Voicings

Par CHRISTIANSEN COREY. Harmonie quartal traite de formes de corde de guitare et de voicings de corde qui sont construits en quartes plutôt que de tierces. Ce type d'harmonie est utilisé par les pianistes et guitaristes alike et utilise voicings qui peuvent être utilisés dans de nombreux milieux. Voicings Quartal et leurs inversions, sont affichées dans les charts accompagnant du DVD avec diagrammes très claires rend très facile à apprendre et à comprendre ce type d'harmonie. Non seulement le DVD de 69 minutes présente du matériel d'enseignement, mais fournit également une essence le long de jeu qui permettra aux étudiants d'entendre comment appliquer ces voicings grande corde. / Niveau : Intermédiaire / Jazz - Rhythm/Backup / Accessoire / Guitare

Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards s'appuie sur les bases de 'Piano Blues ' . Il présente les principes de l'harmonie du jazz et de l'improvisation depuis le début avant et conduit le pianiste avancé dans les différents types d'accords typiques de jazz , en commençant par les triades majeures et mineures à septième et neuvièmes accords par tous les styles de jazz des années quarante années utilisées à ce jour . Si vous jouez dans un groupe , donner des leçons de piano ou tout simplement jouer à la maison - vous êtes avec ' Jazz Piano ' avez beaucoup de plaisir !Tim Richards combiné vingt-huit de ses propres morceaux avec des arrangements spéciaux tels que des normes de jazz bien connus comme 'Feuilles d'automne' , ' Fly Me To The Moon ', ' In A Sentimental Mood ', ' l'homme montagne ' , 'On Green Dolphin Street ', ' Song For mon Père ',' Straight No Chaser 'et' Take The A - train ' . Deux chansons transcrites par Thelonious Monk et Horace Silver fournissent une source inépuisable de techniques de jazz authentiques vous pouvez travailler à travers la reconstitution .Dans tous les chapitres , l'aide et des conseils importants sur l'improvisation sont donnés . Vous obtiendrez beaucoup de suggestions sur la façon dont vous pouvez construire individuellement sur le matériel d'étude présenté et trouver votre propre vocabulaire de jazz personnelle :- Rapports de cordes et des échelles- Modes- Broken Chords et échelles motif- Echelles pentatoniques et blues- Marche des lignes de basse- Rythmes latins et des lignes de basse- Improvisatoin horizontale et verticale- Composés II-V I- Substitution de Tritone- Voicings à deux mains- Des exercices techniques et doigté- Styles d'accompagnement- Formation de l'oreille- Propositions pour écouterLe CD contient des enregistrements de toutes les pièces , la plupart avec basse et batterie accompagnement . Ils peuvent être utilisés comme un Play-Along - un moyen important d'apprendre le jazz sans beaucoup de détours . / Piano

Randy Vincent's 200-page complete guide to three-note jazz guitar voicings and related topics. For everyone from intermediate newcomers to jazz guitar up to very advanced players, the book develops a unique 'dynamic' concept of harmony where three independently moving lines team up to create beautiful harmonies that are valuable for comping, chord melodies and chordal jazz improvisations. Topics include: three-note 'shell' voicings and special derived comp voicings; complete triad review including all close and open inversions on all strings; triad applications such as 'slash' chords, upper structures, hexatonic triad-pairs and special 'hybrid' voicings; quartal and secundal voicings perfect for modal comping and soloing;and much, much more. Hundreds of examples in both music notation and guitar grids are included. / Methods & Tutors / Recueil / Guitare

By Luke Gillespie. Covers all styles of comping from basic and fundamental approaches to modern! A complete collection of II/V7/I voicings for jazz Keyboard starting with simple diatonic voicings and progressing into more harmonically rich and diverse voicings with intricate passing tones and complex harmonies. No longer will you be stuck using the same kinds of voicings over and over even in different styles. Now you can have a variety of II/V7 voicings available at your fingertips for every musical situation. 112 pages.

