout amateur de grands succès des dernières décennies. Les arrangements sont techniquement accessibles la plupart des guitaristes classiques ou acoustiques. Les pièces ont été classées de façon progressive en fonction des difficultés techniques quâ??elles contiennent. All Time Guitar Hits è una raccolta indispensabile per tutti gli amanti dei grandi successi del decennio passato. Gli arrangiamenti sono tecnicamente accessibili alla maggior parte dei chitarristi. I brani sono raccolti in modo progressivo in funzione delle difficolt tecniche che contengono.
SKU: HL.3746692
UPC: 196288200277. 6.75x10.5x0.617 inches.
Just try not to dance to this wildly infectious and exciting hit by Shakira. Originally recorded as the official theme for the 2010 FIFA World Cup, the song is as popular as ever with nearly 4 billion YouTube views!
