11 Well-Known Pieces For Clarinet

This edition takes the highlights from the successful Schott Clarinet Library series and gathers them into one anthology. The varied collection provides a comprehensive repetory for lessons, concerts and competitions. Well-known and popular works by Gade, Burgmüller and Weber are joined by pieces from Charles Koechlin, Nino Rota, Alexander Tcherepnin and Alfred Uhl that pupils and teachers will enjoy discovering. / Clarinette Et Piano

Sheet Music (with alternative version for 2 Solo Clarinets). A Sheet music and play-along pack is also available - see Q 7881 / Clarinette Et Piano

Arranger: Rae James Some of Edvard Grieg's most beautiful melodies have been transcribed here for clarinet and arranged into comfortable 'clarinet-friendly' keys allowing the performer to play with confidence. James Rae has selected a mixture of well-known and less well-known pieces which include: Piano Concerto in A minor Op. 16 (2 nd movement), Wedding Day at Troldhaugen, In the Hall of the Mountain King and more. All are very suitable for developing clarinettists at middle-grade technical levels. Piano Concerto in A minor, Op. 16 ? Klavierkonzert a-Moll op. 16 Wedding Day at Troldhaugen ? Hochzeitstag auf Troldhaugen I Wandered One Lovely Summer Evening A Swan Anitra's Dance ? Anitras Tanz Autumn Thoughts In the Hall of the Mountain King ? In der Halle des Bergkönigs Norwegian Dance, Op. 35 ? Norwegischer Tanz The First Primrose Solveig's Song ? Solveigs Lied

This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano

The colourful and richly diverse music of the Balkans became popular in Western Europe during the 1990s resulting in what can only be described as a 'Balkan boom' which still endures today.This selection of arrangements provides the opportunity for clarinettists to become acquainted with well-known traditional songs and dances from Greece Hungary Macedonia Bulgaria Turkey Bosnia-Herzegovina and Dalmatia. Memoires is composed by Hidan Mamudov himself. Presented in an order that reflects their increasing level of difficulty these pieces provide new experiences for intermediate to advanced players.

This collection of Great Clarinet Solos contains sixty well known film themes classical pieces jazz and blues standards showtunes and popular hits arranged for beginner to intermediate clarinettists.

3 Original Pieces for Clarinet Quartet. Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart?s own watch ? if he had one ? ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers? dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally.? Based on such a meeting, Otto M. Schwarz has a composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR CLARINET QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continues eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts and, following a chromatically moving chord sequence, ends in a dramatic crescendo.

These three pieces for Clarinet and Piano are already well known under the title Phantasiestucke Op.73. What is not generally known is that numerous important differences exist between the original manuscript and the first published version (the further model for all later editions). For the first time ever the pieces are being published exactly as they appear in Schumann's manuscript entitled Soireestucke.All points of difference between the manuscript and the first edition are outlined in a full commentary by Richard Platt and the significance of these differences emphasised by Alan Hacker in his Foreword where he comments on the superior strength of theoriginal: 'greater assymetry slightly varied harmony and many other touches all intensify passionate and impulsive instability the main expression of the work.'