Songs include: Ayo Technology (Milow) The House of The Rising Sun (The Animals) 1973 - High (James Blunt) Baby can I hold you? (Tracy Chapman) Layla(Eric Clapton) Hotel California (The Eagles) Life for Rent (Dido) Mercy (Duffy) Wake Me Up When September Ends (Green Day) Billie Jean (Michael Jackson) Just The Way You Are (Billy Joel) Come Away with Me (Norah Jones) One Love - People Get Ready (Bob Marley) Don’t Leave Me this Way (The Communards) Jesus to a Child (George Michael) Smells Like Teen Spirit (Nirvana) Another Brick in the Wall (Part 2) - Wish You Were Here (Pink Floyd) The Show Must Go On - We Are the Champions (Queen) High andDry (Radiohead) Losing my Religion (R.E.M.) Holding Back the Years (Simply Red) Runaway Train (Soul Asylum) Back for Good(Take That) You’ve Got a Friend (James Taylor) Everybody Wants to Rule the World (Tears for Fears) Luka (Suzanne Vega) Back to Black - Rehab (Amy Winehouse).

Most of the distinctive Purcell realizations by Benjamin Britten vocal parts edited by Peter Pears have been out of print for some years. This new edition collects 45 selections for medium/low voice. Includes 9 songs from Harmonia Sacra 24 solo songs and six duets from Orpheus Britannicus ?The Queen's Epicedium? and selections from Dido and Aeneas and The Fairy Queen.

83 big hits for the Ukulele by Avril Lavigne Band Aid Barry White Billy Haley & the Comets Blondie Blues brothers Bruno Mars Burt Bacharach Cher Cream Creedence Clearwater Revival David Bowie Deep blue something Dido Doctor & The Medics Dusty Springfield Elvis Presley and more.

The perfect book for all aspiring female singers containing emotive and powerful songs as well as some more subdued but equally moving moments. Inside there are twelve fantastic songs suitable for the vocal range of female singers including songs by popular artists like Dido Madonna and Norah Jones plus a CD of backing tracks. The CD gives complete backings which match the accompaniments in the book so you can sing along for pleasure or in performance!

Description G. Schirmer Opera Anthology - Arias For Mezzo-Soprano Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Includes historical notes, plot synopses and translations for study. Edited by Robert L. Larsen. Songlist Acerba Volutta (Adriana Lecouvreur) [Cilea, Francesco] Ah, Michele, Don't You Know (The Saint Of Bleecker Street) [Menotti, Gian Carlo] Amour Viens Aider Ma Faiblesse (Samson Et Dalila) [Saint-Saens, Camille] Augusta How Can You Turn Away? (The Ballad Of Baby Doe) [Moore, Douglas] Chacun A Son Gout (Die Fledermaus) [Strauss Ii, Johann] Che Faro Senza Euridice (Orfeo) [Gluck, Christoph Willibald] Cruda Sorte..Gia So Per Pratica (L'italiana In Algeri) [Rossini, Gioacchino] En Vain Pour Eviter (Carmen) [Bizet, Georges] Faites-lui Mes Aveux (Faust) [Gounod, Charles] Il Segreto Per Esser Felici (Lucrezia Borgia) [Donizetti, Gaetano] L'amour Est Un Oiseau Rebelle (Carmen) [Bizet, Georges] Lullaby (The Consul) [Menotti, Gian Carlo] Mon Coeur S'ouvre A Ta Voix (Samson Et Dalila) [Saint-Saens, Camille] Must The Winter Come So Soon? (Vanessa) [Barber, Samuel] Nobles Seigneurs, Salut (Les Hugenots) [Meyerbeer, Giacomo] Non Piu Mesta (La Cenerentola) [Rossini, Gioacchino] Non So Più Cosa Son (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] O Mio Fernando (La Favorita) [Donizetti, Gaetano] Pres Des Remparts (Carmen) [Bizet, Georges] Printemps Qui Commence (Samson Et Dalila) [Saint-Saens, Camille] Que Fais-tu, Blanche Tourterelle (Romeo Et Juliette) [Gounod, Charles] Smanie Implacabili (Cosi Fan Tutte) [Mozart, Wolfgang Amadeus] Stride La Vampa (Il Trovatore) [Verdi, Giuseppe] Una Voce Poco Fa (Il Barbiere Di Siviglia) [Rossini, Gioacchino[ Va Laisse Couler Mes Larmes (Werther) [Massenet, Jules] Voce Di Donna (La Gioconda) [Ponchielli, Amilcare] Voi Che Sapete (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Voi Lo Sapete (Cavelleria Rusticana) [Mascagni, Pietro] We Cannot Retrace Our Steps (The Mother Of Us All) [Thomson, Virgil] When I Am Laid In Earth (Dido And Aeneas) [Purcell, Henry]

