Format : Sheet music + CD
SKU: ZB.ZE-4071
ISBN 9783940745514.
Greater Than Anything consists of 11 songs which will be hits in concerts and church services, during workshops and on CDs. This collection generates the good message of the Gospel in a concentrated form in music and lyrics, touching and enthralling both the choir and the listeners. For the mixed choir in three to four parts (S.A.Bar./S.A.T.B.) and the soloists it means performing refreshing modern arrangements at a medium skill level. The piano accompaniment is written in an exemplary gospel style.
SKU: ZB.ZE-4070
ISBN 9783940745507.
SKU: HP.9064
UPC: 763628190644. Various Arrangers.
Vocal duet collection Here are 10 vocal duets of top-sellers from the Hope catalog, each arranged for two medium voices. Available alone or in a book/CD combo with accompaniment tracks useful for rehearsal and performance. The wide range of seasonal and general settings makes this a wonderful collection for the church year.
SKU: HP.9024
UPC: 763628190248.
Ten top-selling titles by various writers Here are ten vocal duets of top-sellers from the Hope catalog. Each title is arranged for two medium voices. This item is available alone, or in a book/CD combo with accompaniment tracks that are useful for rehearsal and performance.
SKU: HL.232905
UPC: 888680679545. 6.75x10.5 inches. Brian Jeffery Leech/Benjamin Harlan.
Bryan Jeffery Leech, pastor and song writer, blessed us with scores of hymn-songs. This anthem presents a bold and dignified praise for the gift of music. Veteran arranger Benji Harlan gave us an SATB setting that has sounded in the choir loft for many years. This new SAB setting, which still works with the original organ and/or brass accompaniment, is a gift for the choir with fewer voices. An anthem of praise for the church choir, easy to medium difficulty.
SKU: GI.G-8115
UPC: 785147811503. English. Text Source: Sei Lob und Ehr' den höchsten Gut; Translation: Frances Elizabeth Cox. Text by Johann Jacob Schütz.
This lesser-known, yet solid, text may be from times passed, but the tune is fresh and jaunty. A soloist or unison voices take the first stanza along with piano accompaniment, the second stanza adds the choir singing oo to support the soloist. For the third stanza, the choir divides into two parts, then all join together for the final stanza. A coda builds from unison to SAB, ending in a final outcry from the choir, “To God all praise and glory!â€.