Format : Octavo
SKU: YM.GTP01097743
ISBN 9784636977431.
13 well-known Chopin's works are arranged by Eiichi Fujii. This series is produced by Eiichi Fujii, known as a highly sophisticated jazz piano arranger as well as a pioneer of jazz piano in Japan. All music sheets in the series have samples of trio ensemble performances for reference; they can be found just by reading the QR code in each book with smartphones.
SKU: YM.GTP01097742
ISBN 9784636977424.
17 well-known J.S. Bach's works are arranged by Eiichi Fujii. This series is produced by Eiichi Fujii, known as a highly sophisticated jazz piano arranger as well as a pioneer of jazz piano in Japan. All music sheets in the series have samples of trio ensemble performances for reference; they can be found just by reading the QR code in each book with smartphones.
SKU: YM.GPP01096234
ISBN 9784636962345.
Please enjoy 25 arrangements based on famous classical pieces on only white keys. Jin Yong Bai Jian Dan Zou 25Shou Zhu Ming Gu Dian Zai Bian Pei Le Qu . 1. Pachelbel: Canon in D; 2. J. S. Bach: Jesu, Joy of Man's Desiring; 3. Mozart: Turkish March; 4. Beethoven: Fur Elise; 5. Beethoven: Piano Sonata Moonlight; 6. Beethoven: Piano Sonata Pathetique; 7. Chopin: Nocturne No.2 Op.9/2; 8. Chopin: Etude No.3 Tristesse; 9. Chopin; Grand Waltz Brillant; 10. Chopin: Prelude No.15 Raindrop; 11. Schumann: Traumerei; 12. Liszt: La campanella; 13. Liszt: Liebestraum; 14. Verdi: Triumphal March from Aida; 15. Smetana: The Moldau; 16. J. S. Bach-Gounod: Ave Maria; 17. J. Strauss, Jr.: The Blue Danube; 18. Tchaikovsky: Waltz of the Flowers from The Nutcracker; 19. Tchaikovsky: Scene from Swan Lake; 20. Elgar: Salut d'Amour; 21. Elgar: Pomp and Circumstance; 22. Debussy: The Girl with the Flaxen Hair; 23. satie: Gymnopedie No.1; 24. Satie: Je te veux; 25. Holst: Jupiter from The Planets Op.32 1. Pa He Bei Er : DDa Diao Qia Nong ; 2. Ba He : Ye Su , Shi Ren Qi Dai De Xi Yue ; 3. Mo Zha Te : Tu Er Qi Jin Xing Qu ; 4. Bei Duo Fen : Zhi Ai Li Si ; 5. Bei Duo Fen : Gang Qin Zou Ming Qu Yue Guang ; 6. Bei Duo Fen : Gang Qin Zou Ming Qu Bei Chuang ; 7. Xiao Bang : Ye Qu No.2 Op.9/2; 8. Xiao Bang : Lian Xi Qu No.3 Chi Bie Qu ; 9. Xiao Bang : Hua Li Da Yuan Wu Qu ; 10. Xiao Bang :Qian Zou Qu No.15 Yu Di ; 11. Shu Man : Meng Huan Qu i; 12. Li Si Te : Zhong ; 13. Li Si Te : Ai Zhi Meng ; 14. Wei Er Di : Kai Xuan Jin Xing Qu Xuan Zi Ge Ju A Yi Da ; 15. Si Mei Ta Na :Wo Er Ta Wa He ; 16. Ba He : Sheng Mu Song ; 17. Si Te Lao Si : Lan Se Duo Nao He ; 18. Chai Ke Fu Si Ji : Hua Zhi Yuan Wu Qu Xuan Zi Hu Tao Jia Zi ; 19. Chai Ke Fu Si Ji : Chang Jing Chu Zi Tian E Hu ; 20. Ai Er Jia : Ai De Li Zan ; 21. Ai Er Jia : Wei Feng Tang Tang ; 22. De Biao Xi : Ya Ma Se Tou Fa De Shao Nu ; 23. Sa Di : Luo Ti Zhi Wu No.1; 24. Sa Di : Wo Xu Yao Ni ; 25. Huo Er Si Te : Mu Xing Xuan Zi Xing Xing Zu Qu Op.32.
SKU: HL.51481639
UPC: 196288215851. 8.25x11.75x0.074 inches.
Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title âMéditationâ, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that â[we] have heard this sweet melody innumerable times from the best lady singersâ, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of âAve Mariaâ is also offered in two transpositions for the lower register.
About Henle Urtext
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SKU: HL.51481640
UPC: 196288215868. 8.25x11.75x0.071 inches.
Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title �M�ditation�, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that �[we] have heard this sweet melody innumerable times from the best lady singers�, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of �Ave Maria� is also offered in two transpositions for the lower register.
