Format : Score and Parts
SKU: AP.30625S
UPC: 038081341750. English.
A medium swing arrangement for the 'bone section, this chart begins with unison trombones, then 'bones in harmony followed by exchanges with the other sections to include a stop-time section. It's easy to put together, has no individual solos, is effective to perform and a kick for your 'bone section. Also includes all the usual optional parts. (3:38).
SKU: BT.DHP-1084362-120
9x12 inches. English-German-French-Dutch.
Kickoff is a short but powerful opening work. An attractive theme,a beautiful counter-melody, a driving bass motif and energeticpercussion are the ingredients of this composition. A fantastic way tokick off any concert. Kickoff is een kort openingswerk. Een aansprekend thema, een mooie tegenstem, een stuwend basmotief en spetterend slagwerk zijn de ingrediënten. Het thema komt naar voren in statige vorm, met een indrukwekkende tegenstem. Dangaat het werk over in een snelle beweging, met de basstemmen en het slagwerk in een belangrijke rol. Daarboven wordt de melodie uitgespreid onder begeleiding van ritmische akkoorden en wordt het thema afgewisseld door een tegenstemin een vraag-en-antwoordspel. Na een korte break wordt dit alles herhaald, waarna Kickoff besluit met het kort scanderen van het basmotief.Kickoff ist ein kurzes, spritziges Eröffnungswerk des Holländers John Blanken. Ein ansprechendes Thema, eine schöne Gegenstimme, die sich im Mittelteil in einem kurzweiligen Frage-und-Antwort- Spiel“ mit dem Thema abwechselt, und ein schmetterndes Schlagzeug sind die Zutaten zu diesem Stück. Ein Knalleffekt zu Anfang des Konzerts, der Ihnen die geneigte Aufmerksamkeit des Publikums bis zum Schluss garantiert! Kickoff de John Blanken est une pièce d’ouverture courte mais énergique. Le thème est pétillant, le contrechant délicieusement charmant, la ligne de basse est toujours en mouvement et les percussions puissants. De quoi captiver l’attention du public dès les premières notes !
SKU: FJ.B1718S
English.
This powerful and driving overture is the perfect way to kick off your holiday program! Featuring a mix of original themes and holiday favorites, this work does not sound like a medley; rather, it is a powerful fanfare featuring snippets of holiday favorites that span from lyrical to soaring!
About FJH Beginning Band
Appropriate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.
SKU: FJ.JE4049S
Check out this tasty setting of an old standard. It features an alto solo on the intro, then settles into a nice bossa groove. The solo section is double time for an added kick, with the bones playing the familiar melody in the background. Great writing!
About FJH Intermediate Jazz Ensemble
Appropriate for high school jazz ensembles. Lead trumpet ranges are modest and occasionally include optional notes for more accomplished players. Written solos are provided along with suggested parts for rhythm section and drum set. Guitar chord guide included. Grades 3 - 3.5
SKU: KN.EDB2303FS
12 x 9 inches.
Every program needs a great funk chart and this new original from George Shutack will kick your next concert into high gear. Plenty of fun playing for both the rhythm section and the wind section. And with the open solo section, young players can stretch out on the easy changes.
SKU: CL.023-4494-01
You’ll be amazed to discover that this high-energy composition has been created through the use of only six different notes. Your young musicians will relish the opportunity to perform a work that sounds far more advanced than most selections at this grade level. Don’t be surprised if the audience experiences a definite wow moment at the exciting conclusion of this fast paced piece. Exhilarating!
SKU: PE.EP71899
ISBN 9790577004402. English.
About Peters Contemporary Library
Mark AndreMilton BabbittDaniel BjarnasonEarle BrownJohn CageHenry CowellJames DillonJonathan DoveBrian FerneyhoughRoxanna PanufnikRebecca SaundersErkki-Sven TuurCharles Wuorinen These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike. Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.
SKU: FJ.ST6325S
Inspired by the Trans-Siberian Orchestra, this energetic arrangement of God Rest Ye Merry, Gentlemen includes an easy drum set part that really kicks things into high gear. Catchy melodic variations give this arrangement a unique identity as ideas are layered, broken apart, and assembled one last time for a rousing conclusion!
About FJH Developing Strings
Slightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5
SKU: HL.4005111
UPC: 888680684310. 9.0x12.0x0.113 inches.
Opening with a lyric section featuring a solo for flugelhorn (or trumpet), this appealing work includes sensuous melodies surrounded by lush and “bluesy†harmonies. The uptempo “mambo†kicks in with an infectious percussion groove that accompanies the melodies and riffs from the full ensemble. A marvelous and entertaining change of pace. Dur: 4:00.
SKU: CL.031-2587-01
One of the best swing charts for beginning bands that you can find. Ranges are quite modest, but has a very big-time sound. This kickin’ chart is also playable with limited instrumentation.
SKU: CL.032-2592-01
Here’s a classic uptempo big band swinger that really shouts! Starts out with unaccompanied sax section playing an appealing line that serves as the introduction. Includes an open section for solos by any instrument (solo suggestions included) and then features a question and answer duel between the drums and the rest of the band. Ranges are quite modest for this level as the trumpet only goes to high C.
SKU: BT.DHP-1053830-140
English-German-French-Dutch.