The Lite Hits-This selection of 'lite hits ' arranged by Dan Coats includes some of the best pop songs of the last few decades! Songs include: All My Life K-Ci & Jo Jo Always Atlantic Starr Amazed Lonestar Angel Eyes Jim Brickman Beautiful Jim Brickman featuring Wayne Brady Because of You Kelly Clarkson Because You Love Me Jo Dee Messina Because You Loved Me Celine Dion Believer Christina Millian Breakaway Kelly Clarkson By Heart Jim Brickman Dance with My Father Luther Vandross Dreaming of You Selena Everything Burns Ben Moody feat. Anastacia How Do I Live LeAnn Rimes I Believe in You and Me Whitney Houston I Don't Want to Miss a Thing Aerosmith I Have Nothing WhitneyHouston I Will Always Love You Whitney Houston Inside Your Heaven Carrie Underwood Like We Never Loved At All Faith Hill Love Will Always Win Garth Brooks & Trisha Yearwood Love Will Keep Us Alive The Eagles Music of My Heart Gloria Estefan & *NSYNC Now and Forever Richard Marx Stranger in a Strange Land Barbra Streisand and Barry Gibb Take My Breath Away Jessica Simpson Thank You Dido The Prayer Celine Dion with Andrea Bocelli There You'll Be Faith Hill This I Promise You *NSYNC To Where You Are Josh Groban Un-Break My Heart Toni Braxton Up Where We Belong Joe Cocker & Jennifer Warnes Valentine Jim Brickman When You Tell Me that You Love Me American Idol Finalists Season 4 Window to My Heart Jon Secada You Raise Me Up Josh Groban

This is a marvellous collection of pieces by Henry Purcell newly arranged for the Organ by concert organist Martin Setchell. Purcell's music is perfectly suited to the Organ and a number of his pieces have long been popular with players. This volume brings together a range of well-known pieces - trumpet tunes the Rondeau from Abdelazer Dido's Lament and movements from The Fairy Queen - and combines these with a wonderful selection of lesser-known pieces from across Purcell's work. There are sprightly tunes and hornpipes from the stage works lovely reflective songs and airs and a wide range of dances and chaconnes. The result is a set of pieceswith wise and varied church and concert use perfectly accessible to intermediate players and making a valuable addition to any organist's repertoire. Martin Setchell is Associate Professor of Music University Organist and tutor in Organ at the University of Canterbury School Of Music New Zealand. He combines his university teaching and research career with a busy and international schedule of recitals and concerts as soloist accompanist and continuo player on Organ and Harpsichord.

Really Easy Piano: Pop Hits contains twenty-two of the greatest songs by some of the biggest and brightest stars! These songs all stormed up the music charts and now you have the opporunity to play them with thesesimplified arrangements! Including tracks by artists such as Katie Melua Robbie Williams Coldplay and Dido you'll really enjoy these popular songs in this superb volume. There are Easy piano arrangements with songlyrics and chord symbols complete with song background notes and playing hints and tips for each song. Suitable for grades 1-3.

For solo bass viol. Reflections on the ground 'When I am laid in earth' from Dido and Aeneas by Purcell Op. 86.

Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflections on Eight Bars by Georg Friedrich Handel.Commissioned by and dedicated to the Aarhus Symphony Orchestra in celebration of their 75th anniversary 2010. Premiered by The Aarhus Symphony Orchestra conducted by Giancarlo Andretta at the Aarhus Concert Hall 14 January 2010. Programme noteThe short feisty Bourrée from Handel´s famous Water Music (First Suite in F major) has for some years been hovering at the back of my mind as possessing the perfectpotential for a series of variations. Not unlike the short 'morsel' by Henry Purcell (the witches Ho-ho-ho-chorus from the opera Dido and Aeneas) which kicks off the ten variations of my orchestral work Concerto in Pieces the music per se is not particularly interesting but it nevertheless grows on you and is difficult to get rid of. It is merely a handful of sequences (a technique much used in the Baroque era - a method in which the same motif is being shifted up and down in a specified order). Actually it is only the first eight bars of the Bourrée which I haul through the wringer.It would be obvious to assume that Handel Variations make up a sequel to Concerto in Pieces but in spite of the similarity in character between the two chosen themes the Handel Variations are far more symphonically coherent. There are no less than ninety (!) variations and each variation (they are relatively short ranging from four up to forty-something bars) runs seamlessly into the next creating a huge symphonic body of constantly changing colours. I set out with the original theme without interfering but the 'erosion' begins to gnaw away at the theme already from the first variation. Imagine a vast gallery of Handel portraits in which Georg Friedrich appears at first fully recognizable but then the 'disfiguration' sets in and

