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Viola PIANO
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Bach Prelude in C Major (BWV 846) arr. for Violin, Viola and Piano
Bach Prelude in C Major (BWV 846) arr. for Violin, Viola and Piano
$4.99
#
Piano Trio: Violin, Viola, Piano
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Johann Sebastian Bach
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Nancy Frese Tabb
#
Nancy Frese Tabb
OH, HOW I LOVE JESUS (Trio – Violin, Viola with Piano including Parts)
OH, HOW I LOVE JESUS (Trio – Violin, Viola with Piano including Parts)
$8.99
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Piano Trio: Violin, Viola, Piano
#
Anonymous
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Gary Lanier
#
The Lanier Company
I WILL SING THE WONDROUS STORY (Trio – Violin & Viola with Piano and Parts)
I WILL SING THE WONDROUS STORY (Trio – Violin & Viola with Piano and Parts)
$8.99
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Piano Trio: Violin, Viola, Piano
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Peter P
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Gary Lanier
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The Lanier Company
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Quilisma (CASTIGLIONI NICCOLO)
Piano Quintet: piano, 2 violins, viola, cello
[Score]
Ricordi
Per 2 Violini, Viola, Violoncello, Pianoforte (1977). Par CASTIGLIONI NICCOLO. ...
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Per 2 Violini, Viola, Violoncello, Pianoforte (1977). Par CASTIGLIONI NICCOLO. / Musique contemporaine / Date parution : 1905-07-03/ Répertoire / 2 Violons, Alto, Violoncelle et Piano
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Michael Nyman: Viola and Piano (Revised 2014): Chamber Ensemble: Score and Parts
[Sheet music]
Chester
POD-Michael Nyman's Viola And Piano composed in 2009.This version was revised i...
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POD-Michael Nyman's Viola And Piano composed in 2009.This version was revised in 2014 and is scored for Flute Clarinet Piano Violin and Cello. Duration: approx. 14 minutes.
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Fernando Remacha: Cuarteto: Piano Quartet: Score and Parts
Español
Piano Quartet: piano, violin, viola, cello
[Sheet music]
-
Intermediate/advanced
Unión Musical Ediciones
Written for Violin Viola Cello and Piano.
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Weber C.m. - Grand Quatuor B Flat Major Wev P.5 - Musique De Chambre
Piano Quartet: piano, violin, viola, cello
Schott
Arrangeur : Bandur, Markus / Edited from the Text of the Carl Maria von Weber Co...
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Arrangeur : Bandur, Markus / Edited from the Text of the Carl Maria von Weber Complete Edition / violin, viola, cello and piano
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Franz Schubert: Quintet In A Op. Post.114 D.667 'Trout Quintet': Piano Quintet:
Piano Quintet: piano, violin, viola, cello, double bass
[Score and Parts]
G. Henle
The Score and complete set of parts for Franz Schubert's Piano Quintet in A com...
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The Score and complete set of parts for Franz Schubert's Piano Quintet in A commonly known as the Trout Quintet. Contains Piano score and parts for Violin Viola Cello and Double Bass. Edited for this authoritative Henle UrtextEdition by Wiltrud Haug-Freienstein.
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Wolfgang Amadeus Mozart: Piano Concerto No. 12 in A Major K.414: Piano &
Piano Quintet: piano, 2 violins, viola, cello
Barenreiter
'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the app...
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'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived Piano concertos. These three concertos may be performed not only with a large Orchestra including wind instruments but also a quattro that is with two Violins one Viola and Violoncello. They will be issued early in April of this year (1783).'As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his Piano concertos K.413-5 and as we know from a letter Mozart wrote to his father in K.449 as well. In addition to orchestral forces it is also possible to use achamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with Piano.These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two Pianos the solo part - as well as the strings - are unchanged and thus identical with the version in the NMA. The Piano arrangement adheres to the original orchestral score.Chamber music editions available for:Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871
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Reynaldo Hahn: Quatuor No.3 in G (Piano Quartet): Piano Quartet: Score and Parts
Piano Quartet: piano, violin, viola, cello
Heugel
For Violin Viola Cello and Piano.
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Viola Time Joggers Piano Accompaniment Book (BLACKWELL KATHY / DAVID)
Piano Accompaniment
[Sheet music]
Oxford University Press
Accompanies Third Edition. Par BLACKWELL KATHY / DAVID. This book contains piano...
