When David Heard **pop**

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Par . La nouvelle collection The New Decade Series propose une compilation des meilleurs tubes pop-rock par décennies musicales arrangés pour Piano, Voix et Guitare. Découvrez les 4 premiers volumes de cette collection contenant environs 80 morceaux chacun : - les années 90 des Spice Girls à Oasis - les années 80 de Madonna à David Bowie - les années 70 d'ABBA à Queen - les années 60 des Beatles à Jimi Hendrix / Date parution : 2022-10-25/ Recueil / Piano/Vocal/Guitare (PVG)

This book contains over 80 holiday songs arranged to be easily playable on ukulele. Ranging from classic carols such as 'Silent Night? and 'O Christmas Tree,? to popular tunes like 'Have Yourself a Merry Little Christmas? and 'Santa Claus Is Comin' to Town,? right on through music from yuletide movies such as How the Grinch Stole Christmas! and National Lampoon's Christmas Vacation, this book is perfect for holiday get-togethers and sing-alongs! Titles: Angels from the Realms of Glory * Angels We Have Heard on High * As Lately We Watched * Auld Lang Syne * Away in a Manger (Murray) * Away in a Manger (Cradle Song) * The Babe * A Babe Is Born in Bethlehem * Believe (from The Polar Express) * The Bells of Christmas * Boar's Head Carol * Born Is He, This Holy Child * Bright and Joyful Is the Morn * Bring a Torch, Jeannette, Isabella * Buon Natale (Means Merry Christmas to You) * Carol of the Birds * Celebrate Me Home * A Child This Day Is Born * Christ Was Born on Christmas Day * Christmas Comes Anew * Christmas Vacation (from National Lampoon's Christmas Vacation) * The Coventry Carol * Dance of the Sugar Plum Fairy * Deck the Halls * Emmanuel * The First Noel * The Friendly Beasts * Gesu Bambino (The Infant Jesus) * The Gift * Go Tell It on the Mountain * God Rest Ye Merry, Gentlemen * Good Christian Men, Rejoice * Good King Wenceslas * A Great and Mighty Wonder * Hallelujah Chorus (from The Messiah) * Happy Xmas (War Is Over) * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * Here We Come A-Wassailing * The Holly and the Ivy * Holy Night, Peaceful Night * Hush, My Babe, Lie Still and Slumber * I Heard the Bells on Christmas Day * I Saw Three Ships * I Wonder as I Wander * I'll Be Home for Christmas * In the Bleak Midwinter * It Came Upon the Midnight Clear * Jesu, Joy of Man's Desiring * Jingle Bells * Jolly Old Saint Nicholas * Joy to the World * The Little Drummer Boy * March of the Toys * Mary Had a Baby * Mele Kalikimaka * Noel! Noel! * O Christmas Tree (O Tannenbaum) * O Come All Ye Faithful (Adeste Fideles) * O Come, Little Children * O Come, O Come Emmanuel * O Holy Night (Cantique de Noel) * O Little Town of Bethlehem * On Christmas Night All Christians Sing * Once in Royal David's City * Patapan * Santa Claus Is Comin' to Town * Silent Night * Simple Gifts * Sleigh Ride * Stand Beneath the Mistletoe * Star of the East * The Twelve Days of Christmas * Ukrainian Carol (Carol of the Bells) * Up on the Housetop * We Three Kings of Orient Are * We Wish You a Merry Christmas * Welcome Christmas (from How the Grinch Stole Christmas!) * What Child Is This? * When Christmas Comes to Town (from The Polar Express) * You're a Mean One, Mr. Grinch (from How the Grinch Stole Christmas!). / Ukulélé

Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers’ place of worship. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. It would take until the death of his maternal grandfather and the discovery of a collection of prayers set to music among his papers for the youngCastelnuovo-Tedesco to begin to explore Jewish music. In 1928 two years after publishing the Dances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that it led to several adaptations and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a “Wailing Wall” Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note.