Timp Hits

SKU: BT.DHP-0970815-070

ISBN 9789043132572.

Arrangements of Abba hits for flexible woodwind/brass ensemble with optional percussion.
1 Picc Fl Ob Bb/Eb Clar S Sax Tpt
Part 2 Cor Ang Bb Clar Eb Sax A Sax Tpt Hn
Part 3 Eb Clar T Sax Hn Trom Euph
Part 4 Bass Clar Bari Sax Bsn Trom Euph Tuba
Opt. Drum Perc Mallets Timp

Een verzameling van Abba-hits voor variabel blazerskwintet (slagwerk ad libitum). Inhoud: Dancing Queen • Money, Money, Money • Fernando • The Winner Takes It All
1 Picc Fl Ob Bb/Eb Clar S Sax Tpt
Part 2 Cor Ang Bb Clar Eb Sax A Sax Tpt Hn
Part 3 Eb Clar T Sax Hn Trom Euph
Part 4 Bass Clar Bari Sax Bsn Trom Euph Tuba
Opt. Drum Perc Mallets Timp

Eine Sammlung von Abba-Hits für variables Bläserquartett mit optionaler Schlagzeugstimme.
Part 1 Picc Fl Ob Kl B/Es S-Sax Trp
Part 2 Cor Ang Kl B A-Kl A-Sax Trp Hn
Part 3 A-Kl T-Sax Hn Pos Euph
Part 4 B-Kl B-Sax Fg Pos Euph Tuba
Opt. Drum Perc Mallets Timp

Forever ABBA Gold est un medley qui permet de redécouvrir le légendaire groupe pop suédois qui a remporté le Concours Eurovision de la Chanson en 1974 et dont la musique reste plus que jamais actuelle. L’arrangement de Ron Sebregts reprendquatre de leurs plus grands succès Dancing Queen • Fernando • The Winner Takes It All • Money, Money, Money, des mélodies que l’on ne peut s’empêcher de fredonner.

Part 1 Picc Fl Ob Kl B/Es S-Sax Trp
Part 2 Cor Ang Kl B Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax Hrn Pos Euph
Part 4 B-Kl B-Sax Fg Pos Euph Tuba
Opt. Drum Perc Mallets Timp

Quattro tra i più grandi successi del leggendario gruppo pop.
Part 1 Picc Fl Ob Kl B/Es S-Sax Trp
Part 2 Cor Ang Kl B Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax Hrn Pos Euph
Part 4 B-Kl B-Sax Fg Pos Euph Tuba
Opt. Drum Perc Mallets Timp.

SKU: BR.OB-32090-26

ISBN 9790004350447. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

SKU: BR.OB-32090-11

ISBN 9790004350393. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

SKU: BR.PB-32090

ISBN 9790004215708. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too. Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

SKU: BR.OB-32090-30

ISBN 9790004350454. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

SKU: CA.2770209

ISBN 9790007202620. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and parts available separately - see item CA.2770200.

SKU: CA.2770213

ISBN 9790007202651. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and part available separately - see item CA.2770200.

SKU: CA.2770200

ISBN 9790007097639. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task.

SKU: CA.2770205

ISBN 9790007161668. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.

Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score available separately - see item CA.2770200.

SKU: CA.3113707

ISBN 9790007242275. Key: C major. Language: German/English. Text: Neander, Joachim.

Bach's chorale cantata Lobe den Herren, den machtigen Konig der Ehren BWV 137, has long been, thanks to its popular chorale text, one of the most frequently-performed works by the Kantor of St. Thomas's. Unlike the cantatas in the cycle of chorale cantatas, the text of the hymn is not only used in the opening and final chorales, but Bach uses it in all the movements. The new edition reflects the current state of research and presents this work in Carus's clear-to-read music setting. Score available separately - see item CA.3113700.

SKU: CA.3103407

ISBN 9790007242244. Key: D major. Language: German/English.

The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score available separately - see item CA.3103400.