INSTRUMENTATIONS :
PIANO
› 1 Piano, 4 mains (duo) 13 Original
CLARINETTE
› Ensemble à Clarinettes 6
› Clarinette, Piano 1
HAUTBOIS
› Hautbois, Quatuor à cordes 2
VIOLONCELLE
› Violoncelle et Piano 2
FLUTE

+ 6 instrumentations

ARRANGEURS :
› Bizet, Georges Original 13
› MAGATAGAN, MICHAEL 9
› Reinier, van der Wal 6
› Roques, Léon 2

Compositeurs

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Objets cadeaux
Bizet, Georges

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Bizet, Georges

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Partitions Flute ⮞ Flute et Harpe ⮞ Georges Bizet

"Colin-Maillard" Nocturne from "Jeux d'enfants" for Flute & Harp
Op. 22 No. 9
Georges Bizet

Flute et Harpe

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VoirTélécharger PDF : "Colin-Maillard" Nocturne from "Jeux d'enfants" (Op. 22 No. 9) for Flûte & Harp (5 pages - 246.37 Ko)90x⬇

VoirTélécharger PDF : Flûte (71.59 Ko)

VoirTélécharger PDF : Harpe (85.67 Ko)

VoirTélécharger PDF : Conducteur complet (197.94 Ko)

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Télécharger MP3 : "Colin-Maillard" Nocturne from "Jeux d'enfants" (Op. 22 No. 9) for Flute & Harp 18x⬇ 197x

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Compositeur	Georges Bizet (1838 - 1875)
Partition centrale	Jeux d'enfants (30 partitions)
Instrumentation	Flute et Harpe
Genre	Classique
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - ) Suivre 102 Contacte Faire un don
Droit d'auteur	Public Domain
Georges Alexandre César Léopold Bizet (1838 - 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as ...(+) Georges Alexandre César Léopold Bizet (1838 - 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful. After the Franco-Prussian War of 1870–1871, during which Bizet served in the National Guard, he had little success with his one-act opera Djamileh, though an orchestral suite derived from his incidental music to Alphonse Daudet's play L'Arlésienne was instantly popular. The production of Bizet's final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later, unaware that it would prove a spectacular and enduring success. Bizet's marriage to Geneviève Halévy was intermittently happy and produced one son. After his death, his work, apart from Carmen, was generally neglected. Manuscripts were given away or lost, and published versions of his works were frequently revised and adapted by other hands. He founded no school and had no obvious disciples or successors. After years of neglect, his works began to be performed more frequently in the 20th century. Later commentators have acclaimed him as a composer of brilliance and originality whose premature death was a significant loss to French musical theatre. Jeux d'enfants ("Children's Games") Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871. Originally there were ten numbers, with the seventh and eighth added after the first group; Trompette et tambour is adapted from a march at the start of act 5 of his opera Ivan IV. Bizet sold the work in both piano and orchestra form to Durand in September 1871 for 600 francs. Bizet's biographer Winton Dean considers it to be a forerunner of similar childhood-related works by Debussy, Fauré and Ravel. He goes to comment that each "evokes a facet of childhood, but there is not a trace of triviality, self-consciousness or false sentiment". Harman and Mellers argue that, with the music Bizet wrote for the stage production of L'Arlésienne, the Jeux d'Enfants represents the rediscovery of his true musical nature, exploring his melodic gifts, while the concentrated form of short pieces allowed him to discover chromatic and enharmonic subtleties both "simple and single-minded", in contrast with the more romantic nostalgia of Schumann in his childhood pieces. Bizet orchestrated six of these; in addition to No. 8, Nos. 6, 3, 2, 11, 12 became his Petite Suit. Source: Wikipedia (https://en.wikipedia.org/wiki/Georges_Bizet) Although originally composed for Piano Duet (4 Hands), I created this Interpretation of the "Colin-Maillard" (Blindmans Buff) Nocturne from "Jeux d'enfants" (Childrens Games Op. 22 No. 9) for Flute & Concert (Pedal)
	Ajoutée par magataganm, 25 Déc 2020