With a Lily in Your Hand

I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to

72 Classic Songs-This collection of Just Great Songs features a massive 72 classic pop and rock songs from over the years that are essential parts of any musician's repertoire. Arranged for Piano Vocal and Guitar you'll besinging and strumming all of these brilliant songs with ease. The 72 tunes included here are guaranteed to get your vocal cords warmed up and your fingers itching to play with their simple melodies funstrumming and relatable lyrics. Songs like Razorlight's America When You Were Young by The Killers and The Bucket by Kings Of Leon will take you back to that awesome period when Guitar-based rock wasreinvigorated at the turn of the millennium while Wonderwall Yellow and Primal Scream's Country Girl will make you yearn for the exciting britpop era again. If on the otherhand you have more of a predilection for pop then you'll be excellently served as well with Lily Allen's Smile Corinne Bailey Rae's Put Your Records On and KT Tunstall's Suddenly I See.Similarly if you prefer the older classics you'll be able to learn Jeff Buckley's Hallelujah The Clash's Should I Stay Or Should I Go and Walk On The Wild Side by the immortal Lou Reed. Whatevergenre you're into or whether you love the new tunes or the old songs it doesn't matter as all of these are Just Great Songs. All arranged for Piano Vocal and Guitar with standard notation Guitar chord boxesand symbols with full lyrics you'll never be stuck for something to learn or play. Featuring 72 of the biggest and best songs from the pop and rock genres taken from recent years as well as some classicselections for good measure this sheet music songbook is a collection that'll be well worthy of your music stand. The songs in this book aren't contentious and there isn't any filler they're Just Great

Par BAY WILLIAM. This collection contains 100 favorite Gospel songs and hymns for trumpet and guitar. Inside you will find rousing camp meeting songs, sentimental expressions from a deep-rooted faith, and Gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and Southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Trompette et Guitare

Un nouveau Diapason rouge : le volume 6 !
300 chants de variété française et internationale avec accords de guitare.

Jouer ses premiers accords de guitare, accompagner des amis au chant, se retrouver autour d?un feu lors d?une veillée, relire un texte et laisser résonner les mots qu?un autre a écrit... Depuis plus de 25 ans, un Diapason rouge, c?est une malle aux trésors pour de multiples occasions de rêve, de partage et de fou-rires.
Ce volume 6 poursuit l?histoire en se plongeant dans le répertoire des années 1990 à aujourd?hui.

Fréro Delavega, Christophe Maé, Louane, Emmanuel Moire, Ridan, Stromae sont les nouveaux artistes d?années où la chanson française mélange plus que jamais légèreté et engagement.
Diam?s, Abd Al Malik, Grand Corps Malade, HK et les Saltimbanks cisèlent des textes bazookas.

Et comme tout Diapason, le DR6 fait la part belle aux tubes, ceux qui ont saturé les bonnes ondes de ces dernières années.

De quoi lire, rire, chanter, danser... À vous de jouer ! / Variétés / Partition /