Tim Quinn: Mbgu Rock Curriculum: Fluid Soloing Book 1: Guitar: Instrumental

Par QUINN TIM. Chord-plomb solo de guitare est une complète méthode pour développer le fluide double-stop mélodie de corde. Ce style de jeu peut être entendu plus particulièrement dans le jeu de Jimi Hendrix (dans des chansons telles que ' The Wind Cries Mary ', Little Wing', et 'faites de châteaux de sable'), ainsi que dans la musique des guitaristes il influencé, y compris Steve Vai, Eric Johnson et Stevie Ray Vaughan. Style de corde-plomb jouant ponts l'écart entre la droite strictement rythmiques et, parce qu'il est simultanément cordal (ce qui implique un accord spécifique de majeur ou mineur) et mélodique (transportant une mélodie chantantes distincte). Ce livre montre le guitariste comment développer cette technique et de créer des connexions continues de déplacement voicings, fusionner rythmiques et une texture cordal mélodique qui coule. Ceci est possible grâce à une collection complète de phrases de la corde-plomb, dont chacune est présentée dans au moins trois doigtés différentes (ce qui est importantes pour l'écoulement de l'ensemble-cou). Ces phrases sont ensuite assemblés dans des etudes isolation... / Niveau : Intermédiaire / Rock - Improvisation / Tablatures / Guitare Tablatures Electrique

Book 2-Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard using position-shifting slides hammer-ons andpull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic 'box' scale fingerings by developing pathways that continually shift between and connect the five pentatonic ?boxes?.Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies each of which spans the range of twelve frets thus unlockingvirtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns applied to each of the five pentatonic 'boxes'. Section Three presents10 whole-neck/position-shifting studies that are non-sequential in design in order to develop unpredictable melodic flow. Then in Sections Four and Five two vital extensions/variations of the pentatonic scale are fullyexplored; the Hexatonic and Dominant Pentatonic scales. The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into anysingle particular pentatonic 'box'. The resulting sound is definitely NOT bluesy (very little string bending) but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock jazz fusion blues country and pop styles who want to unlock complete whole-neck freedom and develop a fast modern pentatonic sound. CD included. Presented in standard notation and tablature.

Description String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarist’s guide to mastering wide interval soloing. This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale. The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music. This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included.