Trio (Set Of Parts)

Easy trios for beginners-James Rae's eminently successful tutor Introducing the Saxophone was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now complementing the tutor James Rae has produced these three volumes to introduce the beginner to ensemble playing. The parts are of the same technical level and are written with hints and tips along the way to familiarize the beginner with a new set of considerations and become a good team player.o easy pieces introducing the various aspects of music making with otherso all parts are of equal difficultyo compatible with Introducing Duets Trios and Quartets for clarineto especially suited to group teachingo ideal material for concerts and examinations

Par BRITTEN BENJAMIN. Benjamin Britten wrote his 'String Quartet in F' in April 1928, shortly after he began lessons with Frank Bridge. He was fourteen at the time and it is thought that this piece was set as a homework exercise by this new teacher.This set of parts is in four parts./ Répertoire / Trio ou Quatuor à Cordes

for Piano Clarinet and Viola-About Piano Trio In Eb Major K. 498 (Kegelstatt)By Wolfgang Amadeus Mozart (1756-1791) edited by Wolfgang Plath Wolfgang Rehm. K. 498. Set of performance parts (includes separate pull-out clarinet and viola parts) for piano trio (clarinet or violin viola piano). Eb Major. 42 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5325)

The composer has artfully created moving grotesque and melancholic soundscapes for Don Quixote—the Knight of the Sorrowful Countenance—and his adventures. Most atmospheric and effective music for intermediate level trios and equally suited for groups of several players. Choir set for guitar ensembles available separately (SY 2884-05)

Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998 Merkin Concert Hall New York City.Quoting Weir: 'In my previous work I have often enjoyed inventing titles whichattempt to encapsulate the particular world of each composition but this fifteen minutes piece for violin cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? I thinkperhaps that in this piece the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.The firstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air the dark choppy water the bells tolling the gondolier alone in emotional turmoil. Schubert's world is aplace where I can find constant inspiration and strength.The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room the next (or so it seemed in my imagination)surrounded by light heat and sudden energy and activity. The movement is not however an evocation of African music; it takes the form of a scherzo and trio which collide with each other at the movement's conclusion.Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations where melodic fragments are laid out with plentyof space around them clear and plain for everyone to hear.