Two ( 2 ) Hunting Pieces

Easy Baroque Pieces for Classical Guitar is an outstanding introduction for the beginner to intermediate guitarist to the music of the Baroque period. Jerry Willard explains the intricacies of Baroque ornamentation (including trills, mordents and notes inégale in an easy-to-understand way, and performs each piece on the accompanying audio CD. Includes standard notation and tab. / Guitare et Guitare Tablatures

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Par . ?Showpieces? provide opportunities for pianists to display their skills and elicit the ?Wow!? response from an audience. The anticipation of acquiring virtuosity is highly motivating for piano students because there is a special thrill in experiencing the sound and feel of playing showpieces, as well as having the admiration of listeners! The music of Ovation, Books 1 and 2 was selected with this in mind. Book Two, for the advanced grades, continues to develop a virtuoso technique with works by Mendelssohn, Chopin, Grieg, MacDowell, Dohnanyi, Rachmaninoff, and Bartók. / Date parution : 2022-11-08/ Recueil / Piano

31 Duets That Can Be Played By Any Combination Of Wind Instruments-If you have a friend that plays another instrument and you want to play a duet with them for fun or in a performance then this is the book for you! This collection contains 31 duets in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of two wind instruments. Duets are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else that plays a wind instrument making the combinations of instruments that can be used almost limitless. This collection is ideally suited for use in schools for students who areespecially eager to play music with their friends. The flexibility of these duets makes them a must-have for any wind player. Editions available for: Alto/Baritone Saxophone (CFWF95)Clarinet/Trumpet/T.C. Euphonium/Tenor Saxophone (CFWF94)Flute/Oboe (CFWF93)Trombone/B.C. Euphonium/Bassoon (CFWF96)Horn In F (CFWF97)Tuba (CFWF98)

Par . Progressive Piano Repertoire, Volume Two is a collection of early-intermediate level piano pieces from the 18th to the 21st centuries arranged in order of difficulty. It is appropriate for any age student and may be used independently, or as a supplement to any piano method. It is specifically designed to be studied after Progressive Piano Repertoire (GP480). After completing Volume Two, students will be prepared for Level Four of Keith Snell?s Piano Repertoire (Baroque

Par CURTIS MIKE. The eight pieces are all well crafted, with underlying jazz roots, butemploying more sophisticated compositional techniques...Throughout,there is great, engaging counterpoint, a down-home bluesy feel that issometimes missing in more composed-out jazz pieces, and a harmonicand melodic freedom that is rare among published jazz material...Any ofthese duos would also work well on a recital program, alone or combinedas a suite. David Demsey, The Saxophone Journal / Niveau : Moyen à Avancé / performance score / Recueil / 2 Flûtes Traversières

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Three quaint and charming pieces for two equal voices that is easy enough for beginners. Two of the pieces are love songs and the third is a jolly hunting song.

Three Small Pieces for String Quartet. Par AYRES RICHARD. Richard Ayres’ Three Small Pieces for String Quartet each have distinct characters that illustrate the composer’s vivid imagination and skill for combining energetic, touching and sometimes wild music. The first piece is a short tribute to the Romanian singer Maria Tanase, a long forgotten performer who was once a star in her country. The second is a rough, fast and folk-like section in 11/16 time and the third, subtitled “Countess Eva von Spendu (on a horse) gallops through the forest (pausing four times to contemplate natural splendour)”, contains (in the words of the composer) “hunting gallops, a Feldmanesque 19 bar blues, some devilish fiddling, moments of repose and contemplation, and a lyrical finale.”/ Recueil / Quatuor à Cordes

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included both old and new of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus some with Piano accompaniment making this a brilliant way to enhance your choir's repertoire. This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams Gustav Holst Paul Mealor and George Dyson.Tunes like A-Hunting We Will Go Auld Lang Syne Bonny At Morn Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs the arrangements here are at once beautiful and touching coming truly to life when sung by a Mixed-Voice Choir.  These thirty four folk songs will enrich a performance programme whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements either the most beautiful the funniest or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs this collection includes songs like There Were Three Ravens Yarmouth Town My Love Is Like A Red Red Rose Dance To Your Daddy and The Rio Grande as well as an extensive and fascinating introduction by Jeremy Summerly. The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny often dramatic but always enjoyable to sing and their diversity

Description Robert Schumann: Album For The Young Op. 68 This set of pieces for young players has been a perennial favorite since its first publication in 1848. Songlist Andante Con Moto Choral Echoes From The Theatre Figured Choral First Loss Folk Song Harvest Man Humming Song Hunting Song In Memorium Italian Sailor's Song Knecht Rupert Lento Espressivo Little Fugue Little Piece Little Romance Little Song In Canon-form Little Study May, Sweet May Melody Mignon Molto Lento New Years Eve Norse Song Roaming In The Morning Roundelay Rustic Song Sailor's Song Scheherazade Sicilienne Solier's March Spring Song Strange Man The Happy Farmer The Horseman The Poor Orphan The Reaper's Song The Wild Horseman Op.68 No.8 (Album For The Young) Theme Vintage Time War Song Winter Time 1 Winter Time 2

Written in both C and G positions these pieces are sure to engage and motivate students. Contents include: Sounding Trumpets; Bubbles in the Air; Hip Hip Hooray!; Joyful Bells; On My Trampoline; Rainbow Waltz; I Like Spaghetti; Shoe Shine Blues; Hot 'n' Spicy; Hunting Horn.

The English king Henry VIII (1491-1547) is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. He was however a gifted athlete dancer and composer writing many songs poems and consort pieces (though not Greensleeves as is often believed). Pastime with Good Company is undoubtedly the best-known of these written in the first years of the 16th century while he was still a handsome prince newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting dancing and singing and would have been sungas part of the court entertainment.