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Piano, Voice
Barenreiter
Barenreiter
PIANO & KEYBOARDS
1 Piano, 4 hands
65
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1
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1
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71
3 Pianos
2
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1
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86
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56
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938
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35
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6
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253
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13
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1
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14
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2
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1037
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2
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51
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161
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26
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9
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139
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3
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235
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7
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53
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757
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17
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23
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48
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8
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108
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60
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4
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49
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77
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161
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27
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21
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31
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6
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30
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7
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6
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5
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23
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33
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7
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103
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8
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7
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9
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24
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2
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7
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9
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6
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7
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21
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3
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1
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24
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6
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184
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58
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116
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14
Chamber Orchestra
23
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2
Clarinet Quintet: Clarinet, String Quartet
2
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3
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1
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72
Double bass, Piano (duet)
8
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1
Flute and Strings Trio
1
Flute Quartet: Flute, Violin, Viola, Cello
7
Flute, Cello, Piano (trio)
2
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1
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2
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4
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10
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2
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1
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4
Flute, Violoncello
2
Guitar, String Quartet
1
Harp
24
Harp and Piano
1
Harp, Cello (duet)
1
Harp, Orchestra
5
Harpsichord and Strings
8
Horn, Violin, 2 Violas and Cello
1
Oboe, Violin, Piano
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Piano Quartet: piano, violin, viola, cello
13
Piano Quintet: piano, 2 violins, viola, cello
14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano Trio: piano, violin, cello
51
Piano Trio: Violin, Viola, Piano
1
String Orchestra
58
String Quartet: 2 violins, viola, cello
338
String quartet: 4 violins
1
String quintet
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
String Quintet: 2 violins, 2 violas, cello
4
String Quintet: 2 violins, viola, 2 cellos
1
String Quintet: 2 violins, viola, cello, bass
8
String trio
4
String Trio: 2 violins, cello
6
String Trio: 2 violins, viola
4
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5
String Trio: violin, viola, cello
20
Vibraphone, Marimba and Cello
1
Viola
268
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1
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4
Viola da Gamba
3
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2
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55
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387
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280
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19
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15
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6
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10
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2
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1
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14
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21
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4
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3
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1
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1
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7
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2
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1
Cello, Orchestra
58
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23
Choral, Orchestra
60
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12
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5
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16
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1
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2
Flute, Orchestra
25
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3
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2
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5
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25
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1
Oboe and Orchestra
8
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1
Orchestra
1393
Orchestra, Violin
126
Organ and Orchestra
35
Organ, Mixed Choir and Orchestra
3
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253
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1
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2
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66
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4
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2
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1
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22
Soli, Mixted choir and accompaniment
623
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1
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58
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5
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99
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2
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1
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4
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14
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12
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Franz Schubert: Ave Maria instantly for voice & piano
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Wolfgang Amadeus Mozart: The Magic Flute, K. 620
Piano, Voice
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn. K. 620. ...
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn. K. 620. Vocal score for voices (solo and ensemble) and piano accompaniment. Urtext of the New Mozart Edition. With choral notation, piano reduction and introductory text. Text language German. 221 pages. Published by Baerenreiter-Ausgaben (German import). ISBN M006450510.
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Orphee et Euridice - Orpheus und Eurydike
Piano, Voice
[Vocal Score]
Barenreiter
Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/de...
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Tragedie Opera (Drama heroique) in 3 Akten. Pariser Fassung 1774 (franzosisch/deutsch). Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. By Christoph Willibald von Gluck. Edited by Finscher, Ludwig;Sommer, Jurgen. For 2 Soprano solo, Tenor solo, Mixed Choir-Ball, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Harp, Strings. Piano Reduction/Vocal Score (paperbound). Published by Baerenreiter-Ausgaben (German import).
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Wolfgang Amadeus Mozart: Don Giovanni, K. 527
Piano, Voice
[Vocal Score]
Barenreiter
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn. K. 527. ...
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Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn. K. 527. For voices (solo and ensemble) and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score (hardbound). With choral notation, piano reduction and introductory text. Classical period. Text language Italian/German. 412 pages. 8x11 inches. Published by Baerenreiter-Ausgaben.
