Two Italian Part Songs

Part of the Carisch Professional Books series this songbook contains 100 Italian Folk songs for C instruments written in a melody line lyrics and chords format. Songs include: A mezzanotte in punto E Cadorna manda a dire Ta pum Va L'alpin La Mamma Di Rosina El Mio Galletto Fa La Nana Bambin Dove Te Vett O Mariettina La Tirolese La Violetta and more.

(Includes 2 CDs)-This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs are featured in each book including American and British art songs folk song arrangements sacred songs and a sampling of beginningsongs in German Italian Spanish and French. There is a completely different song selection for each voice type. This book includes access to online audio.

Second Part of the Clavier Ãœbung-By Johann Sebastian Bach (1685-1750) edited by Christoph Wolff Walter Emeryr. BWV 971 831. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 66 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5161) ISBN M006466160. With introductory text (does not include words to the songs). Baroque. 9x12 inches. SMP Level 10 (Advanced)Very advanced level very difficult note reading frequent time signature changes virtuosic level technical facility needed. (Learn more about SMP levels)Contents:French Overture BWV 831 B MinorItalian Concerto BWV 971 F MajorFrench Overture BWV 831a (Early Version) C Minor

A collection of songs for SATB from the great Italian choral tradtion in Italian/Latin with English translations. A piano part is scored for rehearsal purposes only for the pieces as they are mainly to be performed a cappella. Sanctum Et Terribile Bomen Ejus (Holy And All Glorious) is to be performed with piano accompaniment while it is optional in Piagn'e Sospira (Crying And Sighing.

The full score for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Parts available: KP00249The composer writes:'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on 'Angel’s Music' was started in Rome where I spent the autumn of 1987 staying at 'The Danish Academy'. Whether this stay has influenced the quartet or not is impossible to say. however it is true tosay that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that 'little songs' (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the 'little songs' be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and

Le Tessin est une petite zone à l'extrémité sud de la Suisse à la frontière avec l'Italie. Le Tessin a été en réalité partie de l'Italie jusqu'à il ya quelques siècles. La mandoline est arrivé au Tessin par les immigrants et leur musique, et posa important racines culturelles là-bas. Le style mandoline dans le Tessin est un lien vers la vieille tradition populaire italienne de la musique, qui a été perdu en grande partie en Italie et dans d'autres parties du monde. Ce livre est un recueil de quelques-uns des morceaux les plus célèbres de ce vaste répertoire historique. La collection comprend de nombreuses chansons populaires, des pièces de compositeurs virtuoses mandoline d'origine, ainsi qu'une composition originale Aonzo. Le livre est présenté en anglais et en italien alors que la musique est en notation standard et tablature de mandoline. / Niveau : Débutant / Recueil / Mandoline

La plupart des enseignants de la voix et des chanteurs préfèrent toujours la pianistique, merveilleusement gratifiante arrangements de ce matériau italien début faite par Alessandro Parisotti dans les années 1880. Cette nouvelle édition, nouvellement fait des recherches et gravé, comprend l'original Schirmer 24 'plus quatre chansons supplémentaires : Sento nel core (a. Scarlatti), O leggiadri occhi belli (anonyme), Intorno all'idol mio (Cesti), Delizie contente, che l'Alma beate (Cavalli). Avec IPA, mot pour mot traductions et des informations historiques sur chaque chanson et compositeur. Le CD comprend des accompagnements piano et enregistré des leçons de prononciation / Chant Et Piano / Partition + Cd