Underdog

Modern Guitar Anthems Blue focuses on classic indie rock from some of the biggest names in the business, including Starsailor, Radiohead, The White Stripes, The Coral and Doves. Featuring classic indie anthems like Turin Brakes' 'Underdog' and The Dandy Warhol's 'Bohemian Like You', the book also includes hard-to-find transcriptions of tracks by The Cooper Temple Clause, Black Rebel Motorcycle Club and Elbow. Each song is transcribed in guitar TAB and standard notation and guitar chord boxes are given for every track. Special tunings and capo positions are also indicated where appropriate. This book has been checked by an experienced editor and is guaranteed accurate. Songlist: Alcoholic (Starsailor); Asleep In The Back (Elbow); Bohemian Like You (The Dandy Warhols); Buck Rogers (Feeder); Can't Smile (Vex Red); Emergency 72 (Turin Brakes); Empty At The End (Electric Soft Parade); Fell In Love With A Girl (The White Stripes); Good Souls (Starsailor); Hotel Yorba (The White Stripes); Knives Out (Radiohead); Love Burns (Black Rebel Motorcycle Club); Mind Over Money (Turin Brakes); Newborn (Elbow); Nite & Fog (Mercury Rev); Poor Misguided Fool (Starsailor); Powder Blue (Elbow); Pyramid Song (Radiohead); Say Something (Haven); Silent To The Dark (The Electric Soft Parade); Silver (Hundred Reasons); Skeleton Key (The Coral); Spread Your Love (Black Rebel Motorcycle Club); Starbucks (A); The People (The Music); There Goes The Fear (Doves); Underdog (Save Me) (Turin Brakes); Watching Xanadu (Mull Historical Society); Who Needs Enemies (The Cooper Temple Clause); You Held The World In Your Arms (Idlewild)

Proving that every underdog has his day The Peanuts Movie ends the long wait for a new Peanuts feature and their first-ever major motion picture release! This matching songbook features eight pages of color art from this 2015 movie release and easy Piano arrangements of 8 songs from the soundtrack. This album includes: Charlie Brown in Love Christmas Time Is Here The Library Linus and Lucy Skating Better When I'm Dancin' and Good to Be Alive (Meghan Trainor) That's What I Like (Flo Rida).

It was almost a mission in Alec Wilder's life to assuage the thirst for good music of the so-called underdog instruments and here is yet another example of his brilliance in this field. Suite No.1 is energetic yet gracefulpiece. Perfect for concerts auditions or simply for pleasure.

The Amazing Comeback of a Musical Underdog-Director Tony Coleman and producer Margaret Meagher travelled the world for two years to discover why so many people of different nations cultures ages and musical tastes are turning to the ukulele to express themselves and to connect with each other. This fascinating documentary is packed with music and includes performances from many artists including Jake Shimabukuro. An official selection of several prestigious film festivals it's been featured on National Public Radio Canada's National Radio Network as well as in broadcast and print media throughout North America Europe Asia and Australia. The DVD is packed with bonus features including ten additionalshort films about the ukulele and a lesson with virtuoso and educator James Hill.

Taylor Swift's chart hit from 2011 celebrates the underdog and the dreamer and helps those who may be bullied understand that it gets better while imagining the bully will someday receive comeuppance! With its sweet country harmonies and sassy lyrics this easily-learned song will be an entertaining addition to your program! Available separately: SSA 3-Part Mixed ShowTrax CD. Duration: ca. 3:10.

Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties. The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright). Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian. / Date parution : 2022-05-31/ Répertoire / Concert Band

Piano Concerto no. 4 in c minor op. 44. Despite its unusual form - a structure with two sections, each comprising two movements that are to be played without interruption - this work from 1875 enjoyed great success from the start. In its balanced proportion of solo part to orchestra, it corresponds almost perfectly to the model of the ?symphonic concerto? and numbers among the most popular concerti by this French composer. For the first edition of 1877, no less a figure than Gabriel Fauré undertook the piano transcription of the orchestral part - an optimal basis for Johannes Umbreit?s piano reduction for the first Urtext edition ever of this work. As for the Piano Concerti no. 2 and no. 5 already issued by Henle, Pascal Rogé, one of the greatest experts on Saint-Saëns? piano works, also provided the fingerings for this edition.

“Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student” says an entry in the catalogue of Haydn’s musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as “Missa brevis in F. / a due Soprani”. Around 1805/06 he added in shaky decrepit handwriting to the title “Missa.” on the front page of the organ part of one of the set of parts prepared by his copyist Johann Elßler: “Brevis / di me Giuseppe Haydn mpria / 1749”. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn’s life i. e. 1749/50 as the starting point of his work: “Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life.” In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself. - Urtext from Joseph Haydn Werke - Full score parts (BA4644) and vocal score (BA4644-90) available for sale - Early string version and later version with wind instruments and timpani

Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. ?Elijah? was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance Mendelssohn undertook a revision of the oratorio inwhich whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn?s most popular works in an edition reflecting the latest editorial knowledge.- Bärenreiter-Urtext including numbers from the original version for the first time.- English and German singing texts.- Critical Commentary (Eng).- Full score performance material (BA9070) and vocal score (BA9070-90) available for sale.

Theobald Boehm was a goldsmith and inventor of the Boehm flute (1847). He was also an engineer, composer, industrialist, and the director of the Bavarian steel works. In addition, he was the solo flutist of the Bavarian State Opera, and a well-known soloist and teacher. He played many of his own compositions on the numerous tours he undertook in his lifetime. In writing these short pieces he gave us 24 miniature gems incorporating the difficulties we face daily while playing the flute. These études require a great deal of work but if practiced diligently you will acquire a great technique over the entire flute. This edition is edited by flute legend, Sir James Galway, complete with his phrasing and expression marks, and performance tips for each etude.

Das knapp siebenminütige Werk entstand auf Wunsch des Geigers Niklas Liepe. Die einzelnen Zeitfiguren sind 'unterirdisch' miteinander verbunden, teilweise sogar durch nicht hörbare Strukturen kreiert. / Violon

Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. ?Elijah? was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance Mendelssohn undertook a revision of the oratorio inwhich whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn?s most popular works in an edition reflecting the latest editorial knowledge.- Bärenreiter-Urtext including numbers from the original version for the first time.- English and German singing texts.- Critical Commentary (Eng).- Full score performance material (BA9070) and vocal score (BA9070-90) available for sale.

In the 1970s the renowned Russian violinists Igor and David Oistrach undertook the editing of major violin concertos. They concentrated themselves on works for violin and piano and drew upon their vast experience to provide a wealth of markings especially in the solo part.

Volume 5-Born in Syria in 1938 Dia Succari undertook his musical studies with his Father before moving to the Paris Conservatoire. He studied composition with Olivier Messiaen before beginning a career as a successful composer and pedagogue. Theory Exercises for Musical Education is no exception to the composer''s achievements. Currently a professor at the Paris Conservatoire Succari has led a prominent career and therefore his Theory Exercises for Musical Education are compiled from a wealth of experience and expertise. The fifth volume addresses differing clefs and their common voice ranges as well as note names. The 25exercises ensure full understanding and progression. For all musicians Succari provides a helpful aid to music theory.