SKU: CA.739300
ISBN 9790007172268. Text language: Latin.
Veni was composed by Kay Johannsen in November 2015. Similar to his 2010 work Et vidimus gloriam eius for four choral groups (SSA, TTB, SATB, SATB) and organ based on the beginning of St John's Gospel, Veni requires a spatial separation of three four-part choirs. The starting point of the composition is the 12th century hymn Veni redemptor gentium by St Ambrose of Milan, which Martin Luther used as the basis of his 1524 hymn Nun komm, der Heiland. The four sections of the cantus firmus are sung in turn by all the basses, altos, sopranos, and tenors, each part at a louder dynamic than the other parts. For the accompanying voices Johannsen uses different principles of canonic technique and motivic variation, with most of the material derived from the cantus firmus. The organ part of this 12-part chorale arrangement provides a harmonic orientation, but is completely independent and introduces both moments of rhythmic accentuation and elements of veiling. The choral writing is also deepened and elevated by the organ sounds derived from the text. Despite all the motivic links between the parts, the music has a direct sensual effect as a sound collage. The work ends with three increasingly distant, homophonic invocations of Veni: the plea Komm occurs at the beginning as at the end.
SKU: HL.14034825
ISBN 9780711995208. 11.75x8.25x0.43 inches.
Veni Creator Spiritus-Prelude was commissioned by the Dunfermline Abbey Festival and first performed on 21 June 1987. Veni Redemptor-A Celebration was commissioned by the North Wales Music Festival and first performed on 26 September 1985 at St Asaphn Cathedral by John Scott.
SKU: CA.7010300
ISBN 9790007162924.
SKU: HL.14005402
8.5x11.75x0.376 inches.
Veni Spiritus' was commissioned by the Royal Choral Society in memory of Linda Shirley Neuse. Written for soprano and baritone soloists, chorus and orchestra, this arrangement is for all vocal parts and a piano accompaniment.
SKU: HL.14021046
ISBN 9780711996885. 8.25x11.75x0.089 inches.
Work for Flute and Bass Clarinet. 'Veni Creator Spiritus' is one of a series of shorter works written in tandem with a Mass for Westminster Cathedral, for liturgical use at Pentecost. Larger performing score available on special order: SOS15675.
SKU: LM.PB769
ISBN 9790231307696.
Comment c'etait deja - Chez moi - Yes we did - De ma fenetre - Ne partez pas - Comme un marin - Hannah - Ma corde au clou - J'ai 18 ans - Quitte-moi - Le mal de l'aube - Les souvenirs sous ma frange - Qui peut dire ? - Qu'est-ce qu'on attend de moi ? - Les frangines - Je gueris - La liste - Ciao bella - Sombre con.
SKU: BT.MUSVWP000011
UPC: 890346001287.
Dancla Carnival of Venice for viola and piano arranged by Alan Arnold.
SKU: CA.4040220
ISBN 9790007066703.
SKU: HL.48023805
UPC: 888680626457. 9.0x12.0x0.038 inches.
Written in 1873, Evening Song is one of the best-known choral works of Josef Rheinberger (1839-1901), German composer, organist and teacher. Displaying an exceptional lyric quality and utilizing a full range of dynamic contrast, Shelley Hanson's arrangement is specifically designed with flexible instrumentation to be performed in a variety of ways. This piece is equally effective whether performed by a traditional concert band or by a smaller chamber ensemble. Dur: 2:50.
SKU: CA.1900500
ISBN 9790007091170.
SKU: GI.G-9393
English, Latin. Text Source: Vv. Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818–1866, alt.; Translation: John Mason Neale.
Featuring three refrain text options—“Veni Jesu,†“Come, Lord Jesus†and “Maranathaâ€â€”as well as the familiar text of “O Come, O Come, Emmanuel,†this piece by Douglas Green would be a lovely addition to any choir’s Christmas repertoire. The piece begins with a unison tenor and bass line and then steadily adds parts until it reaches a full four-part texture. Handbells provide chords at the beginning of the piece and during the verses, but it can also be performed a cappella. For six handbells.
SKU: UT.CH-160
ISBN 9790215320406. 9 x 12 inches.
Coventry Carol; Down in Yon Forest; Veni, veni Emmanuel; El cant dels ocells; The First Nowell; What Child is This? (Greensleeves); Entre le boeuf et l'ane gris; El noi de la mare; Away in a Manger (The Cradle Song); Lulajze Jezuniu; O Tannenbaum; Les anges dans nos campagnes; Stille Nacht, heilige Nacht; God Rest Ye Merry, Gentlemen; The Wexford Carol; Il est ne, le divin enfant; Quanno nascette ninno; Hark! The Herald Angels Sing (Mendelssohn)
SKU: HL.48024552
ISBN 9781784544546. UPC: 888680916701. 9.0x12.0x0.225 inches.
MacMillan's first percussion concerto Veni, Veni, Emmanuel was premiered to immediate acclaim by Evelyn Glennie and the Scottish Chamber Orchestra, conducted by Jukka-Pekka Saraste, at the BBC Proms in 1992. It swiftly established itself in the repertory of frequently performed new works, achieving over 500 performances worldwide to date. The work is in one continuous movement and is based on the Advent plainsong of the title. On one level the piece is a purely abstract work in which all the musical material is drawn from the 15th-century French Advent plainchant; on another level it is a musical exploration of the theology behind the Adventmessage, but with a liturgical detour to the Easter Vigil at the very end.
SKU: CF.CM9546
ISBN 9781491150788. UPC: 680160908288. 6.875 x 10.5 inches. Latin. Hidegaard Von Bingen.
Michael John Trotta interpreted the well-known Latin text, Veni, Veni Emmanuel as a dialogue between petitioners and the Creator, a combination of old and new. He masterfully juxtaposes a personal longing for something still to come with the steadfast assurance of the ever-present, yet unseen. While the original theme is associated with the Christmas season, the wider theme of longing for something greater is universal to the human condition and allows this piece to be programmed throughout the year for any concert, contest or festival. This piece is also available for SATB Voices (CM9418) and SSAA Voices (CM9436) and is a part of the MJT Signature Series.
SKU: CF.YPS201F
ISBN 9781491152898. UPC: 680160910397.
Already one of the most popular choral settings in the Carl Fischer Music catalog, Michael John Trotta's setting of Veni, Veni Emmanuel has now been skillfully transcribed by James Meredith for band. Trotta's setting of this seminal carol juxtaposes the old and new together in a refreshingly different approach to the song. The piece can work with band alone or with the popular choral setting. It is sophisticated enough for high school groups to put together quickly and can also work well with middle school groups.This piece was conceived as a dialogue between the supplicants and the creator, a combination of old and new, juxtaposing a personal longing for something still to come, with the steadfast assurance of something ever-present yet not always seen. While the original theme is associated with the Christmas season, the wider theme of longing for something greater is universal to the human condition and allows this piece to be programmed throughout the year.This work may be performed with SATBÂ Voices (published by Carl Fischer Music, CM9418).
