True to the Faith

Uses: Church Heritage Graduation General Scripture: Hosea 11:4 Ephesians 4:10 Colossians 1:10 There is a powerful heart beating at the center of this anthem that celebrates the mission and ministry of the church and challenges the next generation to honor the past by being faithful to the high calling of Christ. The refrain is memorable and approachable inviting the congregation children's choir and the orchestra to join in this noble affirmation of faith. Walk worthy my daughter be faithful my son for this is your moment. There is work to be done. Be true to your calling. Be strong all your days. You are part of the family of faith. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-3 tba perc 1-2 timp pno hp vn 1-2 va vc db) available as a digital download.

This companion to Mel Bay's popular American Fiddle Method opens up the world of fiddling to cellists at a beginner-intermediate level. Unlike many books for Violas and Cellos which simply transpose thetunes the authors of this method Brian Wicklund and Faith Farr have gone to considerable effort arranging the tunes to be both playable and true to the original melody and key. Variations to the tunes areincluded illustrating how they can serve as a basis for improvisation. Finally fiddlers violists and cellists can jam together! In this book ensemble skills are taught with chords and lyrics basic music theory anddemonstrations of such skills as backup and lead playing. This playfully-illustrated book also includes access to high quality multi-instrumental online audio recordings for listening and play-along.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Un livre de corde lié de spirale robuste qui contient certains trucs dur plus lourde du monde de la musique rock ! Cette édition en langue allemande contient plus de 70 hymnes de hard rock par certains des artistes mondes plus prestigieux et monstrueux dont - Metallica, AC/DC, Korn, Die Artze et Incubus. Toutes les pistes sont arrangés avec ligne de Melody, auteur complet et cordes, et ce volume agréable peut se glisser dans votre sac de concert et aller avec vous, partout où vous le rock ! / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Written as a companion to the wildly popular Fiddle book this method opens up the world of Fiddling to the beginning/intermediate Violist. Finally Fiddlers Violists and Cellists can jam together! Unlike many books for Violasand Cellos which simply transpose the tunes the authors went to considerable effort arranging the tunes to be both playable and true to the original melody and key.Variations to the tunes are included illustrating how theycan serve as a basis for improvisation. Ensemble skills are taught with chords and lyrics basic music theory and demonstrations of such skills as backup and lead playing in this playfully- illustrated book.A high quality multi-instrumental audio for listening and play-along captures the excitement of the music. Like its Fiddle counterpart this method is destined to be a classic. Includes access to online audio.

This standard Christmas Carol has been re-imagined by Tom Trenney. Tom asks What are we planning to do to this poor baby when we get there? Why do we sing O come let us adore Him with such bombast. Tom sets the opening quietly gently. Then being transformed when we first behold Him the music reflects this sense of awe and wonder. Tender delicate and completely true to the text singers and listeners will find new meaning in this beautiful new setting.

for Recorder. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Flûte à Bec

for Flute. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Flûte Traversière

for Tenor Sax. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Saxophone Ténor

for Trumpet. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Trompette

for Viola. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Alto

Julian Dodd offers an original approach to the controversial concept of authenticity in musical performance. He argues that the fundamental norm is not historical authenticity but interpretive authenticity: being faithful to the work by evincing a profound far-reaching or sophisticated understanding of it.