Jacques Offenbach was born in 1819 in Cologne, Germany, but as a child he moved to Paris where he received a thorough musical education. In his operetta Orpheus in the Underworld, Offenbach parodies the famous Greek legend of Orpheus and Euridice. Indirectly, however, he criticises the complacency of many of his contemporaries. The overture was not written entirely by Offenbach, Carl Binder added various pieces to it for a Viennese production of this operetta in 1860 and since then, these pieces have remained part of the composition. This appealing transcription includes the famous Can Can which is sure to get your audience high kicking in the aisles!In de operette Orphée aux Enfers (Orpheus in de onderwereld) parodieert Offenbach het beroemde verhaal van Orpheus en Euridice uit de oude Griekse sagenwereld - indirect stelt hij echter de zelfgenoegzaamheid van veelvan zijn tijdgenoten aan de kaak. De ouverture is niet geheel van Offenbachs hand. Carl Binder heeft er diverse stukken aan toegevoegd voor een Weense productie in 1860, en die zijn er sindsdien in gebleven. Wil van der Beek maakteeen transcriptie voor harmonieorkest van de aanstekelijke ouverture - waarin natuurlijk de beroemde cancan is verwerkt.In seiner Operette Orpheus in der Unterwelt (Orphée aux Enfers) parodiert Offenbach die berühmte Erzählung von Orpheus und Eurydike aus der klassischen griechischen Sagenwelt. Indirekt kritisiert er darin jedoch die Selbstgefälligkeit vieler seiner Zeitgenossen. Die Ouvertüre schrieb Offenbach nicht ganz alleine; Carl Binder fügte einige Stücke für eine Wiener Produktion dieser Operette im Jahr 1860 hinzu. Diese Stücke blieben seither Teil der Ouvertüre. Wil van der Beek schuf eine Transkription für Blasorchester dieser reizvollen Ouvertüre, die auch den berühmten Cancan enthält.Jacques Offenbach (1819-1880) cultivait l’art d’ironiser sur la frivolité des moeurs parisiennes, sur l’amour, la vie politique et la vie militaire. Son opérette Orphée aux Enfers (1858) est une parodie du mythe grec d’Orphée et Eurydice, mais sous le masque de l’antiquité, il se livre une critique sévère de l’attitude suffisante de nombreux de ses contemporains. L’Ouverture telle que nous la connaissons aujourd’hui n’est pas la version originale d’Offenbach, mais une version complétée par Carl Binder pour une production Vienne en 1860. Wil van der Beek en a réalisé une transcription irrésistible qui contient le pétillant Cancan, l’une des pages les plus célèbres de lapartition. Jacques Offenbach (1819-1880) coltivava l’arte di ironizzare sulla frivolezza delle abitudini parigine, sull’amore, sulla vita politica e la vita militare. La sua operetta Orfeo agli Inferni (1858) è una parodia del mito greco di Orfeo ed Euridice, ma dietro la facciata dell’antichit , si abbandona ad una critica severa del comportamento di sufficienza di numerosi suoi contemporanei. L’Ouverture come noi la conosciamo oggi, non è la versione originale di Offenbach, ma una versione completata da Carl Binder per una produzione a Vienna nel 1860. Wil van der Beek ne ha realizzato una trascrizione irresistibile che contiene il brillante Cancan, una delle pagine più celebri dellospartito.
SKU: CL.032-2592-00
SKU: CL.031-2587-00
SKU: BT.DHP-1115043-140
9x12 inches.
The Loco-motion was the hippest dance routine to hit the clubs in the 1960s. In contrast to many songwriters who write songs after a trend has taken off , singer/songwriter partners and couple Gerry Goffi n and Carole King wrote the song that kicked off the entire dancesong craze. Little Eva was the fi rst of several artists to reach the top of the US charts with this hit in 1962. Let your band rise to new heights with Hideaki Miura’s funky arrangement! The Loco-motion was een bijzonder geliefde manier van dansen in de jaren zestig. Gerry Goffin en Carole King waren met hun gelijknamige hit de trendsetter van deze muziek- en dansstijl. Dit in tegenstelling tot wat veel songwritersdoen: pas bepaalde muziek schrijven als het al een trend is. De eerste die het nummer vertolkte was Little Eva en zij scoorde er een nummer één hit mee. Hierna werd de song nog vaak en succesvol gecoverd. En nu is er dusook een lekker vlotte versie voor harmonieorkest van Hideaki Miura.The Loco-motion war ein Modetanz in den 1960er-Jahren. Entgegen der weit verbreiteten Annahme sprang aber nicht das Songwriter-Ehepaar Gerry Goffin und Carole King mit ihrem gleichnamigen Hit auf diesen Zug auf, sondern sie waren tatsächlich diejenigen, die mit dem Titel den Trend erst auslösten. Nach dem Nr. 1-Erfolg der ersten Interpretin Little Eva wurde der Song oft und erfolgreich gecovert und liegt nun in einer flotten Blasorchesterbearbeitung von Hideaki Miura vor.Au début des années 1960, le couple d’auteurs succès, Gerry Goffin et Carole King, compose la chanson, The Loco-motion, qui sera l’origine d’un phénomène qui va balayer tous les pays, le locomotion, un twist en ligne avec des mouvements de bras imitant le va-etvient des bielles de locomotives vapeur. Immortalisée aux États-Unis par Little Eva, la chanson sera reprise en France par Henri Salvador, puis par Sylvie Vartan, l’égérie des années yé-yé. Hideaki Miura en a réalisé un arrangement pour Orchestre d’Harmonie, aussi twistant que la version originale.The Loco-motion è stato un ballo di moda negli anni ’60. Al contrario di molti autori che scrivono canzoni utilizzando trend gi esistenti, la coppia Gerry Goffin e Carol King fu l’artefi ce di questo ballo di successo. La prima interprete della canzone fu Little Eva che nell’ormai lontano 1962 raggiunse la vetta delle canzoni più vendute. Un tuff o nel passato con questo arrangiamento molto riuscito fi rmato Hideaki Miura.
