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Wolfgang Amadeus Mozart: Missa in C KV 167 (Trinitatis): Study Score
Instrumentation :
Soli, Mixted choir and accompaniment
Publisher :
Breitkopf & Härtel
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Wolfgang Amadeus Mozart: Missa in C KV 167 (Trinitatis): Study Score
12.80 GBP
- Shipped from England
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Missa In C Kv 167 (Trinitatis) (MOZART WOLFGANG AMADEUS)
15.50 EUR
- Shipped from France
Missa in C KV 167 (Trinitatis)
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C Minor Mass, K. 427 (Missa in c KV 427)
Choral SATB
Carus Verlag
Completed and edited by Frieder Bernius and Uwe Wolf
. Composed by Wolfgan...
(+)
Completed and edited by Frieder Bernius and Uwe Wolf
. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Uwe Wolf, Frieder Bernius. Arranged by Frieder Bernius, Uwe Wolf. Paperback. Stuttgart Urtext Edition: Mozart. Missa In C Ed. Bernius,Wolf. Innovative practice aids, Sacred vocal music, Masses, Latin. Vocal score. KV 427. 104 pages. Duration 55 minutes. Carus Verlag #CV 51.651/03. Published by Carus Verlag (CA.5165103).
$25.95 - See more - Buy online
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Missa brevis in D minor
Choral SATB
[Set of Parts]
Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Willi Schulze. This e...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa brevis in d KV 65 rev.2000. Missa brevis in Latin. Complete orchestral parts. Composed 1769. KV 65 (61a). Duration 15 minutes. Published by Carus Verlag (CA.4062219).
$80.95 - See more - Buy online
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Missa brevis in G
Choral SATB
[Set of Parts]
Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Willi Schulze. This...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa pastoralis in G KV 140 rev.2001. Missa brevis in Latin. Complete orchestral parts. Composed circa 1773. KV 140 (235d). Duration 17 minutes. Published by Carus Verlag (CA.4062319).
$114.95 - See more - Buy online
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2 to 3 weeks
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Mass in C (Missa in C)
Soli, Mixted choir and accompaniment
Carus Verlag
Spaur Mass
. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Be...
(+)
Spaur Mass
. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Volker Blumenthaler. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C Kv 258 (Spaur-Messe) Rev.2003. Sacred vocal music, Masses, Latin. Orchestral Parts. Composed circa 1775-1777. KV 258. Duration 20 minutes. Carus Verlag #CV 40.627/19. Published by Carus Verlag (CA.4062719).
$109.95 - See more - Buy online
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Missa longa in C major
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. Arr...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. Arranged by Volker Blumenthaler. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]. Stuttgart Urtext Edition. German title: Missa longa rev.2005. Latin Masses, Missa brevis in Latin. Complete orchestral parts. Language: Latin. Composed 1775. KV 262. Duration 25 minutes. Published by Carus Verlag
$164.95 - See more - Buy online
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Wolfgang Amadeus Mozart: Missa In C Major (Sparrow Mass)
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 220 (...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 220 (196b). Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation, piano reduction and introductory text. Text language Latin. 39 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006468423. (BA.BA5343-90)
$12.95 - See more - Buy online
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Wolfgang Amadeus Mozart: Missa Brevis In D Minor, K. 65
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 65 (6...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 65 (61a). Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. D Minor. Text language Latin. 24 pages. Published by Baerenreiter-Ausgaben (German import).
$15.95 - See more - Buy online
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1 to 2 weeks
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Wolfgang Amadeus Mozart: Missa Brevis In G Major, K. 140
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 140 (...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 140 (Anh. 235d). Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. G Major. Text language Latin. 36 pages. Published by Baerenreiter-Ausgaben (German import).
$15.95 - See more - Buy online
Pre-shipment lead time:
1 to 2 weeks
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Wolfgang Amadeus Mozart: Missa In C Major (Coronation Mass)
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Monika Holl. K. 317. ...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Monika Holl. K. 317. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. C Major. Text language Latin. 52 pages. Published by Baerenreiter-Ausgaben (German import).
$13.95 - See more - Buy online
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Wolfgang Amadeus Mozart: Missa In C Major, K. 259 (Organ Solo Mass)
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 259. ...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Walter Senn. K. 259. Vocal score for SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. With choral notation and piano reduction. C Major. Text language Latin. 32 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006457120.
$13.95 - See more - Buy online
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Wolfgang Amadeus Mozart: Missa In C Minor, K. 427
Soli, Mixted choir and accompaniment
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Helmut Eder. K. 427 (...
