Violin Concerto A Minor Op. 82

Violin(s) and Piano Reduction-Collection of three concertos for the Violin edited and fingered by Eduard Herrmann. Includes a Piano accompaniment Violin part and Violin 2 part for the Concerto For Two Violins In D Minor BWV 1043Concertosincluded: A minor Concerto BWV 1041; E Major Concerto BWV 1042; Concerto for Two Violins in D minor BWV 1043.

Together for the first time in a single affordable volume these are authoritative editions of the Violin Concerto in A Minor which broke the centuries-old mould of the concerto form and the Romance for Violin and Orchestra a mesmerizing reverie that builds to a finale of fiery technical feats.

Deux des compositions les plus durables de Bruch, révélant le romantisme du compositeur allemand, la notation couramment, orchestrations colorées, et la mélodie exubérante. Le Premier Concerto pour violon en sol mineur se présente comme l'un des concertos les plus jouées et enregistrées dans le répertoire pour violon tandis Fantaisie écossaise reflète son intérêt tout au long de la musique folklorique.Réimpression de concert, op.26, CFW Siegel Musikalienhandlung, Leipzig, sd, et Fantasie, Op.46, N. Simrock, Berlin, 1880. / Violon Et Orchestre

Violin Concerto #1 In A Minor, Op.3 #6. Par VIVALDI ANTONIO. Standard violon étudiant répertoire - magistralement enseigné par Zakhar Bron. Le tournage d\'une classe de maître dans la salle blanche du palais Sheremetjev à Saint-Pétersbourg. DVD avec la partie de violon Solo, préparé et annoté par Zakhar Bron. Zakhar Bron est un violoniste exceptionnelle et enseignant de renommée mondiale qui a reçu de nombreux prix et professeurs, plusieurs de ses étudiants, tels que Vadim Repin, Maxim Vengerov, Erik Schumann et Mayuko Kamino, appartiennent à l\'élite mondiale des solistes de violon. / Niveau : Intermédiaire / Classic - Methods / Méthode / Violon

Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

Of the violin concertos by Belgian composer and violinist Jean Baptiste Accolay the first in A minor has become a poular audition piece under the title 'Concertino I'. This single-movement work is appealing and effective but not too difficult. As a 'student concerto' it has established itself in secondary-school teaching as well as in international competitions such as 'Jugend Musiziert' in Germany.Als „Schülerkonzert“ hat es sich im Mittelstufenunterricht wie auch bei internationalen Wettbewerben etabliert so in Deutschland bei „Jugend musiziert“.Die Violinpädagogin Franziska Matz die bereits mehrere Schülerkonzertein der Edition Peters vorgelegt hat hat ihre langjährige Unterrichtserfahrung auch in diese Ausgabe einfließen lassen. Bei der Einrichtung der Violinstimme wurde besonderes Augenmerk auf praktikables Umblättern gelegt.

TWV 51:a1 A minor 51:D9 D major 51:g1 G minor-Three Concertos for Violin A minor TWV 51: a1; D major TWV 51: D9; G minor TWV 51: g1No fewer than twenty-five violin concertos by Georg Philipp Telemann (1681-1767) have come down to us over the years - presumably only a fraction of his total output in this geme. But even this corpus though reduced by time reveals that Telemann like other composers of his day regarded the violin as the most important and most versatile of all solo instruments. Two of his operas - Der neumodische Liebhaber Damon (1719 TWV 21:8) and Die last-tragende Liebe oder Emma und Eginhard (1728 TWY 27:25) - open with introductory violin concertos; there are eight concertos for twoviolins; and the violin plays an important role in virtually all his concertos for two or more solo instruments.Urtext of the Telemann EditionPerformance material available for hire