The conclusion to this power-packed jazz method starts with a review of concepts from Intermediate Jazz Keyboard and quickly moves on to more-advanced concepts like chord voicings, modal soloing, substitution, reharmonization, modes of the minor scales, diminished and whole tone scales, walking bass, stride piano technique, non-diatonic progressions, and much more. The perfect launching pad for a lifetime of discovery and joy from playing music, Mastering Jazz Keyboard is essential to any keyboardist's journey into jazz. Companion MP3 audio demonstration tracks are included and can be streamed online or downloaded. / Clavier

Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master including: So What (slow) So What (fast) All Blues Blue In Green Nardis Eighty One Freddie Freeloader and more!!Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools.Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.

Every musician should have a basic understanding of how and why pianists voice chords in certain ways. This book, designed by a horn player, addresses and explains the basics of authentic, hip sounding chord voicings in simple, non-pianistic language. You’ll be comping on your own over Standards in a short period of time. Includes written voicings over many of the most popular Aebersold play-a-long tracks, so you can comp with bass and drums backing you up! No piano skills are required to use this book effectively. Play great jazz voicings today!

Complete Piano transcription book from Vol. 64 'Salsa/Latin Jazz' - featuring Mark Levine. See how to play authentic Salsa/Latin voicings and figures from a widely recognized authority over the changes of: Sabor Linda Chicana Mambo Inn Afro Blue Manteca Piccadillo Curacao and more. Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder ?what?s he doing there?? Now you?ll know! Here as never before is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings.

Par AEBERSOLD JAMEY. This collection of comping/voicings to famous standard chord changes is the perfect companion to the Vol. 1 and 54 piano transcription books. Comping to the chord changes of: Killer Joe, Blue Moon, Sugar, Misty, Afternoon in Paris, Girl From Ipanema, Sweet Georgia Brown, and many more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here, as never before, is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions, exactly as recorded, of theexciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists, there are many ways for ALL MUSICIANS to use these wonderful musical tools. / Méthode en anglais / Méthode / Piano ou Clavier

An Essential Resource for Aspiring Jazz Musicians. The jazz idiom can often appear mysterious and difficult for musicians who were trained to play other types of music. Long-time performer and educator Rob Mullins helps players enter the jazz world by providing voicings that will help the player develop skills in the jazz genre and start sounding professional right away - without years of study! Includes a Numeric Voicing Chart chord indexes in all 12 keys info about what range of the instrument you can play chords in and a beginning approach to bass lines.

This book contains a study and breakdown of 'harmony in 4ths'. The introduction of quartal harmony in modern jazz began in the 1960's. Compositions by Miles Davis and John Coltrane such as 'Impressions' and 'So What' showcasedchord voicings derived from quartal harmony. The purpose of this book is to show guitarists how to function in an area of harmony mostly dominated by Keyboard players. Common uses of quartal harmony are demonstrated andanalyzed. Exercises and compositions in the style of Wayne Shorter Herbie Hancock and others are included. This book includes access to online audio which contains demonstrations of all exercises.

Frank Mantooth is a respected soloist clinician and writer and has written this book for any keyboard player interested in developing better jazz chord voicing. Written more as a 'how-to' book than atextbook. Voicings will make a valuable addition to the library of any performer arranger teacher or jazz theorist.

Media Type : Book/CD Set Level : Intermediate-Advanced Musical Genre : Jazz Number of pages : 72 This book contains a study and breakdown of harmony in 4ths. The introduction of quartal harmony in modern jazz began in the 1960's. Compositions by Miles Davis and John Coltrane such as Impressions and So What showcased chord voicings derived from quartal harmony. The purpose of this book is to show guitarists how to function in an area of harmony mostly dominated by keyboard players. Common uses of quartal harmony are demonstrated and analyzed. Exercises and compositions in the style of Wayne Shorter, Herbie Hancock and others are included. Companion CD contains demonstrations of all exercises.