A Touch Of Tuba

SKU: FZ.55012

1.9 x 4.5 cm inches.

Treat yourself or give an original gift to a friend ! (Christmas, birthday, wedding, celebration). This silver brooch is made in Germany. This bass tuba accessorie will add a touch of fantasy to your look. Photos and sizes no-contractual.

SKU: HL.14014460

In its original form the Suite was written in answer to a commission from the Farnham Festival and was first performed on 11 May 1971. I was, however, not entirely satisfied with it and did not pass it for publication until 1982, when I revised it in considerable detail. In its revised form it was first performed on 18 June, 1983, at Monash University, Melbourne. The music requires little explanation. The titles of each of the five movements indicate their character: 'Fanfare'; 'Dance', which has Elizabethan overtones; 'Popular Song', which explores jazz rhythms and harmonies; 'Ceremony' - a solemn chorale; and 'Finale', a light-hearted Rondo with fugal touches. The overall intention is simply to entertain both the players and their audiences.

SKU: FZ.55253

18.70 cm inches.

A touch of music in your messages thanks to this pencil tuba with his gum. Set of 6 pencils. Photos and sizes no-contractual.

SKU: BT.DHP-1053878-070

9x12 inches. English-German-French-Dutch.

As the title suggests, this is a three-movement work in which the popular music styles of pop, rock and blues are used. Roland Kernen has used a number of characteristic musical ingredients in each movement, resulting in an attractive composition for a variable five-part line-up. The percussion provides the finishing touch!Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Cor Ang Kl B Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Drum Perc

Wie der Titel schon andeutet, kommen in diesem dreisätzigen Werk die populären Stile Pop, Rock und Blues vor. Roland Kernen verwendete in jedem Satz eine Reihe charakteristischer musikalischer Zutaten. Heraus kam eine attraktive Komposition für variable fünfstimmige Besetzung. Das Schlagzeug sorgt für den letzten Schliff!Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Cor Ang Kl B Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Drum Perc

Avec Pop, Rock & Blues Suite, Roland Kernen signe une œuvre pétillante cinq voix pour ensemble instrumentation variable. La touche finale est apportée par la percussion.Part 1 Fl Htb Cl. Si♭/Mi♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cor Angl. Cl. Si♭ Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Basson Trb Euph. Part 5 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes Opt. Batt. Perc

Con Pop, Rock & Blues Suite, Roland Kernen scrive una suite frizzante per ensemble a cinque voci a strumentazione variabile. Il tocco finale è affidato alle percussioni (opzionali).Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Cor Ang Kl B Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Drum Perc.

SKU: CF.BPS132F

ISBN 9781491158470. UPC: 680160917075. 9 x 12 inches.

Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!.
Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!