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Accompanies Third Edition. Par BLACKWELL KATHY / DAVID. This book contains piano accompaniments for Viola Time Joggers. Characterful and easy to play, these piano parts provide stylish accompaniments to all of the pieces in the pupil book. Essential for teachers and musical parents, this book will help motivate all young violinists as they learn to play. / Date parution : 2022-05-31/ Recueil / Piano
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Viola & Piano-43 Famous Comps.: Piano: Instrumental Album
Piano solo
Willis Music
Viola & Piano-43 Famous Comps.
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Quintetto (COLLA ALBERTO)
Piano Quintet: piano, 2 violins, viola, cello
[Score]
Ricordi
Per 2 Violini, Viola, Violoncello, Pianoforte. Par COLLA ALBERTO. / Musique con...
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Per 2 Violini, Viola, Violoncello, Pianoforte. Par COLLA ALBERTO. / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / 2 Violons, Alto, Violoncelle et Piano
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Ronda (DONATONI FRANCO)
Piano Quartet: piano, violin, viola, cello
[Score]
Ricordi
Per Violino, Viola Violoncello, Pianoforte. Par DONATONI FRANCO. / Musique cont...
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Per Violino, Viola Violoncello, Pianoforte. Par DONATONI FRANCO. / Musique contemporaine / Date parution : 1905-06-23/ Répertoire / Violon, Alto, Violoncelle et Piano
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Piers Hellawell: Hall Of Mirrors: Piano: Score and Parts
Piano Quartet: piano, violin, viola, cello
[Sheet music]
Cadenza Music
Piers Hellawell's Hall Of Mirrors for Piano Quartet.Hall Of Mirrors was my first...
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Piers Hellawell's Hall Of Mirrors for Piano Quartet.Hall Of Mirrors was my first contribution to the Schubert Ensemble's unique initiative to bring practicable chamber music to young string players and pianists. It was written in summer of 1998 in the wake of my 'full-scale' piano quartet The Building Of Curves itself a commission from the Schubert Ensemble and was first performed at the Dartington Summer School. Hall Of Mirrors is also scored for piano quartet although the viola part is playable by a second violin and is thus scored in the treble clef.At the suggestion of the Ensemble I sought to provide an analogue of the larger work ascaled-down expression that used materials clearly related to its parent. I believe that the success of this project relies in large part on its new pieces being genuinely representative of their composers rather than mere exercises that provide a product. Hall Of Mirrors therefore tries to establish a similarly unsettled atmosphere to that of the second movement of The Building of Curves and it uses the same open-string C/D ostinato for cello and nightmarish free glissandi for violin - both materials that can be impressively brought off by a player of limited virtuosity! Hall Of Mirrors was generously commissioned by Jane Ferguson. Its title indicates a reshaping of some features of the larger edifice The Building of Curves. - Piers Hellawell
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Christmas Strings (MILLER DONALD)
Violin and Piano
-
Beginner
Mel Bay
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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The Collection Vol.1 And 2
Piano, Vocal and Guitar
Amsco Wise Publications
I Used to Play Viola is a new book for adults looking to get back into playing t...
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I Used to Play Viola is a new book for adults looking to get back into playing the Viola, and will help jumpstart their memory and comfort with music. Its #1 goal is to get people re-acquainted with their instrument by providing them with types of music they want to play, like pop, jazz, and classic tunes, rather than etudes. The book contains a CD with audio MP3 files of complete performances of most songs, plus accompaniment-only versions. The CD also contains printable PDFs of piano parts for practice or performance opportunities. It's just the push former players need to fall back in love with the Viola again! / Piano/Vocal/Guitare (PVG)
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Scarlatti Domenico - First Book For Pianists - Piano
Piano solo
Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...
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The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Suzuki Viola School materials include: Viola Parts (Vol. 1-7) * Piano Accompaniments (Vol. 1-7) * Cassettes (Vol. 1-7 performed by Bill Preucil). Suzuki Method® Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.
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Johannes Brahms: Trio For Violin Horn: Piano Trio: Score and Parts
Violin, Horn and Piano
Barenreiter
Brahms?s famous Horn Trio op.40 composed in 1865 for the natural horn is a wor...
