Weimar, Schlosskirche

Edited by Komma, Karl-Michael. Postcard. 999 pages. Published by Carus Verlag (German import).

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116513

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/13. Published by Carus Verlag (CA.3116513).

ISBN 9790007209100. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116521

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Bassoon. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/21. Published by Carus Verlag (CA.3116521).

Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116511

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1715(?). BWV 165. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.165/11. Published by Carus Verlag (CA.3116511).

ISBN 9790007209087. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116314

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, End of the church year. Single Part, basso continuo. Composed 1715. BWV 163. 8 pages. Duration 18 minutes. Carus Verlag #CV 31.163/14. Published by Carus Verlag (CA.3116314).

ISBN 9790007208981. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116312

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, End of the church year. Single Part, Violin 2. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/12. Published by Carus Verlag (CA.3116312).

ISBN 9790007208967. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Orchestra SATB vocal soli, SATB choir, 2 violins, viola, 2 cellos, basso continuo

SKU: CA.3116307

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year. Study score. Composed 1715. BWV 163. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.163/07. Published by Carus Verlag (CA.3116307).

ISBN 9790007141516. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116315

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. 2 violoncellos. Sacred vocal music, End of the church year. Single Part, 2 Cellos. Composed 1715. BWV 163. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.163/15. Published by Carus Verlag (CA.3116315).

ISBN 9790007208998. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

Voice

SKU: CA.3116303

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year. Vocal score. Composed 1715. BWV 163. 20 pages. Duration 18 minutes. Carus Verlag #CV 31.163/03. Published by Carus Verlag (CA.3116303).

ISBN 9790007141264. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.

Soli SATB, SATB Choir, 2 Violins, Viola, 2 Cello obligato, Basso continuo

SKU: CA.3116313

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, End of the church year. Single Part, Viola. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/13. Published by Carus Verlag (CA.3116313).

ISBN 9790007208974. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score and part available separately - see item CA.3116300.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116149

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Organ. Composed 1716. BWV 161. 12 pages. Duration 19 minutes. Carus Verlag #CV 31.161/49. Published by Carus Verlag (CA.3116149).

ISBN 9790007208882. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and part available separately - see item CA.3116100.

AT vocal soli, SATB choir, 2 flutes, 2 violins, viola, basso continuo

SKU: CA.3116119

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Komm, du susse Todesstunde. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 161. Duration 19 minutes. Carus Verlag #CV 31.161/19. Published by Carus Verlag (CA.3116119).

ISBN 9790007136871. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantate was most likely performed for the first time on 27 September, the 16th Sunday after Trinity, 1716 at the Schlosskirche in Weimar. The text originated from the Kantatenjahrgang (yearly cantata cycle), Evangelisches Andachts-Opffer (Evangelical Devotional Offering) by the secretary of the Weimar high conistory, Salomon Franck. The sermon text for the 16th Sunday after Trinity, the raising of the boy from the dead at Nain (Luke 7: 11-14), is only indirectly reflected in Franck's cantata text. In a prevalent interpretation from that period of this biblical text, the raising of the dead is seen as an allegory for the resurrection of the faithful. Score and parts available separately - see item CA.3116100.

SB vocal soli, recorder, oboe, viola d'amore, viola da gamba, basso continuo

SKU: CA.3115213

Cantata for the Sunday after Christmas. Composed by Johann Sebastian Bach. Edited by Peter Thalheimer. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Epiphany. Single Part, basso continuo. Composed 1714. BWV 152. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.152/13. Published by Carus Verlag (CA.3115213).

ISBN 9790007208653. Text language: German/English. Text: Franck, Salomo.

For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score and part available separately - see item CA.3115200.