Format : Score and Parts
SKU: FG.55011-500-2
ISBN 9790550115002.
Even though I was and remain a proponent of absolute music, the things that we see and experience inevitably colour and energise our thought processes. The grand old man of Finnish Modernism Paavo Heininen (b. 1938) turned his impressions of Boston into violin sonatas op. 134 (2016). All the three sonatas - Boston Sonata, Boston Variations and Boston Ballade - were premiered in one concert in Helsinki celebrating the composer's 80th birthday in May 2018 by Kaija Saarikettu (violin) and Juhani Lagerspetz (piano).
SKU: FG.55011-501-9
ISBN 9790550115019.
SKU: FG.55011-502-6
ISBN 9790550115026.
SKU: FG.042-07963-8
ISBN 979-0-042-07963-8.
Lindberg's expressive and energetic Sonatas date from 1979. The title refers to the superimposed and intermeshed levels characterized by performance notes in three languages in the score: German, French and Italian.
SKU: HL.50510748
ISBN 9790080035139. UPC: 073999921779. 8.0x11.25x0.168 inches. Frigyes Sandor; Oliver Nagy.
SKU: HL.51481164
UPC: 196288215875. 9.25x12.0x0.7 inches.
Grieg's violin sonatas are a firm staple of violin repertoire and are popular with amateurs and professionals alike. G. Henle Publishers takes this into account with a practical single-volume edition of the three sonatas. Thus, you are simply spoilt for choice as to whether you prefer the youthful zest of the first, the Nordic-folkloristic charm of the second or the mature drama of the third sonata. The opulent volume is rounded off by a small piece that is ideal as an encore: a march from Grieg's incidental music to Sigurd Jorsalfar, which the composer himself arranged for violin and piano. Therefore, this Henle Urtext edition actually offers GriegÂs complete oeuvre for this instrumentation â a âmust-haveâ for all fans of the great Nordic melodist.
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SKU: HH.HH423-FSP
ISBN 9790708146247.
Eberl's Sonata in D major, Op. 20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's 'Immortal Beloved', and to whom that composer dedicated his Piano Sonata in A major, Op. 101. Unlike many of Eberl's lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op. 20 shares much of the musical ambition and quality of Beethoven's works in this genre. 1803 saw the publication of Eberl's Op. 20, and Beethoven's set of three sonatas with violin, Op. 30, all produced by the Bureau des Arts et d'Industrie firm in Vienna. Beethoven's set were advertised for sale in the Wiener Zeitung in May 1803, days after the premiere of his Op. 47 sonata with violin (given by George Bridgetower and Beethoven, but later dedicated to Rudolphe Kreutzer). Eberl's Op. 20 was advertised in the Wiener Zeitung six weeks later, in July 1803.
SKU: FG.55009-532-8
ISBN 979-0-55009-532-8.
Thomas Bystrom's (1772-1839) major compositions are his three violin sonatas which were evidently completed in 1797. The original title 'Trois sonates pour le clavecin our pianoforte avec accompagnement d'un violon oblige' recalls the temporary practice of the violin part being considered secondary to the keyboard part so that such a sonata could be performed without the violin if necessary. Actually Bystrom's sonatas are genuine chamber music works rooted in the Classical period, with both parts being necessary contributions to the whole even if the piano tends to dominate the texture.
SKU: FG.042-04246-5
ISBN 979-0-042-04246-5.
SKU: FG.042-04244-1
ISBN 979-0-042-04244-1.
SKU: HL.14003761
8.25x11.75x0.118 inches. English.
The Piano Sonata No. 25 in G Major (Op. 79) was written in 1809, and first published in 1810. Sometimes referred to as the Cuckoo Sonata , it is scored in three movements: Presto Alla Tedesca - Andante - Vivace . It is one of Beethoven's shorter sonatas, taking only ten minutes to perform. Ludwig van Beethoven (1770 - 1827) was a German composer and pianist, and arguably the most famous composer of all time. He was the last great figure of the Classical era, and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies, 5 Piano Concertos, 1 Violin Concerto, 32 Piano Sonatas, and 16 String Quartets.
SKU: FZ.1279
ISBN 9790230612791. 24.00 x 33.00 cm inches.
This facsimile of an original by Etienne-Nicolas Mehul is part of our Dominantes collection. Three sonatas for harpsichord or fortepiano, Opus I - Edition : Paris, Jouve, s. d. (=1783). Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2 - Editions : Paris, Le Duc, s. d. (=1788). Two volumes: piano part of opus I and II - preface and violin part of opus II. Preface by Joel Pontet: The keyboard sonatas of E. N. Mehul - a precocious talent - remarks on performance (choice of instrument and indications of nuances - articulations - ornaments). The preface sets out the essential points for performance of these youthful works. Editions originales of 1783 and 1788, preserved at the library national of Paris. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.50487749
ISBN 9790080140215. 9.0x12.0x0.075 inches. Johann Sebastian Bach; Bernhard Kistler-Liebendorfer.
After the successful transcription for piano of some movements of Bach's orchestral suites B. Kistler-Liebendorfer transcribed for piano Adagio movements of Bach's sonatas for violin and harpsichord in F minor (BWV 1018), C minor (BWV 1017) and E major (BWV 1016), expanding thus the pianist's Baroque repertory. The edition is recommended for students of conservatories and music academies.
SKU: BT.YE0009
Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.
SKU: FZ.5887
ISBN 9790230658874. 24.00 x 33.00 cm inches.
This facsimile of an original by Ignace Pleyel is part of our French classical music collection. Edition : Paris, Sieber, 1788. Preface by students of the CeFEdeM-Ile-de-France: Pleyel's biography the works of Ignace Pleyel - Pleyel the music publisher - Pleyel the piano builder - the Salle Pleyel in rue Rochechouart - hints about the score. Three separate instrumental parts: piano - flute or violin - cello. The composer, publisher, and piano maker, Ignace Pleyel, holds an important place at the cusp of the 18th and 19th centuries. The quality of the compositions produced by this student of Haydn makes their republishing worthwhile. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.4897
ISBN 9790230648974. 24.00 x 32.50 cm inches.
This facsimile of an original by Wolfgang Amadeus Mozart is part of our Dominantes collection. Edition: Vienne, Torricella, (undated=1784). Presentation by Norbert Kaltz: General remarks (Origin of the edition and the dedication Sonatas). Particular remarks (Sonate I, Sonate II, Sonate III). Torricella's original edition is very legible. The violin part of the third sonata is published as a separate part. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - Library of the University of Basel (Switzerland). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HH.HH188-FSP
ISBN 9790708059639.
The present set of three string quartets, published in Vienna in 1799 by André, are arranged from two violin sonatas and a piano trio; a certain independence is noticeable in the anonymous arranger, but the result is three strikingly effective new quartets to add to the Mozart oeuvre which will delight all players familiar with the originals and prove a gracious alternative to quartets who look for some escape from the familiar and over exposed repertoire.