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Brahms?s famous Horn Trio op.40 composed in 1865 for the natural horn is a work of considerable significance within the composer?s output. Up until now the work was believed to have a strong emotional connection to the death of his mother three months earlier.However Christopher Hogwood draws on a newly discovered source for this Bärenreiter publication a source that has not been available for any previous edition. We now learn that Brahms wrote at least the trio movement some twelve years earlier in 1853 and that it was originally intended for solo piano. This piano movement is printed in the appendix.This Urtext edition offers notonly the standard instrumentation of violin horn and piano but also the alternative scoring for violoncello or viola instead of horn. The variants found in the violoncello and viola parts are shown as ossias in the score.The introduction (Eng/Ger) describes the compositional process includes information on the performance and publication history of the work and offers comments on performance practice. A critical commentary with facsimile pages of the manuscript rounds off this pioneering edition.Appendix with the 1853 piano version of the trio movementIncludes alternative parts for violoncello and viola
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Märchenbilder op. 113 (SCHUMANN ROBERT)
Flute and Piano
Universal Edition
The Flute Collection. Par SCHUMANN ROBERT. Remarks in his household books indica...
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The Flute Collection. Par SCHUMANN ROBERT. Remarks in his household books indicate that Robert Schumann (1810–1856) composed the Märchenbilder (Fairy-Tale Pictures) for piano and viola (or violin) op. 113 in just four days between 1st and 4th March, 1851, in Düsseldorf. Schumann only gradually came to the title Märchenbilder. The four pieces are unified by their shared opus number and keys (D minor, F major, D minor, D major), but the first edition published them in two volumes (Vol. 1: Nos. 1 and 2; Vol. 2: Nos. 3 and 4). Clearly, the Märchenbilder op. 113 do not need to be performed as a group but can be played in pairs or individually. The present arrangement is based upon the viola part. The viola's ambitus, when transposed up an octave, matches that of the flute. Solutions from the violin part have also been used on occasion. The double stops in the second piece were, for example, already simplified in the violin version. At such points the violin part provides a model for further simplifications in the flute part. A later, corrected edition of the first print served as the source of the current edition./ Répertoire / Flûte Traversière et Piano
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Johannes Brahms: Trio For Clarinet: Ensemble: Score and Parts
Clarinet, Cello, Piano (trio)
Barenreiter
Brahms?s Clarinet Trio composed in 1891 was inspired by the exceptional musica...
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Brahms?s Clarinet Trio composed in 1891 was inspired by the exceptional musicality of clarinettist Richard Mühlfeld. As he did for his horn trio Brahms prepared a viola part as a possible alternative to the clarinet. Both scorings were rehearsed (the viola part being played by Joseph Joachim) prior to the premiere and publication of the work.Bärenreiter?s scholarly-critical edition prepared by Christopher Hogwood offers a foreword on the trio?s compositional process with comments on performance practice as well as a comprehensive critical commentary and facsimile excerpts of the manuscript.Viola part included as an alternative to the clarinetpartWith a detailed foreword (Eng/Ger) on the work?s genesis and performance Practice
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Schubert Franz - Moments Musicaux, Op 94 - Piano
Piano solo
Alfred Publishing
The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view t...
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The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Suzuki Viola School materials include: Viola Parts (Vol. 1-7) * Piano Accompaniments (Vol. 1-7) * Cassettes (Vol. 1-7 performed by Bill Preucil). Suzuki Method® Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.
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Poul Ruders: Piano Concerto No.2: Piano: Score
Piano and Orchestra
[Score]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned ...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -
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John Tavener: Ypakoe: Piano: Instrumental Work
Piano solo
[Sheet music]
Chester
Work for Solo Piano commissioned for the City of London Festival in 1999.Quoting...
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Work for Solo Piano commissioned for the City of London Festival in 1999.Quoting John Tavener: Ypaköe in Greek refers to the Yapöe of Easter 'Why seek ye among the dead as though He were mortal man?'. Ypaköe for solopiano is a meditation on both the Passion and Resurrection of Christ. Ypakoë is a totally spiritual concept - to attone the individual's (performer's or listener's) will to the divine will. Ypakoë is personaland its violation may permit sanctions the purpose of which is to heal the listeners.
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Piano Concerto No.2: Piano: Part
Piano solo
[Sheet music]
Wilhelm Hansen
Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo a...
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Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders. Piano Solo and Orchestral Reduction.Dedicated Becky Starobin. Written for Vassily Primakov. Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Programme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonoroustreasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing for one of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts.
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Romanesca Op. 13/1
Violin and Piano
Schott
Any violinist who hears the name Sitt nowadays will probably just think of the a...
