Trio in C major, opus 87

Max Reger's two String Trios stand alongside Mozart's Divertimento in E-flat major (K. 563) and Beethoven's Op. 9 trios at the pinnacle of the genre. In their style and technical demands Regerhas clearly taken these admired classical forebears as his guide. Both trios are classicist in nature and delight the listener with their relaxed and occasionally even joyful character. No wonder that they proved highly successfulat their premières in 1904 and 1915! For his edition the Reger specialist Michael Kube has examined the autograph scores and the first editions of both works. This edition in parts also comes in a miniature score withexactly the same text published in Henle's Study Score Series (HN 9722).

This work brings me as much pleasure as if I were writinga major symphony... This washow Dvorak communicated to his publisher Simrock the joy he felt while workingonopus 75a (Miniatures for Two Violins and Viola), and he immediately set aboutreworkingit for violin and piano, giving it a new title, Romantic Pieces. The four shortmovementsfully evoke the atmosphere of home music-making for which it was written. TheCzechedition goes by the title Drobnosti (Miniatures) and is accompanied by a shortGavotte,dated 1890 and also written in a simpler style for three violins. This title ispart of the firstComplete Critical Edition of Works by Antonin Dvorak.

This is the Simrock Elite Edition of Carl Reinecke's Trio In A from Opus 264 which is scored for Viola Clarinet and Piano.

A collection of 30 pieces-Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. These intermediate-level pieces are suitable for the majority of pianists wanting to unwind with a tranquil selection. Peaceful Piano Solos includes something for everyone to relax to from much-loved Film

Version for Violoncello-Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 waswritten for Henri Garigue. Despite the illustrious recipients they are not virtuosic showpieces but as the term Romance suggests short ?Songs without words?. Alongside the orchestral version Saint-Saëns also prepareda piano accompaniment for chamber music performances. The first editions even also had an alternative part for Violoncello on which?this edition is based.

Wunderkind Sonatas Volume II for Piano and Violin K. 10-15 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it. In 1764 Wolfgang composed six sonatas in London - possibly after the model of Johann Christian Bach's Opus 2 - that can either be played as piano trios, as violin sonatas or simply on the piano. Royal sources were consulted for the edition: the copy in the British Library bears the handwritten note: This Volume belongs to the Queen 1788. Violin Sonata (Wunderkind) B flat major KV 10 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) G major KV 11 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) A major KV 12 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) F major KV 13 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) C major KV 14 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) B flat major KV 15

String Quartets Book VIII op. 64-The quartets were dedicated to the violinist Johann Tost who was the second principal violinist at the Esterházy court during the 1780s. His business sense led him to sell twelve quartets - opus 64 was probably amongst them -to a Parisian publisher. Whether Haydn approved of this is open to question - the dedication was however no longer present in the second imprint or the following ones. Our edition follows the Haydn CompleteEdition and for the first time juxtaposes the quartet in E flat major and the two original trios.