Wolfgang Amadeus Mozart: Così fan tutte: Concert Band: Score

Dramma giocoso in zwei Akten-In the space of a few months in the autumn and winter of 1789 Mozart filled more than 650 pages of a score that shows practically no signs of mental or physical exertion. The result was one of his most profound operas Così fan tutte which has held listeners spellbound with its blend of bitterness and comedy to the present day.Edited by Faye Ferguson and Wolfgang Rehm for the ?New Mozart Edition? (NMA II/5/18) incorporating the latest scholarly findings from the critical commentary published by Henning Bey and Faye Ferguson in 2003.Incorporates latest scholarly findings from the critical commentary of 2003Studyscore (TP314) full score (BA4606-01) and vocal score (BA4606-90) available for salePerformance material (BA4606-72) for hire

This compilataion of thirty-six arias from Mozart's seven theatrical masterpieces moves from the youthful exuberance of 'The abduction from the Seragli' to the complex enchanting moral allegory of 'The Magic Flute' complete shortly before the composer's death in 1791. Together with all of the great soprano arias from these works are classic pieces from 'Idomeneo' 'The Marriage of Figaro' 'Don Giovanni' 'Cosi fan tutte' and 'La Clemenza di Tito'.

Some of the most beautiful music from Mozart's operas is to be found in Così fan Tutte. Now flautists can extend their repertoire and explore these glorious moments.These duet arrangements from the late 18th and early 19th centuries of Mozart's operatic highlights have served as a basis for modern-day editors. Whilst retaining many aspects of the original flute arrangements Mozart's own intentions with regard to the relevant orchestral settings have been considered and respected. Suitable for intermediate-level flautists these duets may well introduce players to the music of Mozart.Nr. 1 Terzetto (Ferrando Giolelmo Don Alfonso)Nr. 2 Terzetto (Ferrando Guilelmo Don Alfonso)Nr. 3 Terzetto (Ferrando Guilelmo Don Alfonso)Nr. 4 Duetto (Fiordiligi dorabella)Nr. 8 CoroNr. 10 Terzetto (Fiordiligi Dorabella Don Alfonso)Nr. 14 Aria (Fiordiligi)Nr. 17 Aria (Ferrando)Nr. 26 Aria (Guilelmo)Nr. 28 Aria (Dorabella)Nr. 29 Duetto (Fiordiligi Ferrando)

This outstanding volume features a rich selection of the composer's greatest overtures: Idomeneo (K.366); The Abduction from the Seraglio (K.384); The Marriage of Figaro (K.492); Don Giovanni (K.527); Così Fan Tutte (K.588); The Magic Flute (K.620); and La Clemenza di Tito (K.621). All reproduced in full score from authoritative early editions. Content : OVERTURES TO THE OPERAS Idomeneo Idomeneo, rè di Creta / Idomeneus, King of Crete Die Entführung aus dem Serail The Abduction from the Seraglio Le Nozze di Figaro Die Hochzeit des Figaro / The Marriage of Figaro Don Giovanni Il dissoluto punito, ossia II Don Giovanni / Don Juan Così fan Tutte . . . ossia La scuola degli amanti / Weibertreue Die Zauberflöte The Magic Flute La Clemenza di Tito The Clemency of Titus

Long neglected and misunderstood 'Cosi Fan Tutte' (Thus Do All Women) emerged from obscurity in the twentieth century and has come to be regarded as among Mozart's finest works. The Libretto is by Lorenzo da Ponte and tells of two friends Ferrando and Guglielmo who wager with Don Alfonso that their lovers Fiordiligi and Dorabella will remain constant in their absence. To prove the point they depart under false pretences and return as 'Albanians' to try to woo the women away. Each of the six characters receives an equally insightful musical portrayal for example Fiordiligi transcends her role as the victim of cruel manipulation revealing a complex personality that issincere capable of growth and inarguably sympathetic. In contrast Guglielmo never progresses beyond concern for his own ego and interests; his music therefore remains within the stock traditions of opera buffa. The ambigous nature of the ending (who actually loves whom?) can be seen as appropriate given the emotional issues aired during the drama. This is the Schirmer edition of the Vocal Score with an English version by Ruth and Thomas Martin.

Par PUSCOIU COSTEL. Duos faciles est une collection de très faciles mélodies classiques, composée par Haendel, Mozart, Beethoven, Schubert, Schumann, Mendelssohn-Bartholdy, Berlioz, Frank, Brahms, Dvorak, Tchaikovsky, Puscoiu et ensuite complété avec quelques belles internationales deux chansons folkloriques. Ces duos sont particulièrement disposés pour le flutiste de début. / Niveau : Débutant / Classic - Duets / Recueil / Flûte Traversière