(1)
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Wolfgang Amadeus Mozart: The Marriage Of Figaro, K. 492
Piano, Voice
[Vocal Score]
-
Intermediate
Barenreiter
(Opera Buffa In Four Acts) Composed by Wolfgang Amadeus Mozart (1756-1791), edit...
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(Opera Buffa In Four Acts) Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Eugen Epplee, Ludwig Finscher. K. 492. For 5 soprano soloists, 2 tenor soloists, 4 bass soloists, mixed choir and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score (hardbound). With choral notation, piano reduction and introductory text. Classical period. Text language Italian/German. 537 pages. 8x11 inches. Published by Baerenreiter-Ausgaben (German Import).
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Platee
Piano, Voice
[Vocal Score]
Barenreiter
Ballet buffon en un prologue et trois actes. By Jean-Philippe Rameau. Edited by ...
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Ballet buffon en un prologue et trois actes. By Jean-Philippe Rameau. Edited by Bartlet, Elizabeth C. Arranged by Saint-Yves, Francois. Text: Autreau, Jacques. Piano Reduction/Vocal Score (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA8852 90)
(1)
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Esther
Piano, Voice
[Vocal Score]
Barenreiter
Oratorio in six scenes. First version. Vocal score based on the Urtext of the Ha...
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Oratorio in six scenes. First version. Vocal score based on the Urtext of the Halle Handel Edition. By George Frideric Handel. Edited by Server, Howard. Arranged by Kohs, Andreas. For Soprano solo (2), Alto solo, Tsolo (5), Bass solo; Mixed Choir, Orchestra. Piano Reduction/Vocal Score; Urtext Edition (paperbound). HWV 50a. Published by Baerenreiter-Ausgaben (German import). (BA4047 90)
(1)
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Dichterliebe
Piano, Voice
[Vocal Score]
Barenreiter
By Robert Schumann. Edited by Hansjorg Ewert. For Voice, Piano. Singing score. O...
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By Robert Schumann. Edited by Hansjorg Ewert. For Voice, Piano. Singing score. Op. 48. Published by Baerenreiter Verlag
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Radamisto (2. Fassung)
Piano, Voice
[Vocal Score]
Barenreiter
Opera seria in tre atti. Klavierauszug nach dem Urtext der Hallischen Handel-Aus...
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Opera seria in tre atti. Klavierauszug nach dem Urtext der Hallischen Handel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Terence Best. Arranged by Pacholke, Michael. For 4 Soprano solo, Mezzo-soprano solo, 2 Bass solo, 2 Flute, 2 Oboe, Bassoon, 2 Horn, 2 Trumpet, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). HWV 12b. Published by Baerenreiter-Ausgaben (German import).
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Hippolyte et Aricie (1757)
Piano, Voice
[Vocal Score]
Barenreiter
Tragedie en cinq actes. By Jean-Philippe Rameau. Edited by Bouissou, Sylvie. Arr...
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Tragedie en cinq actes. By Jean-Philippe Rameau. Edited by Bouissou, Sylvie. Arranged by Saint-Yves, Francois. Text: Pellegrin, Simon-Joseph. For Soli, Piano. Piano Reduction/Vocal Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA8853 90)
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Liederkreis op. 39
Piano, Voice
[Vocal Score]
Barenreiter
Composed by Robert Schumann. Edited by Hansjorg Ewert. For voice and piano. This...
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Composed by Robert Schumann. Edited by Hansjorg Ewert. For voice and piano. This edition: Urtext edition. Stapled. Vocal score. Opus 39. Published by Baerenreiter Verlag
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Die schone Mullerin, op. 25 (D 795)
Piano, Voice
[Score]
Barenreiter
(Mittlere Stimme). By Franz Schubert (1797-1828). Edited by Walther Durr. For So...
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(Mittlere Stimme). By Franz Schubert (1797-1828). Edited by Walther Durr. For Solo Voice, Piano. Playing Score; Urtext Edition. Op. 25. Published by Baerenreiter Verlag
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Die schone Mullerin, op. 25 (D 795)
Piano, Voice
[Score]
Barenreiter
(Tiefe Stimme). By Franz Schubert (1797-1828). Edited by Walther Durr. For Solo ...
