Violin Sonata No.2

Edited by Ron Erickson. Sonata No.4 completed in 1948 was entitled 'No. 2' by Antheil. It appears from the list of workds he made in 1944 that of the works from the Paris years he wanted to consolidate the Sonata No. 1 withthe third and ignore the second so that all the violin and piano sonatas before 1940 would be known as one work - called Sonata No. 1. Modern notation conventions have been adapted to Antheil's chromatic-polytonal language inorder to make the text as definite and as readable as possible. In this edition poytonal key signatures sometimes are substituted for masses of accidentals.

Sonata no.2 in d minor op.121 for Violin and Piano-Schumann?s second violin sonata was written in October/November 1851 only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata especially in the finale is characterised bythe close thematic dovetailing of the single movements. Wilhelm Joseph von Wasielewski who later became the composer?s biographer reported that ?smiling in his kind-hearted manner? the composer had said to him: ?I did not likethe first violin sonata; so I then wrote a second one which is hopefully better.? Schumann was apparently referring to the great differences in the expressive content: Whereas the first sonata with three movements seems rathermelancholy and dark overall the second ?Great Sonata? with four movements is bursting with energy and ends in vibrant D major.

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste plat sur le support du piano. / Classique / Partition / Wiro /

This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).

Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composersâ??J. S. Bach Beethoven Brahms Mendelssohn Mozart Rimsky-Korsakov Rachmaninoff Tchaikovsky and othersâ??are represented by several pieces each some newly adapted for the piano. Composers and works not usually featured in beginner's books include pieces by Borodin Gluck Rameau and Tallis.Well-known classics include Bach's Brandenburg Concerto No. 3 Debussy's Claire de Lune Moussorgsky's Pictures at an Exhibition Satie'sGymnopedie No. 1 Schumann's Child Falling Asleep and 'Spring' from Vivaldi's Four Seasons. Several orchestral pieces have been newly adapted for the piano including 'Dance of the Swan' from Swan Lake 'Aquarium' from Carnival of the Animals 'Largo' from Xerxes and 'Waltz of the Flowers' from The Nutcracker.Dover Original.

Par . Cette nouvelle publication de la collection Schirmer?s Giant Book Series regroupe 31 pièces incontournables du répertoire classique pour violon, issues de quinze compositeurs différents. Le recueil offre plus de 250 pages pour étoffer la librairie musicale de chaque violoniste à un excellent rapport qualité-prix. Adapté aux musiciens de niveau intermédiaire à avancé, ce volume comprend également une partie séparée pour l'accompagnement au piano. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

60 Works From Bach To Debussy-Unique and comprehensive this fantastic collection features a tremendous variety of slow movements for keyboard players. Highlights of these evocative selections come from masterpieces including sonatas of Haydn and Mozart Chopin preludes and classics such as the opening movement of Beethoven's 'Moonlight' Sonata Bach's Sinfonia in F Minor and Debussy's Clair De Lune.

Originally written by Prokofiev in 1944 for flute; transcribed by David Oistrakh for Violin.

Lennox Berkeley's Sonata No. 1 for Violin and Piano.Written when Berkeley was studying with Nadia Boulanger this sonata was premiered by Yvonne Astruc and Madeleine Grovlez for theSociété musicale indépendante at the Ecole normale de musique in Paris on 4 May 1932. The work is dedicated to Gladys Sophia Bryans an elderly admirerof Berkeley who died in 1951. She lived at Rudge House Painswick Gloucestershire and her house parties included Berkeley and Britten when they were working on their joint orchestral suite Mont Juic in 1937.The first recording of this Sonata along with No. 2 Berkeley?sofficial Op. 1 was made in 2013 by Edwin Paling and Arabella Teniswood-Harvey on Move MD3361. Their performing score has been consulted for this first publication which has had the support of the Lennox Berkeley Society.The source is a manuscript in a copyist?s hand now at the British Library.