/ Alto
SKU: BT.SCHEE1249
Viola, Piano. Reicha, J.
SKU: BR.OB-5509-19
The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.
ISBN 9790004338483. 9 x 12 inches.
The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.
SKU: FH.VA6
ISBN 978-1-55440-568-8.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Concertos:Concerto in B flat Major - Hoffmeister, Franz Anton arr. Alison A. Copland- First MovementPremier Solo, op. 77, no. 1 - Dancla, CharlesConcerto in C Major - Schmitt, Joseph arr. Bernhard Pauler- First MovementSonatas:Sonata in E Minor, HWV 375 - Handel, George Frideric arr. Harold Birston- Second Movement- Third MovementSolo per alto viola (The Billiard Sonata) - Giardini, Felice arr. Christine Donkin- Second Movement- Third MovementSonata in B flat Major - Stamitz, Carl- First MovementConcert Repertoire:Couplets de folies - Marais, Marin arr. Paul DoktorHebrew Melody No. 1 - Joachim, JosephAir with Variations (The Harmonious Blacksmith) - Handel, George Frideric arr. Watson ForbesOrientale - Granados, Enrique arr. Christine Donkinelegie, op. 44 - Glazunov, AleksandrUnaccompanied Repertoire:Fantasia No. 1 in E flat Major, TWV 40:14 - Telemann, Georg Philipp- First Movement- Second MovementSuite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- First Movement: Prelude- Second Movement: Gigue.
SKU: FH.VA5
ISBN 978-1-55440-567-1.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Concertos and Concertinos:Concerto in C Minor, op. 12, no. 3 - Seitz, Friedrich- First MovementConcerto in G Major, TWV 51:G9 - Telemann, Georg Philipp- Third Movement- Fourth MovementConcerto in D Minor, op. 3, no. 6, RV 356 - Vivaldi, Antonio arr. Christine Donkin- Third MovementSonatas and Sonatinas:Sonata in E flat Major - Dittersdorf, Carl Ditters vonSonata - Cerha, Friedrich- First Movement- Second MovementSonata in G Major, op. 2, no. 6 - Flackton, William arr. Harold Birston- Second Movement- Third MovementConcert Repertoire:Langsam, op. 102, no. 2 - Schumann, RobertLa Provencale - Marais, Marin arr. May MukleArioso - Bach, Johann Sebastian arr. Mark MrozinskiTambourin - d'Hervelois, Louis de Caix arr. Paul DoktorGypsy Pavan - Mozetich, MarjanSpace Dance - Mozetich, MarjanNocturne, op. 186, no. 2 - Kalliwoda, Johann WenzelCradle Song - Bridge, Frank.
SKU: HL.50601598
8.0x11.75 inches.
The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996.In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from thecomposer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development,recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with soniceffects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova).
SKU: BA.BA04669-79
ISBN 9790006452897. 32.5 x 25.5 cm inches. Key: E-flat major.
Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.
