Bote-and-Bock - Violin and Piano

SKU: HL.48025319

UPC: 196288175384.

Note by the composer:“This piece was written in 2006 (for violoncello and piano) for an exhibition dedicated to artists suffering from schizophrenia. Thebasis of the piece is a sequence of four chords, very simple and minimalistic. A person with schizophrenia hears voices that can be very disturbing; there is a longing for silence. I wrote this piece so that my son Alex, who suffers from the illness, could hear silence and meditation from it. It's called Blue Silence because blue is sometimes associated with healing.” Elena Kats-Chernin.

SKU: HL.48025071

ISBN 9783793142911. UPC: 196288059691. 9.0x12.0x0.081 inches.

These six short pieces are suitable for instrumental students and familiarise them with techniques such as double stops or left-handpizzicato. Pieces 2 and 3 offer the same music with varying degrees of difficulty.

SKU: HL.48025296

UPC: 196288174325.

“Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in theWild Swans, more than in any other work of mine, I allowed myself the freedom to roam through 200 years of musical genres, ranging from Hungarian Operetta through folk music and even including the influences of jazz and popular music,” says Elena Kats-Chernin. The full-length work, which premiered in Sydney in 2003, was written for choreographer Meryl Tankard after the two artists had already worked together for the opening ceremony of the 2000 Olympic Games, and became one of the composer's greatest successes. Many excerpts in various arrangements have a concert life of their own today - including the world-renowned Eliza Aria. Arranged by the composer in 2004 for violin and piano after the original orchestral version, the half-hour suite comprises ten characteristic movements: Green Leaf Prelude, Eliza Aria, Brothers, Wicked Witch (piano solo), Magic Spell Tango, Glow Worms, Darkness of the Forest, Eliza and the Prince, Mute Princess, Transformation.

SKU: HL.48025035

ISBN 9783793142607. UPC: 196288020790. 9.0x12.0x0.171 inches.

With Berlin Music, Brett Dean wrote a threefold homage: to the classical duo consisting of violin and piano; to the violin virtuoso Midori, for whom the piece was written; and to the city of Berlin, where he lived between the mid-1980s and 2000 and whose rich cultural life he owes much to his development as a musician and composer. The first four, relatively short movements of the five-movement work form a suite of character pieces, which is followed by a longer final movement. In summary, this turns out to be the actual main movement from which all motifs and harmonies emerged in a compositional manner. This includes tuning down the G side by a whole tone - an apparently small difference, but one that has a major effect on the timbre and resonance of the instrumentand suddenly makes previously impossible interval sequences playable. In addition, the violin in the third movement (a moto perpetuo in which Dean bows to Ravel's violin sonata) has to play with a practice damper, while the pianist changes the instrument and plays on a standing piano that is dampened by a pedal and placed next to the concert grand Expressing nervous energy in tight college spaces.

SKU: HL.48014302

UPC: 073999949827. 9.0x12.0x0.129 inches.

Gasa is a Korean word meaning simply Song-Words and is the name of a Korean narrative art song. It is sung by a woman and is accompanied by a bamboo flute, the Taegum and an hourglass drum, the Changgo. In Gasa the violin part is modeled on the character of the voice which contrasts such opposites as purity and courseness, near and far, light and dark. ''Gasa exists in space. It takes no heed of time- each moment exists in space and that space is unending. Within this (space) however, there exists a dramatic development.AE (Isang Yun) In Gasa Yun combines his central-tone technique with twelve note tone-fields.