Format : choral score
SKU: CA.2060211
ISBN 9790007037109. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Anonymous composition, attributed to Schutz by Bruno Grusnick. Score and part available separately - see item CA.2060200.
SKU: C4.9790902257169
ISBN 9790902257169. 8.27 x 11.7 inches.
Coventry Carol was arranged for the Choir of Trinity College, Melbourne as part of their 2015 carols services on December 4, 5 and 6. It has since been recorded for CD (Beneath the Incense Tree, APL17427) as part of the College's centenary celebrations for the consecration of the Horsfall Chapel in 2017, with current Director of Music Chris Watson conducting.The well-known text is sourced from mystery plays celebrating the Feast of Corpus Christi, for which the traditional melody and harmonisation can be found in a 1591 edition published by Thomas Mawdycke. Here, the source material becomes increasingly unstable as the Massacre of the Innocents approaches, resulting in an apocalyptic climax. A barren and desolate epilogue follows, as foretold by Jeremiah 31:15. (She refuses to be comforted, for they are no more.).
SKU: CA.4061507
ISBN 9790007073855. Key: C major. Language: Latin.
Score available separately - see item CA.4061500.
SKU: CA.4061505
ISBN 9790007073565. Key: C major. Language: Latin.
SKU: CA.4061511
ISBN 9790007073589. Key: C major. Language: Latin.
SKU: CA.4061509
ISBN 9790007073572. Key: C major. Language: Latin.
SKU: CA.4061513
ISBN 9790007073602. Key: C major. Language: Latin.
SKU: CA.4061500
ISBN 9790007089290. Key: C major. Language: Latin.
SKU: CA.4061549
ISBN 9790007073619. Key: C major. Language: Latin.
SKU: MN.80-910
UPC: 688670809101.
Fresh-sounding, musically solid setting of Rite II (Episcopal Church) with alterations/ adaptations for Roman Rite (Catholic Church) usage. Descants included. Recurring themes unite various sections of Mass. Festive setting of Gloria and Sanctus for four-part Brass (2+2) and Timpani.
SKU: CA.3118703
ISBN 9790007182946. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700.
SKU: CA.3118705
ISBN 9790007182984. Language: German/English.
SKU: CA.3118714
ISBN 9790007209995. Text language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.
SKU: CA.3118709
ISBN 9790007209957. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and parts available separately - see item CA.3118700.
SKU: CA.3118713
ISBN 9790007209988. Text language: German/English.
SKU: CA.3118749
ISBN 9790007210007. Language: German/English.
SKU: CA.3118719
ISBN 9790007183318. Language: German/English.
SKU: CA.3118712
ISBN 9790007209971. Text language: German/English.
SKU: CA.3118711
ISBN 9790007209964. Text language: German/English.
SKU: CA.3118700
ISBN 9790007171650. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235.
SKU: KJ.VM1OR
ISBN 9780849741951.
Rich melodic lines, appealing harmonic structure, and historic text identify this heartfelt worship service. With two accompaniment options, Trinity appeals to worshippers in either traditional or contemporary styles. Accompaniments are available for either organ or piano. The flute/violin parts and SATB choir parts pair with both accompaniments: guitar/bass and congas fit with the piano accompaniment. Organ-Vocal Edition.
SKU: CA.3104605
ISBN 9790007042950. Key: D minor. Language: German/English.
The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600.
SKU: CA.3104603
ISBN 9790007042943. Key: D minor. Language: German/English.
SKU: CA.3104612
ISBN 9790007042981. Key: D minor. Language: German/English.
The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600.
SKU: CA.3104649
ISBN 9790007043018. Key: D minor. Language: German/English.
SKU: CA.1023000
ISBN 9790007022594. Language: German.