Violin Sonata in F Minor, Op. 4

The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue

Edited by Jeremy DibbleA key figure in the so-called English Musical Renaissance Parry was a considerable composer of chamber music. His three violin sonatas the first of which in d minor is here published for the first time along with the Fantasie-sonata and Sonata in D major date from the 1870s and 80s and are contemporary with his four symphonies and setting of Milton's Blest Pair of Sirens . They are fine additions to the string repertoire and will be greeted enthusiastically by violinists seeking new material for recitals. Performing editions of each sonata are available separately.First published in 2003. Hardback

Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.

Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue

Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].

Solo Violin Sonatas and Partitas 4 Concertos and Arioso-This volume from Schirmer's Library Of Musical Classics contains J.S. Bach's Complete Sonatas and Partitas (BWV 1001-1006) Concerto in A minor BWV 1041 Concerto in E Major BWV 1042 Concerto for TwoViolins in D minor BWV 104  Arioso from Ich steh mit einem Fuss im Grabe BWV 156 and Concerto in G minor BWV 1056R.

Church Sonatas in Three Parts, Op. I [Sonate da Chiesa a trè] (ded. to Queen Christina of Sweden) Sonata No. 1 in F Major Sonata No. 2 E Minor Sonata No. 3 in A Major Sonata No. 4 in A Minor Sonata No. 5 in B-flat Major Sonata No. 6 in B Minor Sonata No. 7 in C Major Sonata No. 8 in C Minor Sonata No. 9 in G Major Sonata No. 10 in G Minor Sonata No. 11 in D Minor Sonata No. 12 in D Major Chamber Sonatas in Three Parts, Op. 2 [Sonate da Camera a trè] (ded. To Cardinal Benedetto Pamphili) Sonata No. 1 in D Major Sonata No. 2 in D Minor Sonata No. 3 in C Major Sonata No. 4 in E Minor Sonata No. 5 in B-flat Major Sonata No. 6 in G Minor Sonata No. 7 in F Major Sonata No. 8 in B Minor Sonata No. 9 in F-sharp Minor Sonata No. 10 in E Major Sonata No. 11 in E-flat Major Sonata No. 12 in G Major (Chaconne) Church Sonatas in Three Parts, Op. 3 [Sonate da Chiesa a trè] (ded. to Duke Francesco II of Modena) Sonata No. 1 in F Major Sonata No. 2 in D Major Sonata No. 3 in B-flat Major Sonata No. 4 in B Minor Sonata No. 5 in D Minor Sonata No. 6 in G Major Sonata No. 7 in E Minor Sonata No. 8 in C Major Sonata No. 9 in F Minor Sonata No. 10 in A Minor Sonata No. 11 in G Minor Sonata No. 12 in A Major Chamber Sonatas in Three Parts, Op. 4 [Sonate da Camera a trè] (ded. to Cardinal Pietro Ottoboni) Sonata No. 1 in C Major Sonata No. 2 in G Minor Sonata No. 3 in A Major Sonata No. 4 in D Major Sonata No. 5 in A Minor Sonata No. 6 in E Major Sonata No. 7 in F Major Sonata No. 8 in D Minor Sonata No. 9 in B-flat Major Sonata No. 10 in G Major Sonata No. 11 in C Minor Sonata No. 12 in B Minor Six Violin Sonatas, Op. 5, Part 1 [VI Sonate a Violino Solo] (ded. to Electress Sophie Charlotte of Brandenburg) Sonata No. 1 in D Major Sonata No. 2 in B-flat Major Sonata No. 3 in C Major Sonata No. 4 in F Major Sonata No. 5 in G Minor Sonata No. 6 in A Major Preludes, Allemandes, Correntes, Gigues, Sarabandes, Gavottes and Follia, Op. 5, Part 2 [Preludii, Allemande, Correnti, Gighe, Sarabande, Gavotte, e Follia] (ded. To Electress Sophie Charlotte of Brandenburg) Sonata No. 7 in D Minor Sonata No. 8 in E Minor Sonata No. 9 in A Major Sonata No. 10 in F Sonata No. 11 in E Major Follia in D Minor (Sonata No. 12)

Sonata no.2 in d minor op.121 for Violin and Piano-Schumann?s second violin sonata was written in October/November 1851 only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata especially in the finale is characterised bythe close thematic dovetailing of the single movements. Wilhelm Joseph von Wasielewski who later became the composer?s biographer reported that ?smiling in his kind-hearted manner? the composer had said to him: ?I did not likethe first violin sonata; so I then wrote a second one which is hopefully better.? Schumann was apparently referring to the great differences in the expressive content: Whereas the first sonata with three movements seems rathermelancholy and dark overall the second ?Great Sonata? with four movements is bursting with energy and ends in vibrant D major.

Violin Sonata no. 2 e minor op. 108-Fauré?s 2nd Violin Sonata was written in 1916 in Evian and Paris the first in a series of chamber music works. It is thus one of Faure?s late works characterised by austerity introspectionand the intensity of its expression.It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980) published 40 years earlier. The 2nd Sonata concentrates on theessentials and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality delving deep into the ?Modernism? of the 1920s.

Compositeur : Beethoven, Ludwig vanInstrumentation : Violin and PianoEditeur Musicologique : Brandenburg, SieghardCouverture BrochéeContenu : Sonata for violin A major op. 47 [Kreutzer Sonata] Sonata for violin F major op. 24 [Spring Sonata] Sonata D major op. 12,1Sonata A major op. 12,2Sonata E flat major op. 12,3Sonata a minor op. 23Sonata A major op. 30,1Sonata c minor op. 30,2Sonata G major op. 30,3Sonata G major op. 96

Sonatas Wq 75-78 Arioso Wq 79 Fantasie Wq 80-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].

Henle Urtext Edition of Wolfgang Amadeus Mozart's Sonata for Violin and Piano In E Minor K. 304 (300c).