Wolfgang Amadeus Mozart : Edition for Clarinet in B flat (KELL)

Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

These Six Pieces composed by Wolfgang Amadeus Mozart have been specially arranged for Celtic Harp or Harp with pedals by Ma té Etcheverry. Mozart's shortcompositions like these Six Pieces translate beautifully to Harp giving his Minuets and Allegros a vibrant new life.

These Six Viennese Sonatinas were not originally composed by Mozart for the piano. They are a contemporary arrangement of the Wind Divertimentos K 439b which Mozart wrote in 1783. The Divertimentos are notable for their conciseness of form and their melodic richness. They therefore make an excellent introduction to Mozart's piano music even though they are not completely typical of Mozart's piano writing. We do not know for certain who made the arrangement but Alexander Weinmann has shown that it was probably Ferdinand Kauer. The order of movements is not the same as in the original; moreover some of the Trios have been exchanged and recapitulations have been shortenedin some instances. The original voice leading has been replaced by voice leading suitable to the piano. The 2oth_century editions by Rehberg (Schott) Rowley (Peters) and the old edition by Kapral (originally published by Universal Edition) are based on a Ricordi reprint edited by Muggelini in 1907; its musical text is unreliable and there are many arbitrary alterations. The present edition is therefore based on the first edition of the arrangement published by Artaria of Vienna in 1803. By comparing it with the score of the Divertimentos (Mozart Complete Edition Series XXIV No. 62 1905) and with the first edition of the parts it was possible to establish the precise articulation and dynamic markings and to add them where needed. For piano pupils simpler versions are suggested in footnotes as are possible executions of ornaments. Metronome markings have been provided by the editor; like the footnotes they should be taken only as suggestions.

Wolfgang Amadeus Mozart’s Wind Divertimenti KV 439b later appeared in a version for Piano entitled Viennese Sonatinas. Arrangements of these sonatinas for Flute and Piano will provide flautists with much needed repertoire of music from this period. Detailed phrasing and dynamics are included to aid and inspire the players. For middle-grade flautists.

Facsimile of Mozarts autograph score-The Packard Humanities Institute Los Altos Ca in association with the International Mozarteum Foundation Salzburg present a facsimilie edition of the autograph scores of the seven great Mozart operas. Mozart's seven great operas his brilliant contribution to music theatre and world culture are unequalled in their depth of human characterisation and musical expression. Now Mozart scholars libraries and lover's of Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions. All volumes include essays on the history of the work and introduction by leading Mozartscholars in English and German Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of the latest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristic appearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Facsimile of Mozarts autograph score-The Packard Humanities Institute Los Altos Ca in association with the International Mozarteum Foundation Salzburg present a facsimilie edition of the autograph scores of the seven great Mozart operas. Mozart's seven great operas his brilliant contribution to music theatre and world culture are unequalled in their depth of human characterisation and musical expression. Now Mozart scholars libraries and lover's of Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions. All volumes include essays on the history of the work and introduction by leading Mozartscholars in English and German Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of the latest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristic appearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Facsimile of Mozarts autograph score-The Packard Humanities Institute Los Altos Ca in association with the International Mozarteum Foundation Salzburg present a facsimilie edition of the autograph scores of the seven great Mozart operas. Mozart's seven great operas his brilliant contribution to music theatre and world culture are unequalled in their depth of human characterisation and musical expression. Now Mozart scholars libraries and lover's of Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions. All volumes include essays on the history of the work and introduction by leading Mozartscholars in English and German Consolidation of Mozart manuscripts held in different places Highest level of precision in reproduction and authenticity of colour through use of the latest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristic appearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.

Facsimile of Mozarts autograph score-The Packard Humanities Institute Los Altos Ca in association with the International Mozarteum Foundation Salzburg present a facsimilie edition of the autograph scores of the seven great Mozart operas.Mozart's seven great operas his brilliant contribution to music theatre and world culture are unequalled in their depth of human characterisation and musical expression.Now Mozart scholars libraries and lover's of Mozart's stage works have the oppertunity to acquire these priceless manuscripts in flawless reproductions.All volumes include essays on the history of the work and introduction by leading Mozart scholars in English andGermanConsolidation of Mozart manuscripts held in different placesHighest level of precision in reproduction and authenticity of colour through use of the latest technology 'I regard it as a true privilege to be able to read and study Mozart's scores in his manuscript hand... The commanding clarity and the characteristic appearance of Mozart's handwriting are unique'     - Kent Nagano (Conductor)

Eleven selections from Mozart's opera Don Giovanni arranged for two flutes edited by Gerhard Braun and Karl Heinz Füssl. Based on an edition c. 1809.

Some of the most beautiful music from Mozart's operas is to be found in Così fan Tutte. Now flautists can extend their repertoire and explore these glorious moments.These duet arrangements from the late 18th and early 19th centuries of Mozart's operatic highlights have served as a basis for modern-day editors. Whilst retaining many aspects of the original flute arrangements Mozart's own intentions with regard to the relevant orchestral settings have been considered and respected. Suitable for intermediate-level flautists these duets may well introduce players to the music of Mozart.Nr. 1 Terzetto (Ferrando Giolelmo Don Alfonso)Nr. 2 Terzetto (Ferrando Guilelmo Don Alfonso)Nr. 3 Terzetto (Ferrando Guilelmo Don Alfonso)Nr. 4 Duetto (Fiordiligi dorabella)Nr. 8 CoroNr. 10 Terzetto (Fiordiligi Dorabella Don Alfonso)Nr. 14 Aria (Fiordiligi)Nr. 17 Aria (Ferrando)Nr. 26 Aria (Guilelmo)Nr. 28 Aria (Dorabella)Nr. 29 Duetto (Fiordiligi Ferrando)

These charming Mozart adaptations from the late 18th and 19th Centuries are enjoying increasing popularity today. Though they originated from the need to recall the melodies heard in the opera house in our time they may have the opposite function that is they serve as an introduction to Mozart for young people.