The Very Thought of You

Par SINATRA FRANK. Cette collection de The very best of ... Franck Sinatra dans la série Pop Classics for piano contient tous les plus grands tubes de cet artiste en arrangements attractifs et facile à jouer pour piano. / Niveau : Facile / Rép International / Recueil / Piano

Jamie Aebersold Jazz Play-Along Vol.41-A large selection of famous standards that will have every musician rushing home from work to play. This set of 17 familiar classics will inspire you to play your best increase your song list and equip yourself for any musical situation. Learn these songs inside and out and have fun doing it! Lyrics Included. Rhythm section is Dan Haerle piano; John Goldsby bass; Ed Soph drums.

It's not very often that we offer a trombone feature but this classic tune by Ray Noble in the capable hands of George Stone seemed like a natural fit. Beautifully scored in a ballad style.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Description The First Book Of Tenor Solos Compiled by Joan Frey Boytim. Each volume contains several very easy songs, progressing to moderate difficulty. Songlist All Day On The Prairie [Guion, David] All Through The Night At The Ball [Tchaikovsky, Pyotr Ilyich] Black Is The Color Of My True Love's Hair [Niles, John Jacob] Brother Will, Brother John [Sacco, John] By Mendip Side [Eric, Coates] Come Again, Sweet Love [Dowland, John] Der Mond [Mendelssohn, Felix] Go, Lovely Rose [Quilter, Roger] He That Keepeth Israel [Schlosser, Adolphe] I Attempt From Love's Sickness To Fly [Purcell, Henry] I Love And I Must [Purcell, Henry] Jesu, The Very Thought Of Thee [Wesley, Samuel Sebastian] La Seña Loch Lomond [Deis, Carl] Lydia [Fauré, Gabriel] May Song [Beethoven, Ludwig Van] Mistress Mine [Walthew, Richard] My Lady Walks In Loveliness [Charles, Ernest] My Lord, What A Morning [Johnson, Hall] Noche Serena Ol'jim [Edwards, Clara] Orpheus With His Lute [Coates, Eric] Religion Is A Fortune [Johnson, Hall] Rio Grande [Dougherty, Celius] Sento Nel Core [Scarlatti, Alessandro] Serenade [Dodgson, Stephen] Silent Worship [Handel, George Frideric] The Black Dress [Niles, John Jacob] The Daisies [Barber, Samuel] The Inquisitive One [Schubert, Franz] The Lord Is My Light [Speaks, Oley] Wayfaring Stranger [Niles, John Jacob] What Shall I Do To Show How Much I Love Her? [Purcell, Henry] Youth Oft Love A Maiden, A [Schumann, Robert]

Contents include: A Mighty Fortress Is Our God; Turn Your Eyes Upon Jesus; Shout to the Lord; Jesus the Very Thought of Thee; We're Marching to Zion; It Is Well with My Soul; Rejoice Ye Pure in Heart; I Surrender All; Christ Arose; On Eagle's Wings.

Cette publication revolutionnaire propose des transcriptions authentiques dans les tonalites originales de 19 classiques issus des enregistrements de la grande Lady Day. Elle comprend une biographie et une discographie, ainsi que ces standards au format voix avec accompagnement au piano : All of Me - Billie's Blues (I Love My Man) - Body and Soul - Crazy He Calls Me - Easy Living - Fine and Mellow - A Fine Romance - God Bless' the Child - Good Morning Heartache - I Cried for You - I Wished on the Moon - Lover, Come Back to Me - Miss Brown to You - Solitude - Some Other Spring - Strange Fruit - This Year's Kisses - The Very Thought of You - You've Changed. Un must pour la bibliotheque de tout chanteur de jazz ! / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Eric Thiman's Two Sacred Songs is arranged for Low Voice with Piano Accompaniment. The two songs included are The God of Love My Shepherd is in the key of F Major and Jesus the Very Thought of Thee in the key of B Flat Major.

The songbook of Four Quiet Interludes comprises 1. Elegiac 2. Dorian 3. Pastorale (By The Waters Of Babylon) and 4. Choral which includes a voicing of 'Jesu! The very thought is sweet'. These pieces demonstrate Lloyd Webber’s strong melodic and harmonic gifts.Organist composer teacher and arranger William Lloyd Webber father of musicians Andrew Lloyd Webber and Julian Lloyd Webber was a twentieth century English musician who was not only a church Organist but a well-known recitalist and teacher at the Royal College of Music. His works arose from the Romantic tradition which he felt became ‘out of step’ as modern styles changed. His work is enjoying a revaluation.