SKU: HL.263189
ISBN 9788759839294. 12.0x8.5x0.13 inches.
Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017, commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations, with the middle one, Toccata, as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities, which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music. The other two movements can be regarded as 'before' and 'after'. The first, Exordium, is a 'fluid' situation, but also a preparation, which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement, Hymn, represents a serene situation, where a wealth of hymnal fragments grows out of an underlying structure, repeated several times(technically speaking, a passacaglia). There are also elements, however, which are derived from the previous movements. Niels Rosing-Schow (2016).
SKU: HL.14012287
ISBN 9788759865002. 12.25x16.5x0.92 inches. English.
Triptykon for Percussion and Orchestra was composed by Pelle Gudmundsen-Holmgreen in 1985. Dedicated to Gert Mortensen. Programme note: TRIPTYKON is inspired by the visual arts (a triptych is a painting on three panels, hinged side by side - for instance an altarpiece). The three movements of TRIPTYKON are composed in an eff ort to create clear contrasts of colour. The first movement employs only winds in the orchestra, the second movement only strings, and in the third movement the first two movements are repeated, on top of each other, played simultaneously. Tue percussion solo part has equally distinct colours: for the first movement: metal only, for the second movement: woodonly, and then finally in the third movement- together with the orchestral tutti - skin! Other distinct features in TRIPTYKON are block-like dispositions, polyrhythmic layers and simplicity of tonal colours. Tue often crude articulation of motifs and the frequent use ofrepetition lend a ritual character to the music. TRIPTYKON was composed in close collaboration with percussionist Gert Mortensen and the work is dedicated to him.
SKU: HL.283656
Triptykon (Triptych) for Soprano solo and Piano was composed by Bent Sorensen in 2006. Three songs with texts in Norwegian by Tor Ulven and Rolf Jacobsen. Commissioned by the The Queen Sonja International Music Competition 2007, with support from NOMUS.
SKU: HL.50603837
ISBN 9781705149010. UPC: 196288015796.
Pelle Gudmundsen-Holmgreen's Triptykon arranged for percussion ensemble by Matias Vestergard Hansen, according to the composer's sketches.
SKU: HL.49042481
ISBN 9790001116039. 12.0x8.25x0.43 inches.
Museumsstucke is how Dieter Schnebel entitled his two collections of experimental music theatre pieces which he sees 'almost as sound images, acoustic counterparts of what is hanging on museum walls'. In the first cycle he refers to different types and genres of pictures, in the second cycle he applies typical working methods of painters such as Marcel Duchamp, Yves Klein, Anselm Kiefer or Mark Rothko to the music.1. Veduta - Signalinstrumente * 2. Tempesta - Stuhle * 3. Landschaft - Stimmen, Werkzeuge * 4. Nachtstimmung - Stimmen, Schwirrholz * 5. Nature morte - Plastikmaterialien * 6. Skulpturen und Portrats - Stimmen, Korperklange * 7. Blumen und Arabesken - Stimmen, Windchimes, Glockenspiel * 8. Selbstportrat (II) - ad lib. * 9. Bauernszene - Teller, Glaser, Besteck, Stimmen * 10. Seebild - Stimmen, Wasser, Rainmaker, Mowen-schrei * 11. Waldstuck - Wasser, Vogelpfeifen, Knacker, Steine * 12. Battaglia - Ratschen * 13. Triptychon * Stimme, Waldteufel[Museumsstucke (I) wurde speziell fur das Museum fur Moderne Kunst in Frankfurt/Main konzipiert.].
SKU: CA.1802500
ISBN 9790007031855. Language: all languages.
SKU: HL.14023393
ISBN 9788759858301. International (more than one language).
Work for Chorus of Mixed Voices (SATB) and Orchestra, composed in 1960.
SKU: HL.49015181
ISBN 9790001062213.
SKU: HL.14034116
SKU: HL.49000665
ISBN 9790001004855. UPC: 073999272482. 9.0x12.0x0.076 inches.
Percussion quartet.
SKU: BT.EMBZ13154
I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi m me. Moderato III. Maternité. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle décline et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto eI. Prolog. Moderato quasi andante
II. ...wie ein Brief über mich selbst. Moderato
III. Mutterschaft. Andante quasi allegretto
IV. Elegie (in der Form eines Tryptichons)
- Poco rubato
- Poco adagio
- Andante
V. Faschings Serenade. Allegro giocoso
VI. Ruheloser Seuzer in die Frühlingsnacht. Moderato poco rubato quasi fantasando
VII....ich fahre dahin wie ein Schatten, der vertrie : ben wird und verjaget, wie die Heuschrecken...(Ps. 109). Poco adagio
VIII. Das trunkne Lied. Allegro commodo poco capriccioso
IX. Epilog. Poco lento molto espressivoI. Prologue. Moderato quasi andante
II. ...comme une lettre sur moi m me. Moderato
III. Maternité. Andante quasi allegretto
IV. Elegie (en forme d'un tryptichon).
V. Serenade en Carneval. Allegro giocoso
VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando
VII. ...je m'en vais comme l'ombre quand elle décline : et j'ai été emporté de côté et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio
VIII. Chanson ivre. Allegro commodo poco capriccioso
IX. Epilogue. Poco lento molto e.
SKU: HL.49044356
ISBN 9790001199223. UPC: 841886023987. 9.0x12.0x0.082 inches.