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Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850-1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wroc?aw).After posts as director of music in Prague, Chemnitz - where he championed the work of Smetana - and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884-1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini's unfinished opera Turandot- and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth and Co in 1894. Romanesca, #1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances. / Violon Et Piano
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Brahms J. - Complete Piano Trios
Piano Trio: piano, violin, cello
Dover Publications
Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (185...
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Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (1854) Allegro con moto Scherzo: Allegro molto Adagio non troppo Finale: Allegro molto agitato Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Revised Version (1891) Allegro con brio Scherzo: Allegro molto Adagio Allegro Trio No. 2 for Piano, Violin, and Cello in C Major, Op. 87 Allegro Andante con moto Scherzo: Presto Finale: Allegro giocoso Trio No. 3 for Piano, Violin, and Cello in C Minor, Op. 101 Allegro energico Presto non assai Andante grazioso Allegro molto Trio for Piano, Violin, and Natural Horn [Waldhorn] (or Cello or Viola) in E-flat Major, Op. 40 Andante Scherzo: Allegro Adagio mesto Finale: Allegro con brio Trio for Piano, Clarinet (or Viola), and Cello in A Minor, Op. 114 Allegro Adagio Andante grazioso Allegro
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Little Pop Music (SCHMITZ MANFRED)
Flute and Piano
-
Intermediate
AMA Verlag
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...
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27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière et Piano
35.23 EUR - Sold by LMI-partitions
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Little Pop Music Vnp (SCHMITZ MANFRED)
Violin and Piano
[Sheet music]
AMA Verlag
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...
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27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Pop & rock / Recueil / Violon et Piano
35.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Johannes Brahms: Piano Trio Based On The Sextet In B-flat: Piano Trio: Score and
Piano Trio: piano, violin, cello
Barenreiter
After the Sextet in B-flat major op. 18-A much welcomed edition to the Piano tri...
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After the Sextet in B-flat major op. 18-A much welcomed edition to the Piano trio literature.Includes an informative introduction (Eng/Ger) and a critical commentary (Eng).In addition to Bärenreiter?s scholarly-critical editions of Brahms? trios an arrangement of Brahms? String Sextet Op.18 for Piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock Brahms publisher issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner (1823 1903).Christopher Hogwood?s scholarly-critical edition includes an introduction which sheds light not just on thehistory of the arrangement and its validity in its own right but also on Kirchner and his relationship to Brahms.Chamber Works by Brahms already published:Trio for Violin Violoncello and Piano Op.87 (BA 9436)Trio for Violin Violoncello and Piano Op.101 (BA 9437)Trio for Violin Horn (Viola or Violoncello) and Piano Op.40 (BA 9435)Trio for Clarinet (Viola) Violoncello and Piano Op.114 (BA 9438)
33.50 GBP - Sold by Musicroom UK
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Jephte Chant/Piano
Piano, Voice
Novello & Co Ltd.
Carissimi's most famous work, a sacred oratorio for SATB soli, SSSATB chorus, op...
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Carissimi's most famous work, a sacred oratorio for SATB soli, SSSATB chorus, optional string without violas, and organ continuo. This edition, revised and edited by Janet Beat, is arranged for voice parts and organ accompaniment. / Chant Et Piano
11.40 EUR - Sold by LMI-partitions
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Duckett Bull: Team Strings. Piano Accompaniment/Score: Violin: Instrumental
Piano Accompaniment
[Sheet music]
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Intermediate
I.M.P.
Teams Strings Is ideal for individual group and class tuition Allows violin an...
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Teams Strings Is ideal for individual group and class tuition Allows violin and viola or cello and bass to be taught in the same lesson Contains carefully-graded music in a wide variety of styles from Baroque and Classical to Folk Film and Jazz Develops instrument-related aural skills improvisation and composition Offers helpful notes for the teacher together with piano accompaniments ensemble scores and parts for wind brass and percussion
13.99 GBP - Sold by Musicroom UK
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Benet Casablancas: Jubilus - Homage To Jordi Savall: Piano: Instrumental Work
Español
Piano solo
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Intermediate/advanced
Unión Musical Ediciones
This piece empowers dialogue between the different kinds of music and languages ...
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This piece empowers dialogue between the different kinds of music and languages that existed throughout the centuries.The title Jubilus is a reference to the joy of the Alleluya in contrast to its central part which concentrates on François Couperin?s suites for Viola and his grand ?Pompes fúnebres?.The Spanish pianist Diego Fernández Magdaleno presented the world premiere of Jubilus on 21st February 2012 at the Instituto Cervantes of Paris.
10.99 GBP - Sold by Musicroom UK
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