Most of the distinctive Purcell realizations by Benjamin Britten vocal parts edited by Peter Pears have been out of print for some years. This new edition collects 50 selections for medium/low voice. Includes 9 songs from Harmonia Sacra 24 solo songs and six duets from Orpheus Britannicus ?The Queen's Epicedium? and selections from Dido and Aeneas and The Fairy Queen.

Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo del Diavolo (Bg5) per VL/BC - Sonata Didone Abbandonata (Bg10) per VL/BC - Sonata Senti lo Mare per (Be1) per VL/VC - Sonata La mia Filli (Ba3) per VL solo A cura di / Edited by Federico e Giovanni Guglielmo La pubblicazione è composta da: - Partitura - Parte di violino secondo le fonti originale - Parte di Violino con revisione violinistica - Parte del Basso La straordinaria riscoperta in tempi moderni della musica di Antonio Vivaldi è stata strettamente connessa sin dagli anni cinquanta dello scorso secolo alla meritoria prima edizione (più o meno completa) da parte dell?Istituto Italiano Antonio Vivaldi fondato da Antonio Fanna. In seguito, oltre ad avere pubblicato quasi la totalità delle composizioni del Prete Rosso l?Istituto veneziano ha corretto e attualizzato le sue più antiche edizioni alla luce delle nuove conquiste musicologiche e con una precisa attenzione a quelle che erano le istanze che provenivano dagli esecutori ?storicamente informati?. Giuseppe Tartini non ha goduto di altrettanta fortuna. Dopo alcune edizioni assai poco accurate (si potrebbe parlare piuttosto di reinterpretazioni, quali furono tra le altre quelle del leggendario violinista Fritz Kreisler e di Riccardo Zandonai), legate prevalentemente alla sopravvivenza ottocentesca di alcuni brani (in particolare il Trillo del Diavolo, la Didone Abbandonata e le variazioni L?Arte dell?Arco) nel corso del XX secolo poche edizioni davvero attendibili sono state date alle stampe, in primis quelle della collana a cura di Edoardo Farina e Claudio Scimone (Le opere di Giuseppe Tartini, Carisch) ma anche grazie all?azione isolata di violinisti (Giovanni Guglielmo) e musicologi (Enrica Bojan e Agnese Pavanello). Ancora oggi siamo ben lontani dalla possibilità di avere una moderna e completa edizione dell?opere del Maestro delle Nazioni anche se grazie all?instancabile lavoro di Sergio Durante e con l?istituzione del ?Comitato Tartini 2020? si intravedono nuovi slanci e grandi opportunità. La mancanza di edizioni attendibili per gli interpreti si è sovente riverberata sulle esecuzioni - fossero queste inserite in saggi scolastici, concorsi internazionali o recital dei più noti virtuosi - al punto che è stato quasi impossibile liberare le opere tartiniane da tutta una serie di istrionismi e di stilemi ottocenteschi che ormai si erano profondamente radicati alla percezione di queste opere. La presente edizione mira quindi non tanto a fornire una nuova edizione critica (talune, ottime, già esistono) di queste quattro Sonate che sono state scelte per la loro notorietà, rappresentatività e bellezza quanto piuttosto a garantire agli interpreti, siano essi giovani studenti o affermati professionisti, un testo coerente e corretto. Per questo motivo in aggiunta ad una parte di violino priva di segni interpretativi abbiamo ritenuto utile introdurre una seconda parte di violino con diteggiature ed indicazioni dinamiche che potranno essere di giovamento sia per gli interpreti ?tradizionali? che per quelli interessati alle prassi esecutive storiche. Federico Guglielmo