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(Tiefe Stimme). By Franz Schubert (1797-1828). Edited by Walther Durr. For Solo Voice, Piano. Playing Score; Urtext Edition. Op. 25. Published by Baerenreiter Verlag
(1)
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Beatrice et Benedict
Piano, Voice
[Vocal Score]
Barenreiter
Opera-comique. Klavierauszug nach dem Urtext der New Berlioz Edition (franzosisc...
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Opera-comique. Klavierauszug nach dem Urtext der New Berlioz Edition (franzosisch/deutsch). By Hector Berlioz. Edited by Macdonald, Hugh;Durek, Josef S. For 2 Soprano solo, Mezzo-soprano-Solo, Tenor solo, Baritone solo, 2 Bass solo, 5 Speaker, Mixed Choir-SSTTBB, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 4 Horn, 2 Trumpet, Cornet, 3 Trombone, Kettledrum, Drums, Strings. Piano Reduction/Vocal Score (paperbound). Holoman 138. Published by Baerenreiter-Ausgaben (German import).
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Athalia
Piano, Voice
Barenreiter
(Oratorio in three parts. Urtext der Hallischen Handel-Ausgabe). By George Fride...
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(Oratorio in three parts. Urtext der Hallischen Handel-Ausgabe). By George Frideric Handel (1685-1759). Edited by Stephan Blaut. Arranged by Andreas Kohs. For Big Orchestra, Soprano Solo (3), Alto Solo, Bass Solo, Tenor Solo (2). Hallische Handel-Ausgabe. Serie I, Band 12.1 + 12.2. Piano Reduction/Vocal Score; Complete Edition; Urtext Edition (paperbound). HWV 52
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Mitridate, Re di Ponto
Piano, Voice
[Vocal Score]
Barenreiter
Mitridate, Re di Ponto K. 87 (74a) (Opera seria in three acts). By Wolfgang Amad...
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Mitridate, Re di Ponto K. 87 (74a) (Opera seria in three acts). By Wolfgang Amadeus Mozart (1756-1791). Edited by Luigi Ferdinando Tagliavini. Arranged by Eugen Epplee. For 4 soprano voice solos, alto voice solo, 2 tenor voice solos, 2 flutes, 2 oboes, bassoon, 4 horns, 2 trumpets, harpsichord, strings. This edition: Paperback, Urtext edition. Piano reduction. Language: Italian/German, Text language: German/English. K. 87 (74a). 430 pages. Duration 195'. Published by Baerenreiter Verlag
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Le nozze di Figaro - Die Hochzeit des Figaro - Le nozze di Figaro - The Marriage of Figaro
Piano, Voice
[Vocal Score]
Barenreiter
Opera buffa in 4 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (...
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Opera buffa in 4 Akten. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe (italienisch/deutsch). By Wolfgang Amadeus Mozart. Edited by Finscher, Ludwig; Epplee, Eugen. For 5 Soprano solo, 2 Tenor solo, 4 Bass solo, Mixed Choir, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). KV 492. Published by Baerenreiter-Ausgaben (German import).
(1)
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Duets, Trios and Ensemble Movements from Handel's Operas
Piano, Voice
[Vocal Score]
Barenreiter
By George Frideric Handel (1685-1759). For Voice and Piano. Piano Reduction/Voca...
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By George Frideric Handel (1685-1759). For Voice and Piano. Piano Reduction/Vocal Score; Urtext Edition (paperbound)
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Wolfgang Amadeus Mozart: Missa Brevis In D K.194: Voice & Piano: Vocal Score
Piano, Voice
Barenreiter
Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritati...
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Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritative vocal score version features a piano reduction of the instrumental material as well as the complete score for Soprano solo Alto solo Tenor solo Bass solo and mixed SATB choir.
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Kelterborn, Rudolf : 10 Duos for Female Voice and Piano
Piano, Voice
[Sheet music]
-
Intermediate
Barenreiter
The composer Rudolf Kelterborn about his work: ?I call the ten compositions for ...
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The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.
In the vocal part there are several variants, and this makes them accessible for different types of voice.
The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.
The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /
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Antonín Dvo?ák: Songs II for High Voice and Piano: High Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for High Voice and PianoFollowing the publication of Dvorák’s ea...
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Songs II for High Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
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Antonín Dvo?ák: Songs II for Low Voice and Piano: Low Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for Low Voice and PianoFollowing the publication of Dvorák’s ear...