Das in einem Guss zu spielende Triptychon ist thematisch auf einem Motiv in freischwebender Tonalitat aufgebaut. Der Mittelteil ist extrem schnell zu spielen. Umso mehr heben sich davon die sensibel registrierten Klange des Schlussteils ab.
SKU: HL.49006026
ISBN 9790001065450.
SKU: HG.GH-11505
SKU: HL.354648
ISBN 9781705108642. UPC: 840126937411.
SKU: HL.50487472
ISBN 9790080131541. 26,5 x 32,5 cm inches. Laszlo Lajtha.
I. Prologue. Moderato quasi andanteII. ...comme une lettre sur moi meme. Moderato III. Maternite. Andante quasi allegretto IV. Elegie (en forme d'un tryptichon). - Poco rubato - Poco adagio - Andante V. Serenade en Carneval. Allegro giocoso VI. Soupir inquiet dans la nuit de printemps. Moderato poco rubato quasi fantasando VII. ...je m'en vais comme l'ombre quand elle decline ; et j'ai ete emporte de cote et d'autre, ainsi que les sauturelles (Ps. 109). Poco adagio VIII. Chanson ivre. Allegro commodo poco capriccioso IX. Epilogue. Poco lento molto e.
SKU: BT.PWM6085020
SKU: HL.48024693
ISBN 9781540059420. UPC: 888680953874. 9.0x12.0x0.147 inches.
A triptych is a three-part altarpiece. In the middle of these fantasies for viola stands a biblical psalm, on the sides each a poem from the 20th century, which refers to psalms. After Georg Trakl's De Profundis, the first fantasy captures the lonely landscape at the beginning of the poem and the yearning voice of the orphan girl. In the second fantasy (after the 23rd Psalm Davids) pastoral-comforting mood frames the heaviness of the Wandering in the dark valley. The third fantasy of Paul Celan's Psalm lets the music emerge from the void, unfolding a melody with discreet allusions to psalmodody and Jewish music, which, despite shadowy clouding, ultimately allows for flowering (above the thorn).
SKU: HF.FH-2315
ISBN 9790203423157. 11.7 x 8.3 inches.
SKU: HL.49038022
SKU: HL.50498397
SKU: HL.49036805
SKU: BT.DHP-0920404-140
Jan Van der Roost komponierte diese Suite anlässlich des 110. Geburtstages der Koninklijke Sint Martinusfanfare aus Halle (Brabant).Auftrag des Komponisten was es, ein dreisätziges Werk zu schreiben, dessen einzelne bildhafte Teile einen Bezug zur Sint Martinusfanfare herstellen sollten. Der erste Satz, ein Andante Pomposo, beschreibt Martin, Soldat im römischen Heer. Das darauffolgende Andante Moderato zeichnet ein Bild von Martin, der sich zum Christentum bekehrt und sein Leben Gott widmen möchte. In diesem Satz ließ sich derKomponist von der brabantischen Gotik der Sint Martinus Basiliek in Halle inspirieren. Der Kontrast zwischen der dunklen Basilika und der von hoch emporstrebenden Pfeilern umgebenen, strahlenden Statue der Mutter Gottes wird für den Zuhörer in diesemausdrucksvollen Bild leicht nachvollziehbar.Der Schlusssatz, ein Allegro Molto Vivace, hätte die musikalische Beschreibung eines ausgelassenen Bauerntanzes während des Karnevalsumzugs in Halle sein können. In einem dem Heiligen Martin gewidmeten Triptychon ist es jedoch angemessener, in einerApotheose darauf zu verweisen, als Krönung des pastoralen Wirkens des Heiligen Martin, Bischof von Tours, Schutzheiliger des Auftraggebers und Stifter der Basilika in Halle.
SKU: HL.49035755
SKU: HL.49036806
SKU: M7.DOHR-98587
ISBN 9790202005873.
SKU: BR.MN-506
ISBN 9790004790052. 8.5 x 11.5 inches.
Tanz, Traum und Triumphmarsch - fur 3 Spielende an 1 Klavier.