(+)
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Helmut Eder. K. 427 (417a). Vocal score for SSATB solos, 2 SATB choirs and piano accompaniment. Urtext of the New Mozart Edition. With choral notation, piano reduction and introductory text. C Minor. Text language Latin. 112 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006456932.
(1)
$24.95 - See more - Buy online
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Wolfgang Amadeus Mozart : Missa Brevis D Major Kv 194 (186H)
[Reduction]
Barenreiter
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Foc...
(+)
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Focke. For solo soprano/solo mezzo-soprano/solo alto/female choir: SmezA/2 violins/bassoon/organ). Stapled. Female Choir. Piano reduction. German/English. KV 194 (186h). Publishe
$13.95 - See more - Buy online
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Wolfgang Amadeus Mozart : Missa C Major Kv 317 'Coronation Mass'
Choral 3-part
[Reduction]
Barenreiter
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Foc...
(+)
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Heribert Breuer / Martin Focke. For solo soprano/solo alto/solo tenor/solo bass/female choir: SmezA/2 oboes/2 horns/2 clarions/timpani/2 violins/basso continuo (violoncello/contrabass/bassoon/organ). Sta
$14.95 - See more - Buy online
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Missa brevis in d (Missa brevis in D minor) (Missa brevis en re mineur)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
Carus Verlag
By Wolfgang Amadeus Mozart (1756-1791). Edited by Willi Schulze. For Soli SATB, ...
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By Wolfgang Amadeus Mozart (1756-1791). Edited by Willi Schulze. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 65 (61a). Missa brevis, Latin; Stuttgart Urtext editions. Level 2. Score. Language: Latin. Composed 1769. 40 pages. Duration 15 min. Published by Carus Verlag
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Missa brevis in F (Missa brevis in F major) (Missa brevis en fa majeur)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
-
Intermediate
Carus Verlag
(Kleine Credomesse). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Ho...
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(Kleine Credomesse). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [2 Clarinos/Trumpets, 3 Trombones]. This edition: paperbound. KV 192 (186f). Full score available separately - see item CA.4062400. Missa brevis, Latin; Stuttgart Urtext editions. Level 3. Piano/Vocal score. Language: Latin. Composed 1774. 44 pages. Duration 15 min
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Missa brevis in G (Missa brevis in G major) (Missa brevis en sol majeur)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SA...
(+)
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo, [3 Trombones]. This edition: paperbound. KV 49 (47d). Score available separately - see item CA.4062100. Missa brevis, Latin; Stuttgart Urtext Editions. Level 2. Piano/Vocal score. Language: Latin. Composed 1768. 36 pages. Duration 18 min. Published by Carus Verlag
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Missa brevis in G (Missa brevis in G major) (Missa brevis en sol majeur)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
-
Easy
Carus Verlag
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SA...
(+)
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Viola, Basso continuo, [3 Trombones]. This edition: paperbound. KV 49 (47d). Missa brevis, Latin; Stuttgart Urtext editions. Level 2. Score. Language: Latin. Composed 1768. 48 pages. Duration 18 min
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Missa brevis in B flat major (Missa brevis en si bemol majeur)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Vocal Score]
Carus Verlag
By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Pau...
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By Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 275 (272b). Score available separately - see item CA.4062900. Missa brevis, Latin; Stuttgart Urtext Editions. Level 3. Piano/Vocal score. Language: Latin. Composed 1777. 44 pages. Duration 24 min. Published by Carus Verlag
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Dona Nobis Pacem (from Missa Brevis in F)
Choral SATB
SATB
[Octavo]
-
Intermediate
Alfred Publishing
By Wolfgang Amadeus Mozart. Edited by And Arr. Patrick M. Liebergen. For Choir. ...
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By Wolfgang Amadeus Mozart. Edited by And Arr. Patrick M. Liebergen. For Choir. (SATB). Choral Octavo. Belwin Festival Series. Masterwork. Level: Moderate (grade 3). Choral Octavo. 12 pages. Published by Alfred Publishing.
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$2.1375
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Cello & Double Bass: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
35.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
(+)
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : SATB: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
(+)
Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa brevis in D major: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The choral scene is in a state of change! On the one hand more and more choirs ...
(+)
The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Upper
Instruments A Vent
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
(+)
Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
(+)
Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...
(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
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Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...
(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
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Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Continuo: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...
(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
5.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...
(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
6.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Missa Brevis In G Major K.49: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...
(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
5.00 GBP - Sold by Musicroom UK
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