SKU: AP.1-ADV8418
UPC: 805095084184. English.
Frequently one is in search of a suitable ensemble piece where each member can present himself with a playable solo part. Welcome to New Orleans offers you and your musicians this possibility. Using a fast swing rhythm, the author describes in this composition the modern and the old New Orleans and its colorful history. Due to its compatibility, editions are available for saxophone, clarinet, and brass quartet. This piece enables you to put together your own small New Orleans band, consisting of a clarinet, a trumpet, a tenor saxophone, and a trombone. That's almost like playing music in the good ol times!
SKU: AP.1-ADV7638
UPC: 805095076387. English.
Frequently, one is in search of a suitable ensemble piece where each member can present himself with a playable solo part. Welcome to New Orleans offers you and your musicians this possibility. Using a fast swing rhythm, the author describes in this composition the modern and the old New Orleans and its colorful history. Due to its compatibility---available are editions for saxophone, clarinet, and brass quartet---this piece enables you to put together your own small New Orleans band, e.g. consisting of a clarinet, a trumpet, a tenor saxophone, and a trombone. That's almost like playing music in the good old times!
SKU: AP.1-ADV20405
UPC: 805095204056. English.
Frequently, one is in search of a suitable ensemble piece where each member can present himself with a playable solo part. Welcome to New Orleans offers you and your musicians this possibility. Using a fast swing rhythm, the author describes in this composition the modern and the old New Orleans and its colorful history. Due to its compatibility---available are editions for saxophone, clarinet, and brass quartet---this piece enables you to put together your own small New Orleans band consisting of a clarinet, trumpet, tenor saxophone, and trombone. That's almost like playing music in the good old times!
SKU: KN.60410
UPC: 822795604108.
We welcome Kris Berg to the Kendor family of writers with this fun and energetic chart written in a New Orleans 2nd line groove over a C7 blues. After the band trades licks with the drummer, the chart roars to a big ending, thunderous applause, and your audience marchin' down the aisles! The written or ad lib solo section can be played by anyone. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 4:00.
SKU: KJ.ZB438F
UPC: 084027044834.
Welcome to Bourbon Street! This New Orleans party groove is sure to get everyone moving. A great chart for an opener or a closer. The groove is clearly established in the rhythm section right out of the gate. Solos are blues and can be played by anyone. A favorite for band and audiences alike.
About First Place for Jazz
All First Place for Jazz selections feature moderate ranges, notated rhythm section parts, and open solo sections.
SKU: KN.60410S
SKU: HL.235
ISBN 9781574240566. UPC: 073999567786. 9x12 inches.
This comprehensive collection of fabulous fiddle tunes includes reels, hornpipes, strathspeys, jigs, waltzes and slow airs.
SKU: CF.CM9795
ISBN 9781491164662. UPC: 680160923571. Key: A major. English. Coty Raven Morris. Original.
The text for When I Grow Up first came to me while I was teaching in Houston, Texas. I noticed that my students were becoming more and more concerned about what steps they had to take as students to secure a future for themselves decades ahead. Young people are finding themselves having to make lifelong decisions at a time where they are still in a season of exploration and wonderment. I then asked myself, What happened to discovery through play and imagination?With the help of one of my former and forever choir students, Monica Juarez, we took my original text and created illustrations of a young Coty in New Orleans, Louisiana imagining, in real time, all of the things that she could be! It was important to me that the images were of real things that I had seen growing up every day.That we are limitless and that it's only in the pressures of growing up that we can lose our creativity, I hope this text allows both singers and conductor to let their imagination take the lead and shape the journey ahead!Sing with JOY!—Coty Occasionally, when I get to visit with young people, I’ll ask, Has anyone ever asked you want to be when you grow up? All the hands go up. Children say yes, and then proceed to tell me what they want to be when they grow up. So, then I ask a follow-up question, Why on earth do you have to wait until you’re a grown-up to be somebody?!When I first read through Coty’s text, I was so moved by how clear and beautiful that message of empowerment shines through:I want to live, and that begins now. I want to be happy. And I refuse to wait until I grow up.I also was struck by her imaginative use of the four classical elements—air, water, fire, and earth—to bring us on a journey of discovery and wonder.I’ve tried my best to, not so much set Coty’s words to a tune, as to go along with her on the journey and see what music would emerge. And I’m so happy you’ve joined us on the journey, too.Welcome!—Mark.
SKU: PR.114422440
ISBN 9781491135020. UPC: 680160686087.
Hailstork’s title, L’Blatinx, is a mixture of the terms Black and Latinx, and a key to the flavor of this unique work, full of blues, salsa, spicy dissonance, and a mixture of steady grooves with surprises. The work is scored for a trio of C Trumpets, along with footstomping inspired by Black traditions from New Orleans, has a Mariachi feel, and uses Latin rhythms. L’Blatinx is a 4-minute thriller equally appropriate for formal concerts and special occasions; extra percussion is welcome when available. .
SKU: CF.CM9794
ISBN 9781491164655. UPC: 680160923564. Key: A major. English. Coty Raven Morris. Original.
The text for When I Grow Up first came to me while I was teaching in Houston, Texas. I noticed that my students were becoming more and more concerned about what steps they had to take as students to secure a future for themselves decades ahead. Young people are finding themselves having to make lifelong decisions at a time where they are still in a season of exploration and wonderment. I then asked myself, What happened to discovery through play and imagination?With the help of one of my former and forever choir students, Monica Juarez, we took my original text and created illustrations of a young Coty in New Orleans, Louisiana imagining, in real time, all of the things that she could be! It was important to me that the images were of real things that I had seen growing up every day.That we are limitless and that it's only in the pressures of growing up that we can lose our creativity, I hope this text allows both singers and conductor to let their imagination take the lead and shape the journey ahead!Sing with JOY!—CotyOccasionally, when I get to visit with young people, I’ll ask, Has anyone ever asked you want to be when you grow up? All the hands go up. Children say yes, and then proceed to tell me what they want to be when they grow up. So, then I ask a follow-up question, Why on earth do you have to wait until you’re a grown-up to be somebody?!When I first read through Coty’s text, I was so moved by how clear and beautiful that message of empowerment shines through:I want to live, and that begins now. I want to be happy. And I refuse to wait until I grow up. I also was struck by her imaginative use of the four classical elements—air, water, fire, and earth—to bring us on a journey of discovery and wonder.I’ve tried my best to, not so much set Coty’s words to a tune, as to go along with her on the journey and see what music would emerge. And I’m so happy you’ve joined us on the journey, too.Welcome!—Mark.