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Songs II for Low Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
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Mass In B Minor Bwv 232
Piano, Voice
[Sheet music]
Barenreiter
Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. ' / Chant Et Piano / Partition
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Berlioz Hector - Les Nuits D'ete - Chant and Piano
Piano, Voice
Barenreiter
Berlioz, Hector Les nuits d'été for solo voice and orchestra op. 7 Hol. 81B Si...
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Berlioz, Hector Les nuits d'été for solo voice and orchestra op. 7 Hol. 81B Six Songs Version for medium voice Edition no.: BA 5786-90 ISMN: 9790006506033 Editor: Kemp, Ian Arranger: Woodfull-Harris, Douglas Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: VI, 27 S. - 30,0 x 23,0 cm
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SCHUMANN R. - DICHTERLIEBE - VOIX ET PIANO
Piano, Voice
Barenreiter
Komponist / Autor:Schumann, RobertTitel:Dichterliebe op. 48Besetzung Detail:Sing...
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Komponist / Autor:Schumann, RobertTitel:Dichterliebe op. 48Besetzung Detail:Singstimme, KlavierTextdichter:Heine, HeinrichHerausgeber:Ewert, HansjörgVor- / Grußwort:Ewert, HansjörgProduktart:Singpartitur, UrtextausgabeEnthaltene Einzelstimme / Tous instruments / Barenreiter
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HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE
Piano, Voice
[Vocal Score]
Barenreiter
HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal ...
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HANDELG.F. - ZADOK THE PRIEST HWV 258 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE
Piano, Voice
[Vocal Score]
Barenreiter
MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal /...
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MOZART W.A. - MASS IN C MINOR KV 427 - VOCAL SCORE / Choeur et ensemble vocal / Barenreiter
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Franz Schubert: Lieder Volume 8 - Low Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext editi...
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Tiefe Stimme / Low Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice.This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume.• Based on the Urtext of the “NewSchubert Edition”• Clear and uncluttered engraving• Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng)• Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Lieder Volume 8 - High Voice D 262 - D 323: High Voice: Vocal
Piano, Voice
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Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext editi...
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Hohe Stimme / High Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Lieder Volume 7 - High Voice D182 - D 260: Voice: Vocal Album
Piano, Voice
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Hohe Stimme / High Voice-The new Urtext edition of Franz Schubert’s Lieder...
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Hohe Stimme / High Voice-The new Urtext edition of Franz Schubert’s Lieder edited by Walther Dürr continues with volume 7 presented in separate volumes for high medium and low voice. This new volume contains the Lieder that Schubert composed between May and August 1815 including his setting of Schiller’s ballad Die Bürgschaft (D 246).
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Franz Schubert: Lieder Volume 7 - Medium Voice D182 - D 260: Voice: Vocal Album
Piano, Voice
Barenreiter
Mittlere Stimme / Medium Voice-The new Urtext edition of Franz Schubert’s ...
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Mittlere Stimme / Medium Voice-The new Urtext edition of Franz Schubert’s Lieder edited by Walther Dürr continues with volume 7 presented in separate volumes for high medium and low voice. This new volume contains the Lieder that Schubert composed between May and August 1815 including his setting of Schiller’s ballad Die Bürgschaft (D 246).
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Franz Schubert: Lieder Volume 8 - Medium Voice D 262 - D 323: Voice: Vocal Album
Piano, Voice
Barenreiter
Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext...
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Mittlere Stimme / Medium Voice-Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate editions for high medium and low voice. This volume contains lieder originating during the latter half of 1815 between August and November. Three series of lieder each based on a particular poet immediately catch the eye: a number of Ossian settings a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7 is concluded in this volume. Based on the Urtext of the “New Schubert Edition” Clear and uncluttered engraving Foreword by Walther Dürr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/ Eng) Includes English translations of the lieder texts by Richard Wigmore
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Franz Schubert: Lieder Volume 7 - Low Voice D182 - D 260: Voice: Vocal Album
Piano, Voice
Barenreiter
Tiefe Stimme / Low Voice-The new Urtext edition of Franz Schubert’s Lieder...
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Tiefe Stimme / Low Voice-The new Urtext edition of Franz Schubert’s Lieder edited by Walther Dürr continues with volume 7 presented in separate volumes for high medium and low voice. This new volume contains the Lieder that Schubert composed between May and August 1815 including his setting of Schiller’s ballad Die Bürgschaft (D 246).
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Dir Mir Zu
Piano, Voice
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This short, highly compact song is based on an excerpt from a poem by Philipp Lu...
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This short, highly compact song is based on an excerpt from a poem by Philipp Luidl. Thanks to the narrow ambitus of the vocal part, it is suitable for every vocal register. The piano part is strictly bound to the musical text, whereas the vocal part, though precisely notated, is granted almost unlimited leeway in performance. Almost anything is permitted, from traditional song interpretation to uninhibited Sprechgesang in which even pitches can be redefined. The imagery of the poem - a stone constantly rolled back by the sea - gives rise to music of great flexibility. Piano and voice complement each other while preserving their independence. / Chant Et Piano
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Verdi G. - Messa Da Requiem - Vocal Score
Piano, Voice
[Vocal Score]
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Advanced
Barenreiter
Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the ...
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Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the “Messa da Requiem”, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems. • Verdi’s monumental work in a Bärenreiter Urtext edition • Trilingual preface (Ital/Eng/Ger) • Detailed Critical Commentary (Eng) • Idiomatic well-presented piano reduction Edition no.: BA 7590-90 ISMN: 9790006541591 Editor: Uvietta, Marco Arranger: Campora, Andrea Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: X, 154 S. - 27,0 x 19,0 cm
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Songs On Texts By Johann Wolfgang Von Goethe (FIBICH ZDENEK)
Piano, Voice
-
Intermediate/advanced
Barenreiter
Par FIBICH ZDENEK. The Czech composer Zdenek Fibich (1850–1900) had a keen int...
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Par FIBICH ZDENEK. The Czech composer Zdenek Fibich (1850–1900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe while still a student at the Leipzig Conservatory. Between 1865 and 1871 he composed 16 songs on texts by this famous German author for voice and piano. Ten of them have survived: the song “An den Mond”, dating from 1869, and nine further songs from Goethe’s novel “Wilhelm Meisters Lehrjahre” were composed immediately after Fibich’s return to Prague in 1871. All ten now appear here in a single-volume Urtext edition edited by Barbora Kubecková. / Niveau : 4 / Répertoire / Vocal et Piano
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Wolfgang Amadeus Mozart: Complete Songs for Medium Voice & Piano: Voice: Vocal
Piano, Voice
Barenreiter
Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to ...
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Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again at irregular intervals down to the final year of his life. None the less Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder published in 1799 by Breitkopf
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Robert Schumann: Frauenliebe Und Leben Op.42: Voice: Vocal Score
Piano, Voice
Barenreiter
Original edition for medium Voice. Comprehensive bilingual foreword (Ger/Eng) an...
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Original edition for medium Voice. Comprehensive bilingual foreword (Ger/Eng) and critical commentary (Ger).The song texts are printed separately and include English translations taken from Richard Stokes’ publication The Book of LiederSchumann’s song cycle Frauenliebe und Leben on poems by Adelbert von Chamisso deals with the trauma of a woman who loses the man who was her first love and the guiding light of her life. Schumann himself completed what is perhaps his most unified song cycle in blissful anticipation of his union with Clara Wieck.This edition presents the work on the basis of the first print usingSchumann’s autograph for purposes of consultation. The alternative readings in the autograph Vocal part also give singers valuable tips for a nuanced delivery of the words.
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Floersheimer Wald For Solo Voice And Piano
Deutsch
Piano, Voice
Barenreiter
For many, the title will awaken memories of the demonstrations against the clear...
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For many, the title will awaken memories of the demonstrations against the clearance of the Flörsheim Forest to allow for a new runway at the Frankfurt Airport. Both the poem, which extends beyond this local incident to remind us of the seriousness of our global situation, and the music join together to form an expressive, universally valid call for the conservation of our core values, our future together: 'Die Erde jedoch wird sich wehren. Sie wird uns, am Ende, nichts mehr geben als den Staub, in dem wir aufgehn.? (The earth, however, will resist. She will, in the end, not give us any more than dust, into which we will submerge.) It is up to us, to prevent the situation from advancing so far: 'Wir, die wir zu ihren Schülern wurden, sollten die Lehre der Bäume verbreiten.? (We, the students, should spread the teachings of the trees.? / Voix Et Piano
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