Wolfgang Amadeus Mozart: Two Arias: Clarinet: Instrumental Album

Concert Arias-Concert Arias For Soprano is a collection of 15 arias expertly composed by Mozart. Concert Arias For Soprano is free from practical references on performance aspects or suggestions on performance practice. Instead the piece contains a comprehensive supplement with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts which are often found in the early Mozartarias.

Mozart Arias for Baritone or Bass with piano accompaniment and companion CD of recorded accompaniments with Robert L. Larson on piano. Edited by Robert L. Larson and Richard Walters. Includes Se Vuol Ballare (Le Nozze Di Figaro) Fin Ch'han Dal Vino (Don Giovanni) and Donne Mie La Fate A Tanti (Cosi Fan Tutte).

lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature

Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.

Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

The world's most beautiful arias with full orchestra play along-Great opera singers have enthralled us for over three hundred years. When we see them on stage our ears are filled with some of the finest classical melodies of all time. Live at the Opera makes this precious treasure trove accessible to instrumentalists too: 15 Italian operatic arias have been individually arranged for flute recorded by the world-renowned flautist Walter Auer. The accompaniment is supplied by an authentic opera orchestra and it is also available as a play-along version without the soloist. A historical background to each piece along with performance tips is included in this unique collection.

Soprano coloratura/lirico - Lyric Coloratura to Lyric Soprano ~ A cura di - edited by Ilaria Narici-A selection of 37 arias for voice and piano with plot synopses and translations in Italian and English.

Opern-Arien-Four comprehensive anthologies of Mozarts opera arias. Includes Mozart’s complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages as well asItalian French and German.

These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.

Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.

? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /