Wolfgang Amadeus Mozart: Thou Soul Of The Universe K.429: TTBB: Vocal Score

A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.

Mozarts fragment in the version completed by Joseph Eybler und Franz Xaver Süßmayr-Requiem K.626 The Requiem completed by Franz Xaver S?ssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver S?ssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Symphonies Volume 6Symphony No.32 in G major (Overture) K.318Symphony No.33 in B-flat major K.319Symphony No.34 in C major K.338Symphony No.35 in D major ('Haffner-Symphony') K.385 Wolfgang Amadeus Mozart (1756–1791) - New Edition of the Complete Works edited by the International Mozarteum Foundation Salzburg in cooperation with the Mozart cities of Augsburg Salzburg and Vienna The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At thesame time it also serves as an aid to authentic performances. The principal Series I to IX containing Mozart's actual œuvre appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work such as his activities as a teacher or as an arranger of other composer's works.

Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form. Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts. - Urtext of the New MozartEdition - Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale - Facsimile edition BVK2346

Edition without Fingering-Published in a two-volume edition (HN1 and HN2) Wolfgang Amadeus Mozart's 18 Piano Sonatas were the very first pieces in the Henle catalogue. These popular sonatas remain part of the core repertory of everypianist. In the intervening decades since the release of the original Urtext edition both volumes have been revised several times in order to keep pace with the current state of research. The latest update concerning K.331 the “Alla turca” sonata from volume 2 dates from 2015. The editor’s preface and critical report provide detailed information on all the sources and textual issues. HN1 and HN2 include fingerings; here Henlepresents both volumes without fingerings for pianists who want to find their own way into Mozart’s Piano universe. 

This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives active choruses an opportunity to perform these pieces without having to hire an expensive instrumental ensemble. The works including the moving ?Te Deum laudamus ? (K. 141) the brilliant ?Jubilate? from ? Benedictus sit Deus? (K. 117) and the immortal ?Ave verum? are well-suited to performance in church services or concerts. Andreas Köhs has sensitively arranged the orchestral parts for organ using the original score to produce self-contained versions for chorus and organ. The vocal parts follow the Urtext of the New Mozart Edition.Self-contained versions with organ instead oforchestraIdeal for church services and concertsStraightforward easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.

The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale