SKU: HL.132954
UPC: 884088977887.
SKU: CF.FAS83
ISBN 9780825894572. UPC: 798408094577. 9 x 12 inches. Key: D major.
Williamsburg Variations takes an original theme reminiscent of songs from early nineteenth-century America, and develops it over several variations into a variety of styles. A great introduction to the idea of theme and variations, this will make your developing orchestra sound great at any festival.This composition was inspired by a visit to Colonial Williamsburg, Virginia. The opening theme is reminiscent of a hymn of the eighteenth century with a hint of Chester in mm. 5 and 15. The variations are indicative of the hustle and bustle of colonial life that required a strong work ethic to survive, and the fife and drums variation shows a glimpse of Yankee Doodle in mm. 34-44. The theme should be played as a legato chorale. The variations are to be played with energy and the D Major Key will enhance that style. In mm. 34-44 the viola, cello and bass quarter notes should be short and accented to imitate field drums.The unison violins are the fifes in this fife-and-drum section. The final variation at m. 52 is a combination of three prior melodies so all lines are equally important.The melodic and moving parts create interest in all the instruments and should provide for an excellent festival or contest piece. I hope your students enjoy playing this music.
SKU: PR.114410380
UPC: 680160015160. 9.5 x 13 inches.
My second String Quartet was written twenty years after the first, Opus 4 from 1978. The First Quartet is an obsessively contrapuntal work in one movement, which was no doubt influenced by my studies with David Diamond. I had always intended to return to the medium once I left the astringency of my earlier style, but it was only when the National Federation of Music Clubs commissioned a major chamber work, with unspecified instrumentation, to celebrate their 100th Anniversary that I was enabled to do so. The Second Quartet is in four movements: Moderato, Allegro isterico, an Andante theme with 11 variations, and the closing Allegro, which then returns to the tempo of the first movement. An audience member at the premiere told me that she heard echoes of recent tragic events such as the Oklahoma bombing in this work. While I had no such programmatic intent while writing the quartet, it was not an entirely incorrect assessment of the work's intended emotional impact. The quartet is pervaded by a sense of seriousness, even mournfulness. The second movement's scherzo is an aggressively animated piece of musical machinery. The third movement's Variations unfold into a greater variety of moods than the others - but the moments of lyricism are countered by aggressive or ironic outbursts. The final movement's attempt at triumph quickly subsides into a return of the first movement, before being transformed onto a sense of resignation and acceptance as the chromaticism of the opening theme is transformed into a pure and diatonic C-Major. The work received its world premiere by the Shanghai Quartet at the 100th Anniversary Congress of the National Federation of Music Clubs at the Congress Hotel in Chicago on August 19th 1998.My second String Quartet was written twenty years after the first, Opus 4 from 1978. The First Quartet is an obsessively contrapuntal work in one movement, which was no doubt influenced by my studies with David Diamond. I had always intended to return to the medium once I left the astringency of my earlier style, but it was only when the National Federation of Music Clubs commissioned a major chamber work, with unspecified instrumentation, to celebrate their 100th Anniversary that I was enabled to do so.The Second Quartet is in four movements: Moderato, Allegro isterico, an Andante theme with 11 variations, and the closing Allegro, which then returns to the tempo of the first movement.An audience member at the premiere told me that she heard echoes of recent tragic events such as the Oklahoma bombing in this work. While I had no such programmatic intent while writing the quartet, it was not an entirely incorrect assessment of the work’s intended emotional impact. The quartet is pervaded by a sense of seriousness, even mournfulness. The second movement’s scherzo is an aggressively animated piece of musical machinery. The third movement’s Variations unfold into a greater variety of moods than the others – but the moments of lyricism are countered by aggressive or ironic outbursts. The final movement’s attempt at triumph quickly subsides into a return of the first movement, before being transformed onto a sense of resignation and acceptance as the chromaticism of the opening theme is transformed into a pure and diatonic C-Major.The work received its world premiere by the Shanghai Quartet at the 100th Anniversary Congress of the National Federation of Music Clubs at the Congress Hotel in Chicago on August 19th 1998.
SKU: FG.55011-906-2
ISBN 9790550119062.
Harri Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.Duration: c. 11'Movements:1. Summer theme2. What is this?3. Pizzicato4. Con sordino5. Stile concitato ostinato6. Tango7. FinaleHarri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: FL.FX074283
A theme and little crazy variations, without accompaniment, for young instrumentalists from 6-7 years of practice - Pascal PROUST ; Instruments: 1 Solo Viola; Difficuly Level: Grade 4; Duration: 3 mn 05 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: PR.114423980
ISBN 9781491136591. UPC: 680160689439.
Originally composed for solo cello, this work has been adapted by the composer in response to requests from violists. The melodic theme comes from the final chorus of Hailstork’s Earthrise, a profoundly bold cantata using Schiller’s “Ode to Joy†as text, and full of allusions to all four movements of Beethoven’s Symphony No. 9. Hailstork’s Earthrise features a festival chorus singing in German, alternating with an African American chorus singing in English with vernacular verve. The two choirs ultimately unite to end the cantata together with “Draw the Sacred Circle Closer,†a translation of lines from Schiller’s “Ode to Joy.â€.
SKU: KJ.SOS4F
UPC: 084027040737.
Also known as Air Varie, this is a true showcase for an advanced violist. Set in C Major, the four-measure theme wastes no time moving into 14 short variations plus a coda. Commanding! Vibrant! Solo is grade 5 and orchestra parts are grade 3.Duration: 3:10.
SKU: KJ.SOS4C
UPC: 084027040713.
SKU: PR.14440398S
UPC: 680160030101.
Primosch's String Quartet No. 3 sets out as a theme and variations, but a sudden Fantasia finds its way into the mix. Upon returning to another variation, we find elements of the Fantasia now appearing, leading to a viola cadenza and the ultimate unison re-statement of a slow variation. Composed for the Ying Quartet and commissioned by the Philadelphia Chamber Music Society, String Quartet No. 3 had its premiere in 1999. For advanced performers. Duration: 20'.
SKU: PR.144403980
UPC: 680160030088.