Irish Traditional Two-Part accompanied song arranged by Havelock Nelson. Words by Sydney Bell.

The ballad of Barbara Allen a story of a heartless beauty who scorned the love of a local lad and the tragic outcome for both has been around since at least the mid-1600’s and has never fallen out of the national songbook. Manyplace its origins in Scotland or the North of England but it entered national ownership centuries ago.Reginald Redman was an extremely prolific composer and the founder and conductor of the BBC’s West Country Studio Orchestra andthe West Country Singers. In addition to the many light Orchestra pieces suites and song cycles Redman wrote he produced numerous arrangements of West Country traditional songs. This charming and effective setting of the sadtale of Barbara Allen is arranged for three equal Voices SSA and Piano accompaniment.

The Water of Tyne is a traditional North Country folk song about lovers separated by the River Tyne. The flowing Piano accompaniment makes the most of the watery setting and adds poignancy to the song’s yearning emotion.WilliamGillies Whittaker was a highly respected English Choral conductor teacher and composer. He was a close friend of Gustav Holst with whom he exchanged voluminous correspondence and as composers they both made their own settingsof English folksongs. For Whittaker these were generally Choral arrangements often for the many choirs he conducted.

This is the most comprehensive study of Schoenberg's program notes and analyses of his own music yet published. Schoenberg's Program Notes And Musical Analyses illuminates 42 of Schoenberg's compositions through his own writings. This material in book emphasizes Schoenberg's deep concern for communicating with and educating his audience. In 1950 as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings Style and Idea he was already at work on a second volume to be called Program Notes. Inspired by this idea Schoenberg's Program Notes And MusicalAnalyses can boast the most comprehensive study of the composer's writings about his own music yet published. Schoenberg's insights emerge not only in traditional program notes but also in letters sketch materials pre-concert talks public lectures contributions to scholarly journals newspaper articles interviews pedagogical materials and publicity fliers. The editions of the texts in this collection based almost exclusively on Schoenberg's original manuscript sources include many items appearing in print in English for the first time as well as more familiar texts that preserve musical and textual information eliminated from previous editions. The book also reveals how Schoenberg desirous to communicate with and educate an audience took every advantage of changes in technology during his lifetime utilizing print media radio broadcasts record jackets—and had he lived television—for this purpose. In addition to four chapters in which Schoenberg illuminates 42 of his own compositions the book begins with chapters on his development and influences his thoughts about trends in modern music and in a nod to the importance of the radio in providing a venue for music analysis a chapter about Schoenberg's radio broadcasts.

A setting of a Irene Gass' poem based on traditional Irish theme by Eric H. Thiman for Mens voices a cappella.

Here is set the traditional text from Luke with a joyous and energetic musical vocabulary that will challenge the best collegiate and professional choirs.

A selection of Christmas Carols and Traditional Classics with Backing CD. This instrumental series is arranged for Flute Trumpet Clarinet Alto Saxophone Tenor Saxophone Horn in F and Trombone. The separate instrumental parts can be used alone with the CD or in any combination.

This piece is based on the traditional folksong O Waly Waly and is arranged for mixed voices with piano. The text is taken from Psalms 37 and 51 and Deuteronomy 10:12 it would be highly effective on Maundy Thursday during a period of renewal or stewardship emphasis.

Es kommt ein Schiff geladen est un célèbre choral allemand du temps de l?Avent dans lequel la Nativité s?exprime par la métaphore du bateau portant la cargaison divine jusque sur la terre où il jette l?ancre. Daté du début du XVe siècle ce choral a la particularité d?être à la fois en ternaire et en binaire. Utilisant différentes ornementations Roland Kernen a réalisé un arrangement de quatre des six strophes du cantique auxquelles ont été ajoutés un prélude un postlude et des interludes. La pièce constitue ainsi une composition variée qui installe un climat de mystère étonnant avant de fêter la naissance de Jésus à Noël.

A collection of 27 beautiful solos for acoustic guitar. Par . Peaceful Guitar Playlist presents 27 beautiful solos for acoustic guitar, transcribed in standard notation and tablature. Featuring a range of pieces from Nivana and Bob Marley to Cole Porter and J.S. Bach, there is something for everyone in this stunning collection. / Date parution : 2023-08-12/ Recueil / Guitare

Pour réaliser cet arrangement pour ensemble à vent à instrumentation variable Henk Hogestein a choisi les lignes mélodiques des trois chants de Noël polonais Lulajze Jezuniu (?Dors petit Jésus dors?) Dzisiaj w Betlejem (?Aujourd?hui à Bethléem?) et Gdy sliczna panna (?La Vierge Marie berce son enfant?). Une variation de lumière pour un Noël polonais au charme authentique.

Pour réaliser cet arrangement pour ensemble à vent à instrumentation variable Henk Hogestein a choisi les lignes mélodiques des trois chants de Noël polonais Lulajze Jezuniu (?Dors petit Jésus dors?) Dzisiaj w Betlejem (?Aujourd?hui à Bethléem?) et Gdy sliczna panna (?La Vierge Marie berce son enfant?). Une variation de lumière pour un Noël polonais au charme authentique.